My fiancee and I went to a bonsai festival this weekend. Naturally, since then I’ve been watching a lot of videos and reading a lot of articles about bonsai, reassuring myself that yes, I should not become a bonsai hobbyist. For me, the most interesting theme in all these videos is how slow and gradual the work is: artists work every day on their living sculptures, pruning and refining, transplanting and fertilizing, and day by day the average person wouldn’t see any change at all. Only after decades does the mature plant show the vision the artist had in their head all along. If you went to a bonsai nursery, everything under the age of two would look like an unremarkable seedling, and it would be hard to imagine how those twiggy little things could transform into sculpture worth handing down for generations.
So I was thinking about writing, and how it’s slow, incremental work, and how little progress the average author seems to make from day to day (even a prolific day’s writing is only a few minutes’ reading for most people). And so I though I might like to put a little sapling on display, so that no matter how long it takes me to finish a piece of my regular work, there’s always a little window open for anyone who’s interested to see what I’m doing. So I created a document today, and planted a seed, and here it is: https://docs.google.com/document/d/1uq1Gd7Z0svfbvOuYisnVZUbSp87TBupnsA8CUabFU68/edit
This is the beginning of what I hope will turn out to be a novel. It’s an actual working document, with notes and scribbles and half-finished sentences and all, and so far only a few words of prose. If you’re ever curious about what I’m doing, you can go and have a look, and leave a comment if you’d like. I’ll try to spend at least a minute on it whenever I tend to my other seedlings.
Last night I read the most beautiful story about giant robots. It’s “Metal Like Blood in the Dark,” by T. Kingfisher, aka Ursula Vernon, currently published by Uncanny Magazine. (Spoilers below.)
I’m not sure if I’d ever read anything of hers before now, but this story was so, so good. It’s clearly fairy-tale inspired, with elements of Hansel and Gretel and other stories, but is set on a burned-out mining planet and its asteroid belt somewhere in space. It features a kind old professor who makes two robot children but must leave them for the sake of his health. They go out on their own to wait for him to come back, but fall prey to another machine much more predatory and deceptive than they are. Sister (who becomes the viewpoint character) must learn to think differently and change parts of herself in order to save her brother and escape their captor.
This story is masterful. I am trying to learn the art of short fiction (as you may have noticed), but since I’ve always worked and thought mostly in novel form, it’s something I’m having to pick up in bits and pieces. One thing I really realized lately was that if you want your story to sell, you really need a sympathetic and well-drawn protagonist and a clear, winnable (or losable) conflict. A story without these elements can be impressive, but it won’t be loved. (And don’t we all want to be loved?)
Kingfisher’s Brother and Sister are massive machines who bore through the earth and fly through the sky like insects, looking for metals to eat, and they love their father very, very much. They care for each other, make sacrifices to protect each other, and learn life lessons through the course of the story. If automata can be imbued with that much humanity in the hands of a master, then any character can pull at the reader’s heartstrings if written with enough care.
The other thing is that the writing is just exquisite. Every phrase is cut like a gem, and every image sings. I had to stop and stare at the screen and marvel when I read the line “…while Brother drank starlight from Sister’s fingers.” Reading, I wondered glumly if I could ever get to that level, and how Vernon herself learned to write like that. Then I visited the author’s website and saw that she’s incredibly prolific, having written nineteen books for children, nineteen books for adults, and two different webcomics (one winning multiple awards), which she also illustrates. That’s not counting the short stories. So that’s how, I guess.
As one of the vast majority of fantasy writers who are 1) not prolific and 2) completely unknown beyond friends and family, it’s hard to avoid glum comparisons with writers like Kingfisher/Vernon, or Gaiman, or N.K. Jemisin, or any of the Hugo/Nebula regulars. I don’t know, it’s like an ambitious amateur baseball player looking wistfully at someone who got a major-league contract at nineteen: even if I could go back in time and do everything differently, I’d never be where they are. But there’s really nothing to do about this, and you can give up or keep writing whatever the result, so I guess I’ll (slowly) do the latter.
Anyway, this wasn’t actually meant to be a glumpost. I actually did want to recommend the story I just read, and to say I’m looking forward to reading more by this author. And if you like fairy tales and sweet stories set in space, then I recommend you check this story out, too.
Another quiet week. More people are coming back from vacation, but I only had to teach a few lessons this week, and really enjoyed the free time. I finished my submission for writers’ group early, which was a nice treat; usually I’m up late Friday night to get it done.
Re: computer: We looked at parts to build one, and it made my brain ache, so for peace of mind I went with a laptop. Hello, new Acer. May you prosper.
Fran’s mom is visiting. Met her for the first time yesterday and it was lovely. We don’t really have a common language (even if I spoke more Italian, I wouldn’t understand Sicilian), but I’m picking up bits as fast as I can and making Fran translate the rest. Got to taste proper Italian sausage yesterday (of course her mom brought a lot of food in her luggage ^_^). Did you know they sometimes put vegetables into the sausage casing? I did not, but I support it.
Went to a giant craft store the other day. Bought way too many craft supplies and had a great time.
Cold Comfort Farm was funny but had a lot of flaws: the parody was clunky, and I don’t think the author quite managed what she was going for. But I started watching the movie just now, and it seems to do the job much better. Quite funny; will see if it holds up.
