fiction, old work, short stories, Uncategorized, writing

Summoning Dragons

Written May 2017

This story is almost six years old and was definitely inspired by the year I spent working at Borders Books after university. Let me know what you think. : )

Life as a cashier stretched long before him. His break was over. Lunch wasn’t for another hour. Jeremy wanted to do something strange—maybe dance?—but he lacked the energy.

Mark drifted by, looking as detached and bored as Jeremy felt. “Did you get those DVDs tagged?” he muttered to his coffee.

Jeremy pointed to the pile of stickered DVDs on the counter.

“Good. Call all the special orders?”

“Mm-hmm.”

“All right. Um, clean up, get things neat…” Mark glanced at the counter, found some clutter to point at: a roll of tape, a few unsorted returns. “Call if you need any help.”

“Thanks,” Jeremy said, and knew Mark wouldn’t notice the sarcasm.

Nodding vaguely, Mark started toward the cafe to scold the baristas for talking.

What would it be like to just walk out—drive home, never come back? He could stand for a while under the summer sun, feel warmth for once instead of the curdled air conditioning of the bookstore. He actually considered it for a while.

But he couldn’t quite do it. If he did leave, he’d be fired within the hour. Then what? Hard enough getting this job—there wasn’t a lot Jeremy was qualified to do with half a college degree and a drug offense on his record. If he left, he’d end up working at Wal-Mart, and he had enough trouble paying the bills as it was.

So he stayed, counting minutes, and waited for people to buy books.

A young woman entered after a while, face stormy. She looked like the sort of person Jeremy would like to talk to: black bob, chain jewelry, chunky boots. He opened his mouth to ask if she needed help—anything for a conversation. Just then another customer appeared to distract him, though, and the woman kept walking. He didn’t see her again for several minutes.

When she returned from the back, she held a book—a thin, flat hardcover, dark-red velvet—under one arm. It was one of the ones from the bargain bin—a blank book, or one of the schmaltzy poetry collections no one ever bought. She carried it oddly, though, half-hidden, and after far too long Jeremy realized she meant to steal it.

The woman saw him watching, clearly realized he knew what she was doing. Now she’d turn around, put the book back, because it definitely wasn’t worth anyone’s time to call the police over stupid shit like this.

But she kept going, still watching him, as if she couldn’t stop. As if she had to take this book.

Jeremy shifted so that he could see her path clear to the door. It only counted as shoplifting if she actually took the book outside. If she did, then he’d have to call the police.

She was almost to the gates now. It didn’t look like she was going to stop.

He opened his mouth to call her back. He didn’t want her to get arrested, not over something like this.

But then… he didn’t call, didn’t follow, didn’t watch her take the book outside. Instead, he walked to the other end of the counter, turned his back on the door, and began clearing up. What did it matter if someone stole something—stole anything? The store was about to go out of business. Soon everything would end up remaindered, and it wouldn’t really matter what anyone took. The woman was just getting an early start.

When he turned back, she was gone.

The store was almost empty. There probably wouldn’t be more than twenty more sales tonight. Maybe Mark would bite the bullet and close early. It would be nice to go home a little early, though Jeremy couldn’t really afford the hours.

Suddenly, a tingle ran through the air. Ozone flickered across the back of Jeremy’s tongue. A storm? But the weather was clear, earlier—no storms had been predicted. He craned his neck, trying to see the doors.

Mark ran past, then, coffee abandoned. “You’re in charge, Jeremy!” he shouted, and went outside.

Jeremy abandoned the register and followed.

The woman stood in the middle of the parking lot, book open in her hands. She looked at the scattered shoppers as if she’d rather not be watched, but then lowered her head and began to read.

“Excuse me,” said Mark, approaching. “Miss. I’m going to have to ask you to—“

The woman kept reading, raising her voice to drown him out.

Jeremy couldn’t understand a word. It was… a poem, maybe, but not in any language he’d ever heard. But he felt like he should understand it, if he could just hear a little better. He started to move—then stopped, as a tingle of electricity ran across his skin.

The woman read on.

Clouds gathered. How had they formed so quickly out of a clear sky? One—enormous, and almost spherical—began to pulse, as if something could burst from it at any second.

Mark had stopped talking. He kept making little abortive motions, as if to grab the book, but never quite managed.

Jeremy hovered at the edge of the crowd. (Day or night, city or suburb, there’s always a crowd.)

The woman read on, voice rising and rising, until the great cloud opened and the dragons spilled out.

Like a swarm of bees, a vast colony of bats, they flowed towards the earth, descending to the streets and shopping centers—blue, silver, scarlet, all different colors, settling to the ground as graceful as the folds of evening gowns.

The woman lowered the book and squinted upwards.

The dragon that landed before her was the deep, rusting red of venous blood. Red-tinged shadows fell from its wings over the girl and the ground where she stood.

She raised her face, beatific.

The dragon lowered its sedan-sized head to nuzzle her cheek. Between its wings was something that, on any other animal, might have been called a saddle.

Two other dragons had landed here, too. One, sinuous, crouched by the Home Goods. It was gold mottled with red, an unsettling asymmetrical pattern like the spots on an alley cat.