Besides the new section of VOID, I started two new projects: a short story for submission, and another one for Halloween. “But Katherine,” you say, sounding rather exasperated, “every week you tell us about a new project you’ve started. Very rarely do you mention a project that’s finished.” Well, I’ll tell you that that’s an entirely valid point. Wish me luck.
*I wrote this piece last month, and started submitting it right away. It got rejected three times, very quickly, and I realized there was probably something fundamental that wasn’t working. I think, in retrospect, that 1) it’s too on-the-nose, and 2) it probably should have had a slightly longer ending, and a bit more introduction of the main conflict in the opening lines. Rather than rewrite it, I’m going to put it here as it is, and I hope someone enjoys it. : )
Iโve been eating for hours, but the table is still covered with bright porcelain teapots, serving plates, baskets of muffins and scones, and anything else a child could want. Iโve drunk four cups of tea (Lady Grey, hibiscus, chamomile, and mint) and sampled all the snacks within reach. Iโm getting full. I study the cream puff in my hand, wondering if itโs all right to put it back. I feel guilty thinking about it, as if Iโve betrayed someoneโs expectation of me. In the end, I eat it.
Thereโs no one else here. Iโve been alone for a while. I keep eating and waiting as others get up (tall, stately, ladylike in their long tea dresses and broad-brimmed hats) and leave the picnic, walking from the party to the garden trails, going to places I canโt see. Nothing keeps me here. I could go, too. But Iโm afraid to take those unknown trails, to leave this beautiful table for whoever may come next. The women whoโve left have not come back. I think it might be better to stay here in this soft garden chair, helping myself to tea and sweets while the wind plays with the brim of my yellow straw hat. Itโs better to enjoy good things when you find them. If I leave, I might not find such good things again.
The sun has been bright all day. When I first sat down (ages and ages ago), I felt a little hot. I took a seat in the shade of a lush, leafy oak branch that reached its armful of acorns across the table. But now that time has passed, the light doesnโt hurt so much. The breeze that blows the branches of the trees has kept the tables beneath them cool and fresh. I feel a little foolish now to be hiding under an oak bough, when all the other girls whoโve sat at this table have faced the sun bravely with smiles on their faces. One by one, theyโve stood and walked away, tall and graceful and grown. I still wait in my oak-shaded seat for the moment when it will feel right to leave the party.
โHello.โ
A girl in red sits down across from me, right in the full sun. She smiles at me as she stacks a plate with scones, sandwiches, รฉclairs, petits fours, and everything else in reach. Her hat is as red as her sundress. I think sheโs around my age.
โYouโre the only one here,โ she says after a moment.
โThe others left.โ I am looking at her dark eyes under the scarlet sun hat. They seem a little older than I thought. โPeople come and go here. No one stays long.โ
โExcept you?โ The girl eats a small bunch of grapes, looking at my plate. โYou look as if youโve been here a long time.โ
โI donโt know where else to go.โ The paths are easy to see, but I canโt guess which to take or where any of them will lead.
She looks at me, and then at the nearest trail. โGo where you like. Just get up and pick a direction.โ Her voice sounds lower than it did a second ago. Her face is sharper, too. The cut of her red dress seems to change by the minute. Looking at her face again, I can see that sheโs older than me.
I look at the garden paths again. There are seven or eight of them, maybe more. Trees grow close around their entrances, and the light doesnโt reach far inside. โI donโt know which direction to go,โ I say slowly. I know somehow that once Iโve chosen a path, the others will be gone, at least for me. There is only one chance to make this choice. โWhat if I choose the wrong one?โ
She shrugs. She has cleared a few plates of cherries, watermelon, tarts, and little sandwiches. Now sheโs looking at her half-empty cup of tea as if deciding whether to put it down. โJust go and look. All you can do is try to make a good choice. Just do your best, and keep doing your best after that.โ
I am starting to resent this girlโs coolness, her rose-red confidence. How can she know whatโs going to happen to either of us? What gives her the right to advise me? โIs that what you plan to do?โ My voice is snider than I meant it to be. I take a defiant bite of cherry cream cake, though the taste is starting to cloy.
The girl nods. Pushing away her plate, she drains her teacup and springs to her feet. She is fully grown now, with power in her broad shoulders, the tilt of her lovely head, the length of her muscular legs. Her dress is short, her hat jaunty, her face exquisitely painted. She glances at each path and makes her decision. Before I can ask her to wait, she runs down the nearest path and is gone in seconds under the trees.
So Iโm alone again.
I look again at the teapots and serving bowls, the undiminished cakes and pies, the vast assemblage of butter, cream, and jam. Everything is as lovely as it ever was: the food as fresh and well plated, the flowers as bright and welcoming in their vases as when I sat down many hours ago. Steam still rises from the teapots, and I know that if I pour another cup, the tea will be perfect.
But Iโve lost my appetite. Itโs time to go.
I stand up. Then I nearly fall down. Iโve grown much taller since Iโve been here. My dress fits awkwardly, as if it werenโt cut for me. I feel as if Iโve been given the wrong limbs.
I wobble and stagger before finding my new balance. The tables and chairs are far below me now, so obviously child-sized that Iโm not sure how I ever felt comfortable here. This is clearly a childrenโs picnic. Shifting on my shaky fawnโs legs, I wonder where I should go.
I begin looking down the pathways, one after another. They all have a certain beauty, and something draws me towards each one: a branch twined with ivy, a wall of wisteria, a shiver of birds in a hedge. The trees that line the paths are tall and graceful, ancient in their grace. Slowly, I begin to move towards the nearest trail.
A burst of laughter, distant but clear, floats up the trail towards me. I remember that these paths arenโt empty. Theyโre peopled with people who know much more about the world than I do.
I turn towards another path, and again I hear womenโs voices: talking, whispering, laughing. The girls who were my companions at these tables are now far ahead of me. The space I am about to enter is their space. In my awkward dress and awkward manners, I will only be a half-welcome newcomer at the end of any of these trails.
There is little I know about these paths, but I know all at once that I donโt want to take them.
So I begin to look not at the paths, but between them. There are places along the edges of this clearing where the trees grow so close, the vines twine so tightly, that no pathway could be formed. Examining these places, I see, in the darkest and richest intertwining of trees, that the green shades and rustling hollows are as lovely as any garden trail. Though the tangle is thick, there is sunlight to be found there. No human laughter echoes from the woods, but there is other laughter there, softer and more inviting than any Iโve heard before.
I take off my hat and put it on the table. Then I take off my shoes, which are so tight I donโt know how I ever got them on. I shiver gratefully as my toes uncurl, already feeling healthier and stronger. I peel off my lace-trimmed socks and drop them like dead petals beside the shoes. My bare toes burrow in the dirt like the roots of a plant starving for water.
The dress Iโm wearing is too tight, so I unbutton it until I can breathe. Then I step back from the table into the shadow of the trees.
The picnic is still spread for company, its child-sized tables bright under the summer sun. I bid the place a nostalgic farewell, and then I walk into the forest. My bare feet find their way surely through the roots and undergrowth. My legs, long cramped, unfold into this new exercise. I wonder what I will be when I come to the end of this pathway, and what tables are waiting deep inside the wood.
She wakes on an altar, with words in a language she doesnโt know ringing in the air above her. She opens her eyes and looks up, sees a figure in white and black standing over her. He holds something in his hands: book, murmurs an awareness she didnโt have a moment ago. Book. Priest. Man. Church. For the echoing vault that stretches into shadows above them is surely a church, whatever that is, though she can feel that the building is cold and empty, closed for the night.
She identifies muscle groups one by one, takes control of them, gathers herself, and sits up. She is naked. Beneath her skin, the altar (marble, whispers that strange awareness) is unyielding and cold. Frowning, she pushes herself up off the slab and stumbles to the floor. The shock of the ice-cold stones beneath her feet wakes her for a moment, and she remembers that she is human.
Or something like a human. The echoes she hears are more resonant than they would be for human ears. She remembers the distinction from before.
But what was before?
She has lived other lives. This body is familiar: the height of her head above the ground, the length of her arms, the size and strength of her hands. She vaguely remembers using these hands to doโฆ something. What was it? What did she do, here in this world, where the night is dark and cold? And why (she is sure of it now), why did it end so soon?
Itโs too cold here. She doesnโt know why she has come back, when she was somewhere so much better. She canโt remember details, but drifting veils of memory she cannot grasp show light, warmth, happiness. Surely she does not want to be here.
Still, there is something poignantly charming about this realm of beating hearts and tumbled emotions. Thereโs joy here, mingled with the sadness, and other things you cannot see in brighter places, things that only shadows illuminate. She didnโt want to come here, but, if she is here, she may as well live awhile. Thereโs time enough to die, in the fullness of a mortal life. She need not yearn too much for heaven, when sheโll be back again so soon.
She hears a sound behind her: belated footsteps, as the man who called her back into this world moves to guide her through it. She knows him by his step before he comes into view.
โJohn.โ Her voice emerges as if from a crypt. โWhere are we?โ
โSafe.โ His voice is breathless. โYouโre safe here. Are you feeling well? Are youโฆโ He trails off.
She studies the man as her vision sharpens. She always knows John when she sees him, no matter how far he has wandered from the place where she saw him last or how much his face has changed. Heโs decently handsome in this lifetime, in an everyday way, black-cassocked though there is no one here to see his priestly dress. Not too old, but not young. Experienced. He is the kind of man you feel you can trust.
Learned instinct, deep in her golden bones, makes her wary of the feeling.
โAlethea.โ His voice shivers as he says her name. โDo you remember anything?โ
She shakes her head slowly. โWhat happened? How did it end this time?โ
He avoids her eyes. โNot well. But I think weโll do better this time. Now that youโre here, we can talk about what went wrong.โ
She is unsettled by a flash of resentment as she listens to his speech. Why should he look at her so expectantly? She has just awoken. How can he pin hopes on her so soon?
Memories brighten like constellations on the blackness of her mind. Where she was before, she didnโt need memories; she had more elegant ways to think. But these are the memories she had before, returning with all the other tired features of mortality: breath, heartbeat, and fragile brainwaves.
These flashes of life appear one by one and in clusters. Some are bright (morning sun glinting over high treetops) and others harder to perceive. There are snatches of conversations murmured in various languages, swift flashes of violence and wonder and grief. A man speaks above muttering crowds: something terrible is about to happen, something too big to stop. And John (brown-robed, gray-haired, humble and uncertain) stands in a corner, watching, as it all begins to happen.