The other, much closer to Jeremy, was almost as large as the bookstore, very solid. Its skin was a deep and satisfying black, like the tiny onyx beetles he’d played with as a child. Its head was shaped like a snapping turtle’s, less refined than the others’—but Jeremy liked it more. Somehow, Jeremy had barely noticed it land, but now it sat with its wings neatly folded, as if it had been there for hours.

It, too, had a saddle between its wings.

The mottled dragon surged to its feet and sauntered towards the store. Its gait was lazy, awkward—like a Komodo dragon, actually. Its wings stayed poised as if ready to take off.

The door of Home Goods was covered by a knot of screaming people—maybe barricaded by equally frightened people inside. Jeremy watched, mesmerized, knowing he was about to see violence but with no way to intervene. The woman by the red dragon watched, too. Her face was impassive, no more readable than the dragon’s.

The black dragon was watching him intensely. Its eyes were a deep, bloody crimson. They seemed to expect something, though he couldn’t tell what. Faintly, he could smell the dry odor of snakes, bitter herbs, cinnamon.

The yellow dragon was almost at the door. It lowered its head, as if to assault the building—maybe to assault the people. Jeremy couldn’t look away. Would it break down the door, rip it from the hinges—

Before the dragon could move, the door flew open. A young man ran out—tall and thin, stylish, with dark skin and a golden pompadour. He shoved past the screeching people and threw himself at the dragon.

The dragon froze drew back its neck and froze, oddly birdlike.

The man stood for long moments with his arms held open, as if he were barely restraining himself from hugging the creature around the neck. Finally, he stepped forward.

Someone grabbed his arm. Mark. Mark, who tried and failed to prevent the summoning, was trying to prevent whatever was going to happen next. Jeremy couldn’t hear what he was saying, but the gestures were clear: back away—dangerous—go inside. Jeremy wanted to laugh—trust Mark to bring a bit of the aggravated middle-manager into this event.

Then he looked again at the stranger. The laugh died.

The man watched the dragon as if transfixed—like a parent who’d just seen their child for the first time, or someone who’d just fallen in love. He lifted a hand, and the creature that had looked so fierce a moment ago nuzzled it like a giant cat.

The man curved his body towards the dragon. It leaned in, cuddling like a much smaller creature. They seemed bonded already, as if they were cementing some connection that had already been there before.

Jeremy couldn’t keep watching—the sympathetic emotions that were rising in him were getting overwhelming. He turned back to look at the other two dragons.

The red dragon appeared… bored, if anything. The woman, who had climbed onto the saddle, appeared to want to be gone. She would be gone soon—Jeremy was sure this summons was forever. Woman and dragon already looked like a unit—two parts of one being, inseparable.

That left the black one.

Jeremy turned back to the black dragon with… trepidation? Excitement? It was watching him as if he were the only person in the world. If the other two riders were chosen already, then the black dragon’s rider must be… Jeremy.

It felt like hours before he was brave enough to approach. Just as he started walking, a hand closed on his arm.

“Jeremy.” Mark’s voice, hoarse but recognizable—Mark’s average, muted manager voice. He stood at Jeremy’s shoulder, and clearly meant to keep Jeremy from leaving if he could.

Jeremy shook off his hand. The dragon watched solemnly, perhaps with a touch of humor. It must have seen many Marks throughout however long its time had been, would surely see many more.

“It’s dangerous.” Mark’s voice was hesitant, as if Jeremy had been compromised somehow and must be handled carefully. “There’s, like… some kind of spell on you, I think. You need to stay away… they’re too big…”

Jeremy started walking again.

The dragon inclined its head, as if it were a king greeting an honored guest or a welcome supplicant. Jeremy nodded back.

It was as hot here as under a blazing sun, though the day had been mild until the dragons came. The odors of snakes, herbs, and cinnamon grew stronger, along with a touch of brimstone now. Did they really breathe fire?

Mark made a sound of protest, but fell back. His protection apparently didn’t extend into the dragon’s shadow.

Jeremy walked until he stood between the curved, table-sized talons, and then looked up. The terrifying eyes were fixed on him.

He bowed. “I’m here to talk to you,” he said.

The dragon didn’t speak. Could it? In some stories they could. Maybe it would speak to him when it was ready.

“Are you here for me?” He knew the answer.

The dragon nodded once.

“I’m supposed to go with you.”

Another nod.

“Where?”

The dragon tipped its head—what was Jeremy doing standing, asking questions, when he could be on its back waiting to be taken away? And he wanted to go up there. Mostly. But he couldn’t leap without looking.

“Will we come back?” he said, after a brief silence. The lot was quiet; if anyone was speaking or moving, he didn’t hear. Nothing mattered in the world except this conversation.

The dragon cocked its head the other way.

This moment would define Jeremy. Would he go back in—go back to retail? Or would he sit between a dragon’s wings and be carried into the clouds? He felt that he could almost fly himself just knowing there was such wonder in the world.