He is always there, in every memory. He has been a part of every life sheโs lived, every brief ill-fated facsimile of mortality sheโs experienced. She can see him at all ages–in all ages–face after face, all different but all indefinably, undeniably him. Though heโs usually younger when he calls her back into existence. She wonders whatโs kept him this time.
She blinks, disoriented, as her vision shifts back to the present moment. Beside her stands a different gray-haired man, in different robes, wearing the same furtive expression as before. He isnโt looking at her just now. Something in his own memories has made him ashamed, something he hopes Alethea wonโt remember.
She tries to get her bearings by looking around at the empty church. Itโs the kind of vaulted, high-spired building that was slipping out of fashion the last time she was alive. History has worn it down: the floor tiles are scuffed and pitted, and the varnish on the great sleeping pews is dark with age. But the walls are clean, unmarred by candle-soot, and the metalwork gleams.
Alethea walks down the aisle, putting distance between her and John. Light from strange, steady lamps half-illuminates the stained-glass windows, showing scenes from the lives of saints and martyrs. Why do churches hide the outside world with colored windows? Do they fear their congregations, once distracted, will leave their shepherd?
The air is cool, fragrant with incense. She has missed the scent. Wherever she has been, there was no incense.
She feels herself beginning to solidify, to settle into this restrictive new physical form. Against the surface of her mind she sees a sort of picture: a delicate insect unfurling wide, wet wings, newly emerged from its protective shell and nearly ready to sail on the worldโs wind. She knows that she is like the butterflyโs wings: great in potential but not quite ready, not quite firm enough yet to face the world alone. She must wait just a little longer.
(…Quoth the Star, โAnd if they shall come to me, in the fulness of their trust like lambs to the shepherd, then I shall lead them beyond the gates of heaven into the country of godsโฆโ)
She hears him come up behind her–that tread sheโs known for dozens of lifetimes–and shivers at the sound. A rustle of fabric makes her turn: he offers her a robe. She takes it uneasily, slipping it over her shoulders.
โWeโve waited a long time for you.โ He studies her with quiet satisfaction. โI tried to call you back more than once, but you never answered. I had to call again and again–it was almost like you didnโt want to come. I was almost ready to despair. Butโฆโ He smiles, and touches her cheek, pulling back sorrowfully when she flinches. โYouโre here now. Youโre safe. We can start again.โ
Again she feels a flash of irritation. Why can he not let her breathe–let her simply live in this new world a moment, before he starts asking for things? Every heartbeat is so precious in these short lives. Can he not leave a few heartbeats for her alone?
โSo you have a congregation?โ says Alethea, concealing her annoyance. โHow long did it take you to build one this time?โ
John laughs. โOh, decades. I took my time–Iโve learned my lesson. Of course, cult-building is safer these days. They donโt kill heretics anymore, at least in most places. But lives are longer now, and I thought I might invest my time in building something grander.โ He gestures at the church, which must seat several hundred people when full. โWeโre thousands strong now, and the core group is in its hundreds, all of them zealous. We await only you to guide us, O Star.โ
They are speaking a language that is no longer spoken anywhere in the world. They always default to this tongue when they are alone together. Itโs a comfort for them, a single remnant of the first world they knew.
As they speak, something of the present moment falls away. Alethea can imagine them as they first were several millennia back, when John (mispronouncing one of the names of God) suddenly found himself with a young Star seated on the clay altar of his humble shrine. He was father and brother and guardian to her then, in those first days when she could barely speak. She knew so little about the world then that any ill-intentioned person could have led her astray, and she trusted him absolutely.
Itโs hard to remember that innocence now, with the weight of all their lives between them. A thousand years is nothing to a Star, but all her brief sojourns in the human world have made her sadder and more cynical.
She wonders, as she often wondered before, if Johnโs congregants can sense the tissue of his former lives hanging about him when they look at him. Do they ever guess what an uncanny thing he is: the everborn priest with his apocalyptic visions and his guiding star pulled ever-more-reluctantly back into life? And if they do know, are they frightened? Or only convinced that they have found the right mystic to follow?
She looks again at the church. Itโs certain that John didnโt build it. Heโs a visionary, in his way, but not a builder. His influence was always insidious, slipping into established movements and corrupting them from within. A story here, a small doctrinal edit there: heโd make these little changes until the faith was quite transformed, and then place himself as a minor leader and use the wedges heโd set in place to create a schism.
She wonders what faith he has corrupted this time: whether itโs the same one they knew before, changed for the era, or whether some wheel has turned and the faithful pray to different gods now. It doesnโt matter: John can make their doctrine fit in any setting.
However he got it, the church is well taken care of. Row upon row of candles burning above the altar illuminate a tile mosaic of a single blazing star. The altar is well-tended, its cloths expensive, and the candles are white and smooth: this world has moved beyond beeswax.
Alethea feels a strange sense of home. If she hasnโt been in this church before, then sheโs been in many very similar ones. She trails her hand along the edges of the ancient pews, trying to remember the faces of the people who must have sat here, but her mind is blank. This is only a building, with a high ceiling and echoing walls. If she wants to see people–to know for sure what her place could be in this world–then she must start by getting out of here.
Looking for an exit, she notices for the first time that all the bright windows are similarly themed. There is a young woman, different in each scene, but always with a star floating above her head. In some pictures, she is speaking to seated crowds; in others, she performs miracles. A cliff shears from a mountainside. A forest catches fire. A child rises from a swollen river, lifted by unseen hands. Alethea remembers these small crises in soft, swift flickers like moments from a dream. How long it must have taken John to remember all the details of her many lives, to have these windows made. He seems to have made a saint of her: slipping her story into the lore of some great religion, duping the faithful into adding her to their canon.
She looks again for an exit, but all the doors are out of sight.
(…And the Star spake again, and her voice rang like the trembling of a mountain shaken by avalanche. And she called aloud to the people who had abandoned her, and in sorrowful tones did say, โThe world is wicked, and the children of the Star are few in number. Long days may pass away before the gates of heaven should again open. I will pass away, for a time, into the country of gods where the people of the Earth cannot follow. But if my people are strong in faith, and wait with patient hearts and open minds, then I shall come againโฆโ)
John has followed her gaze. โArenโt they beautiful? They were made by one of my first converts, an artist I knew as a young man.โ He smiles. โI was born into a good family this time. They encouraged me to study whatever I liked: art, religion, folkloreโฆ When I was still just a boy, I found one of our old hymns in a book of folk songs, and it all came rushing back.โ He peers into Aletheaโs face with undisguised eagerness. โDo you remember everything yet? Sometimes it doesnโt come back for you all at once. Tell me if you have any questions–I can help you to bring it back.โ
Alethea has not remembered everything, but the most important memories are coming back. Still, something restrains her. โNo. I don’t remember much at all.โ
Disappointment slides behind his eyes, but he hides it quickly. โYouโre the Star,โ he says, โthe chosen child of Heaven, come to Earth to lead humankind into the country of gods. Youโve lived a hundred lives before, and each time we get a little closer. This timeโฆ this time, Alethea, I think we may succeed.โ
Itโs all she can do to hide the visceral stab of revulsion his words inspire in her. No, says a voice as deep as her whole being. Not this time. Not after last time. No. Unsettled, she pulls away, and when he reaches for her arm she does not let him touch her.
He seems to sense that he has misstepped. โThings are better now,โ he says. โIt wonโt be like last time.โ
Ignoring him, Alethea walks to the nearest window, bare feet sure on the cool stone floor. She reaches out an unscarred hand to trace her fingers down leaded panes chilled by the autumn night wind outside. There is a picture in the glass: a woman, a man, a small flock of sheep. The tree above them holds secrets in its branches, and a flat blue sky presses down on them overheard. In the center of the sky is a large white star.
Alethea wants to see the sky–the real one, not this facsimile. If she can look into the vault with her own not-so-human eyes–look long enough, hard enough–then perhaps her gaze will pierce it, and someone beyond will condescend to give her a few answers. She wants out of here. Out of this. Out of all of it.
She feels the feather of Johnโs touch just brush the space beside her face. Heโs always wanted to touch her more than she allowed. Did he dare, in those moments when she lay cold and breathless on the slab–did he dare then to touch what was not his? If she doesnโt repel him, will he try it again?
She will repel him. She has learned the technique, over time.
โWhat are you thinking of?โ he says.
She doesnโt answer. Everything is echoing. Her breath comes back magnified by all those colored windows, all those breathless saints and martyrs reflecting her own dead selves. Time is catching up to her. The past, in all its ugliness, unfolds inside her head.
And then, at last, she remembers the last time she died.
They almost succeeded. John is right about that. Their sudden schism, their powerful second sect, rising without warning in a society sleepy with tradition, nearly upset the social order and set the Star at the head of its faithful. If theyโd had a few more weeks, a few more months, to stir their followers to the necessary point of fervor (to the point of violence), then the Star might have led the world to its salvation. (Or to its damnation. John was always certain of Aletheaโs holiness, but she herself is beginning to have doubts.)
In the end, their followers lacked the necessary physical courage, and Alethea and her miracles were ultimately insufficient. And in the end…
โThey burned me,โ she says quietly. โDid you know that? They tied me to a stake and piled the kindling upโฆ The whole town was there. All our people were in the crowd. I kept thinking, surely someone will stop it. These people, who said they loved me–surely theyโll come forward and stop this, surely someone will let me go. But they lit the pyreโฆโ
Flames roar against the wall of her memory. She remembers the crackle of the kindling, a forest of broken wood in flames around her. At first it was only warm, then hot. Smoke rose, infiltrating her eyes, her nose, her mouth, until there was nothing but smoke, no air to breathe. Then the fire caught the hem of her shift. For the first shocked moment, the smell of her own flesh charring was worse than the pain. Then the pain was much, much worse.
โIt was the worst death I ever had,โ she says, turning away. โI never dreamed anything could hurt so much.โ
A hand falls on her shoulder. โYouโre here again,โ John says, frowning as she flinches, โalive and well. We werenโt quite as strong as we hoped, last time, but this time will be better. This time–โ
โHow many of them died?โ she interrupts. โAfter I was gone, how many of the others did they kill?โ
John lowers his head. โNone. You know how it was in those days. They… were frightened. They wanted to protect themselves, protect their families. They all knew it was over when you died. So theyโฆโ
โThey kept their heads down.โ She watches him closely. โAnd you? Were you able to get away, or did they come for you after theyโd killed me?โ
John is too quiet. Alethea peers at him through the candle-dimness, and realizes: โYou were there, in the crowd. You watched them do it.โ
He raises pleading eyes to her. โAlethea. There was nothing left for us once you were gone. You are the key to Heaven, the heartstone of our faith. When our people saw youโฆ lostโฆ their faith went with you. It was all I could do to hide myself, to bear witness to your death and slip away to record it. With you goneโฆ what else could I have done?โ
โYou could have fought for me,โ she snaps, โas I always fought for you. Stood by me, as Iโve stood by you so many timesโฆ I gave my life for that cause you always said was so important. Could you not, just once, have given your life for me?โ
For she remembers now that it always goes this way. Every time he brings her into the world, she stands and fights and dies for a new generation of his brave little movement. Other deaths, earlier but just as ugly, are floating into her mind: stoning, drowning, strangling, beating. Witch, they always said, as her powers frayed the world. Witch. Demon. Monster.
She draws harsh breaths of the incense-scented air, and feels that monstrous power begin to seep back into her chest.
John inhales sharply, as if something had raked its claws across his skin. Perhaps he, too, feels her power awakening–and covets it, as he always did. For who would try to call upon the name of God who did not covet a godโs power?
โAlethea.โ His voice is faint. Perhaps he knows heโs already losing her. โLook around at how strong we are. Look–hereโs your story!โ He gives her a leather-bound book, fragile with age. โWhen I survived, I wrote your stories down. I saw them safely hidden and safely found. I taught your songs to likely children. I made parables of your truth and taught them to your enemies. With my life, I ensured that your story wouldnโt be forgotten. And now we can start from a position of such strength! Your people already know the tales. Theyโre only waiting for you.โ
Alethea opens the book. Fine-printed scriptures blur past her eyes as she turns the pages, but her awakening power lets her read them at a glance.
…And the young Star, in her virtue, did call upon the people to be as gods, and to do as she did that they might learn her ways. And the faithful, heeding, did spend their days in searching after knowledge of the sky, and watching the workings of the sun and all her planets, until they knew the heavens as well as humankind may know them. And when they had thus watched for many days, the Star going down among them saidโฆ
…Now the Star, being weary, did make a place among the trees and lie down to sleep there. And she said unto her followers, โCome, and rest, and be not afraid.โ But her followers did not trust, and did not stay; and they went instead to a nearby town, and found rooms there for the night. But on the morrow, when they returned to the grove of trees, they found the Star asleep, enclosed in a chamber of crystal that rang like a thousand bellsโฆ
…And the clergyman, going in among the trees, did happen upon a young woman who spoke to the earth as if it might listen. And when she had finished speaking, a spring of water did flow forth from the ground, and the woman did cup her hands and drink of it; and when she saw the clergyman among the trees, she did call unto him and say, โCome, and drink, and be refreshed.โ But the clergyman, thinking that her power came from an evil source, did say unto her, โWitch, thou witchโฆโ
…But being grieved by their faithlessness, the Star did bow her head and weep. And as she wept, she cried unto her followers, saying, โO, my beloved, o my treasured ones, why have ye no faith?โ And the master of the town did take up his swordโฆ
Reading the book, Alethea doesnโt recognize herself. The woman–the being–whose deeds are recorded here existed only in the head of the man recording them. The Star as she truly is could never be encompassed by ink and paper, certainly not in the hand of a man who sees her only as his instrument. If Alethea dies–and she will, sometime or other, and sooner if she follows John–then the world will never truly know the Star at all.
And who is she, really? Her mind holds a great emptiness at its center. She has many memories of her early lives, but they are all so full of John and his ideas that she herself is only a glittering shadow, devoid of character, notable only for her power. Of the place between death and life, where she was until a few minutes ago, she remembers almost nothing. She is a shell, not a woman at all, though she resembles one. If she lives another lifetime at the head of Johnโs โmovement,โ it will only be another story in his holy book, another incarnation of a saint. If she wants to know anything about herself, sheโll have to leave him.
She sets the book on the nearest pew. โJohn,โ she says, โI canโt do it this time. Iโve been your sacrifice a hundred times. Iโm not going to do it again.โ
John looks pained. โYouโre not a sacrifice. Itโs not supposed to happen that way. Itโs the world that does it. Not us. Not me.โ
She shakes her head. โIt doesnโt matter,โ she says, though of course it does. โIโve lived and died and lived and died so many times, and never seen more of the world than your foolโs campaign took me through. And Iโve stood by you in all my lifetimes, and never known another soul except as a potential convert. Youโve kept me so close, John, that I hardly know anything about this world, though you want me to lead it into some shining new era. I think Iโm owed a lifetime or two to get a grasp on things.โ
Anger flashes in his eyes–quickly hidden, but audible in his voice. โAnd who called you back,โ he says tightly, โto live those lives again?โ
She peers at him, surprised by his shallow pettiness, and realizes that heโs degrading. Time, and death, and disappointment have dulled the focus that once made him such a reckoning among priests. Once, his dream was to carry his flock into the heavens–to ensure their salvation through force of will, if that was what it took. Now heโs growing petulant. You can see in the twist of his lips that pride is as great a motivator for him as faith. He wants to be her priest. He wants to be her priest. He wants to usher in the new era where the world will be governed by the philosophical faithful. After all this time, all these lives, he feels that he has earned the right to guide the Star to victory.
(…Yet there were those among their number who in their pride had lost the spirit of their prayers; and though they wore the garb of the faithful, yet they had become her enemiesโฆ)
And because it is his pride that leads him now, he has lost the right to guide anyone at all.
It begins to be clear to her how terribly, terribly lonely he has been in the years–the lifetimes–when she was not in the world. His devotion to his faith has always been entire. No worldly things distracted him; he had few friends, few physical pleasures, and no social or political affairs to speak of. Art held no meaning for him where it did not further his cause. In her mindโs eye she can see him rising from his cold bed, dressing and eating alone, performing all his solitary rituals morning after morning and night after night. No one greeted him when he retired, alone and silent, to the darkness of his bed. If some rare spark of joy escaped a dream of heaven and lodged in his fading memory, he padded it carefully with doctrine and added it to his treasury of lore, its mystery rendered tame and soon forgotten.
In her mindโs eye, she can see the dark, quiet room where he sleeps alone, contemplating his lifeโs mission and all the names of God. His clothes smell of dust and incense. His skin is translucent. He has nothing to live for, or hope for, but her.
And now, though he hasnโt realized it yet, even that one hope is lost. There’s nothing holding her here, no bond of love or friendship. Death has washed clean that portion of her heart. If she were to meet this man on the street, she wouldnโt glance at him.
He is still speaking, unaware that her judgment has been passed. โWho brought you down to earth,โ he says, โtaught you to live among people, showed you the injustice you were born to right and the ignorance you were born to correct? What is the meaning of your life, without us to center and focus you? What purpose can your life have if you donโt know what youโre here for?โ
โThe same purpose as any life but yours,โ says Alethea, โMortals donโt know their lifeโs purpose when they come into this world. Theyโre born with nothing. If their lives have meaning, itโs meaning theyโve intuited or designed themselves. Iโd like to see what I can make without you there to tell me what to think.โ
With these few words, Johnโs shoulders slump. When he speaks again, his voice is defeated. โPlease,โ he says. โI beg you. Donโt leave all Iโve built here. I have given everything I am to bring you back. Every life I ever lived, I lived for you. We have a chance to do it right now, Alethea. You are so strong–you have so much potential. I know it will work this time–this will be the last.โ
โItโs never going to be the last,โ she says. โYouโre not going to stop until you somehow die forever.โ She regards him speculatively, wondering how she should deal with him. He is not strong. Heโs allowed iterations of her to fight his battles for him for thousands of years. If she wanted to destroy him, there would be little he could do.
But there is still hope for him, perhaps, and so she only says, โI am not a saint, John, and you are not a prophet. Whatever you do with the rest of your lives, donโt call me back again.โ
She takes off the robe he gave her, wraps it around her hand, and smashes her fist through the window.
The first pane breaks easily. Beyond the broken glass, a waning moon blazes in the ice-black sky. Its brightness steadies her: beyond this chapel, at least this one thing is real. The moon is no legend–and neither is she.
She moves to the next pane. John tries to stop her, but she bats him aside, her strength much more than human. She straightens the cloth on her bleeding hand and breaks another pane, and then another.
More slices of sky are revealed with every painful strike. The wind-swept night comes clearly into view, and below it a line of rustling trees and a quiet, orange-lit street. As they appear, the woman and the man and their flock of sheep are vanishing.
โAlethea,โ John says. โPlease donโt do this. You donโt have to do this. Please, leave me somethingโฆโ
But if she leaves him something, then this will all happen again.
Systematically, she destroys the window, knocking away each chip of glass, each fragment of color, leaving only the leading strips behind. Shatterglass drifts grow beneath her feet. They cut her soles and slick the floor with blood. She feels the pain only distantly. She has other things to think about.
The highest panes of glass are out of her reach. For the first time in this new life, Alethea summons a miracle. A shiver of suggestion wells from her chest, and with a wave of her bloodied hand the other windowpanes shatter, falling from the window like icicles from a roof. Alethea doesnโt duck or flinch, knowing that her power will protect her. It is the first miracle of many: in this life, she will use them liberally.
When all the glass is gone, Alethea grips the leading strips in bloodsoaked hands and rips them from the window. Thus are the vague forms of her destiny destroyed, dismantled, discarded. With each soft clank of fallen metal, her resurrectorโs groans grow softer. In the end, he is quiet.
โDonโt follow me,โ she says softly. โItโs best if we stay apart. Iโd rather not hurt you, but I will if I have to. Donโt follow, and donโt call me back again.โ
John shakes his head morosely, so diminished as to be pitiable. โPlease stay. How can I do anything without you?โ
Disbelieving, Alethea indicates the centuries-old church. Her voice is more pitying than angry. โYou have all the resources you need,โ she says. โWith all the lifetimes youโve had, think of how you could have helped the world, if youโd only wanted to. You could have been a beacon.โ
He shakes his head sullenly. โThe world is beyond help,โ he murmurs. โIt can only be remade.โ
He is only a little kind of villain, one who thinks heโs doing right. The most common and most dangerous kind, perhaps. Even if she never sees him again, sheโll face his kind many times in the world outside.
Time to get to work, then.
She waves her bloodied hand again, and all the other windows shatter, raining diamond dust onto the pitted floor. A third wave blows the candles out.
โDonโt follow me,โ she says again. โIf we ever meet again, weโre going to be enemies.โ Then, naked and unafraid, Alethea steps barefoot through the shards and climbs out the empty window into the living night.
As she begins to walk away, she hears a soft sound in the desecrated chapel behind her: the delicate chink of glass shards being picked up and set in order.
You have never seen beauty like the sunlight shining through shop windows into this proliferation of color. Red glass bowls cast crimson parabolas across a white tablecloth. A cluster of blue wine bottles share the light between them, commingling their cobalt splendor. So brightly do the points of sunlight blaze in a large family of crystal balls that you remember stories about house fires started by unwatched refractions.
A row of prisms dance across the top edge of the front windows. You squint into their scattered rainbows. They seem to scatter memories, too: you canโt remember how you got here.
The shop is uncomfortably warm, and has a stale smell, as if no one has visited in a long time. You wonder where the owner is. It feels wrong to leave the place unattended, but you donโt want to stay. Though the air is still, the glass ornaments and bells that hang from the ceiling shiver as if in a soft wind. You think of ghosts. In Victorian times they would cover the mirrors when someone died so they couldnโt trap the dead. What might be trapped in this chaos of reflections?
You wander through the shop, dusting your hands across forests of art-glass swizzle sticks and animal figurines. A heap of round glass fishing floats (witch balls, they call them) occupies one corner. Tiffany lamps sprout from a table like psychedelic mushrooms. Another table is green: bottles, vases, gazing-globes, liquor glasses, opera glasses, ashtrays. Antique Christmas ornaments cover most of one wall. Below them are big crystal bowls filled with smaller items: beads, marbles, stained-glass nuggets.
You dig your hands into this clicking hoard and pick up a lump of yellow glass. In the sunlight, it reminds you of urine. You put it back and pick up a soda-blue marble. As you roll it in your hand, your mind supplies the taste of it: how it would clatter on your teeth, slide cool and slick across your tongue; how tempted you would be to swallow.
Dropping temptation back in the bowl, you return to the center of the shop. Something has changed, but you canโt pinpoint it. Then you look again, and see what was there from the beginning.
Against the far wall stands a tall wooden case, rough-built like a wartime coffin, its front a plate-glass window. Inside, a man stands sleeping. He is of no particular age or obvious character, but you shudder to see him. Somehow he stands upright without support, and you wonder if he is a wax figure or some kind of mannequin. You donโt know why he could be here. He doesnโt belong.
From a hook beside the case hangs a long iron hammer. It is dull and crudely made. It looks like something used to stun animals for slaughter. Like the man in the box, there is no reason for it to be here. Like the man in the box, it makes you shudder.
You are standing in the center aisle. Tables to your left and right hold trays of little things one might pick up. Your eye falls on a silver tea tray loaded with glass paperweights. Your fingers close around one clear orb with a blood-red flower blooming in the center. Itโs heavy as a stone, and fits perfectly into the curve of your hand. You want to throw it more than youโve ever wanted to do anything in your life.
When you look up at the man, his eyes are open. They fix on you, muddy and cruel. He grins.
The paperweight flies from your hand. The crash of glass through glass is as loud as the death of the world.
When the echoes clear, the man steps out of the case. He inhales loudly, sucking at the meager air. He takes up more than physical space. He lifts the iron hammer from its hook. It seems to fit perfectly into the curve of his hand.
โNo.โ Your voice shivers. โDonโt do it. Please.โ
For a second, he is still. Danger stands poised, not yet loosed on the world. You feel that there is something you could say to stop whatโs going to happen. But no words come to mind.
The moment passes. Rolling his shoulders, he steps forward with brutish boots, swinging the hammer, loosening his muscles. A flick of his arm smashes a tableful of figurines. Animal heads and broken ballerinas glitter in the air for an instant before they fall. Another blow obliterates the glass table they stood on.
He clears the next table with a careless backswing. Another wave of glass crashes to the floor. The base of a round bud vase rolls to your feet, glimmering like Erisโ apple.
You start to back away. You think of running, but know you wonโt reach the door in time. He is grinning, still grinning, anticipating the moment when there is no glass and only you remain.
โStop,โ you say. Your voice doesnโt make much noise now.
He swings high, smashing chandeliers, breaking bells and sweet glass chimes. Glittering shrapnel stings your brow and cheeks. You close your eyes, but the crashing of his hammer only magnifies when you donโt watch him. When you open your eyes, the shop is gone.
You stand in a waste of shards and powder. Glass dust hangs in the air. Fragments of it are trapped in the creases of your eyelids. Soon youโll blink, and they will fall into your eyes.
The man rolls his shoulders, breathing heavily. Beneath his shaggy, glass-flecked hair, his eyes are unreadable. You open your mouth for one last plea, but your throat will not contract. Your muscles lock up one by one, leaving you frozen, unable to run, unable to fall.
As he lifts his hammer for the final blow, you look down and see that you are made of glass.