But, thinking of his parents, he had to hesitate. Could he just leave without saying goodbye? They had always treated him well, supported him even now, although he’d disappointed them. And who would take care of his cat, if he left? He couldn’t just leave her. Of course, his parents would step in, but she was his responsibility. If he left on dragonback, he’d never see her again.

But it was a dragon.

As he considered, there was an odd dry huff across the parking lot, a scrape of talons on cement. When he looked up, the yellow dragon was bounding towards him. The rider, face hard and cool now, sat like a jewel between its shoulders. Like the woman, he seemed a part of his dragon, not an individual any longer. It was the most frightening thing Jeremy had ever seen.

He almost ran—but the black dragon wasn’t reacting, looked completely unimpressed, so it would be silly for Jeremy to panic. Still, it was hard to keep still, waiting for the yellow dragon to pass or kill him.

At the last second, the yellow dragon threw itself fluidly aloft, wings pumping down a hurricane wind below. Around the lot, people screamed and took pictures.

Next, the red dragon stretched, bowing nearly to the ground, back sloping upward like the side of a cliff. The woman gripped its shoulders almost absently. With a single beat of its wings, the red dragon flashed into the sky.

Then it was only Jeremy and the black dragon. Time to take his place, ride into the sky.

He couldn’t move.

The dragon leaned forward until its face was only inches from his. Its breath scorched him, but it felt comforting. The scent was everywhere—he breathed it in, and it seemed to spill out through his pores again, until he thought it would be a part of him permanently.

He leaned into the warmth. Slowly, feeling immensely shy, he laid one hand on the dragon’s snout.

The skin was bumpy, pliant, very hot. From that bare touch, Jeremy already felt a deep and subtle connection beginning to grow between them. He felt sure that if he didn’t back away now, he would never be able to.

The dragon head followed his hand with its head, quite delicately for something that size, as he tried to withdraw. Finally he pulled his arm away and hid it behind his back. The dragon lowered its jaw, great red eyes sorrowful as an abandoned dog’s.

“I have family.” With considerable difficulty, he stopped himself from reaching out again. “Parents. I have a cat.”

It looked at him as if he were insane. He probably was.

“Can I join you later?” It seemed unlikely, but he had to ask.

The dragon’s look was unreadable.

“I’m sorry.” Jeremy’s voice was rough. “I just can’t.”

He couldn’t bring himself to leave, and couldn’t bear for the dragon to leave, either. He wanted to touch it again, to feel that connection growing, but it wouldn’t be fair—they’d miss each other forever.

He almost begged the dragon to stay, but managed not to. If he couldn’t leave his family, make in a second a decision that would affect his entire life, he couldn’t ask it of the being that would have been his companion. And certainly he couldn’t ask the dragon to live here on earth—it couldn’t thrive here. Still, stepping back was one of the hardest things he’d ever done.

“Goodbye for now, I guess.” Jeremy held his hands forcibly at his sides. “Good luck.”

 The dragon’s look was deep and sorrowful, full of unreadable meanings. It turned and bounded away, surprisingly light, almost silent, and leapt into the air.

Instantly, Jeremy knew he’d chosen wrong. He started running, through the crowd of spectators (of which he was one, once again), past Mark (who tried to stop him), past the stricken, crying friends of the yellow dragon’s rider—waved his arms, hoped the dragon would somehow see him and return, take back his stupid decision. “Come back!” He knew it couldn’t hear him, but he yelled as loudly as he could. “Please. I was wrong. Please. I want to go, too!”

But the dragon flew on, joining its companions, and the lines of dragons, dozens and hundreds of them, rising from all the places where they’d landed, most with riders on their backs though a few without, converged on the spherical cloud that was now closing like a flower at sunset. Then all of them folded into it like shadows, and at last the cloud was only a cloud.

He wanted to curl into a ball and die—go lie in bed, never get up again.

Mark was touching his shoulder.

“Yes?” Jeremy managed to say. Was he somehow still on duty?

Mark seemed embarrassed, like he didn’t have the words to talk about what had just happened. “You made the right choice,” he said, more compassionately than Jeremy would have expected. “I’m glad you’re still here. Are you all right?”

“Fine. Thanks.”

“Listen, uh…” Mark scratched his head. Though considerably older than Jeremy, he seemed much more confused and wrong-footed by the situation (though much less grief-stricken as well).

“I’m going to go.” Jeremy took a step back. He needed to find some place where no one had heard of him, sit down for a year or ten and figure out what had just happened.  “Is that okay? I can’t work any more today.”

“What? Oh…” Mark clearly wanted to keep talking, but to his credit said quickly, “Of course, sure. Ah, take tomorrow, too, if you need to.”

“Thanks.” No knowing what else to say, after a moment Jeremy left. Mark didn’t call him back.

A few people tried to stop him. He ignored them. They had no connection to him anymore. He’d never come back here again—every time he saw the place he’d remember… could it be called disappointment if you could blame only yourself? Heartbreak, certainly.

Jeremy was halfway across the parking lot, and was considering walking home, when his foot struck something on the ground. He stopped.

On the asphalt, surprisingly clean and undamaged, was a cheap-looking book—flat with a dark red velvet cover.

It was in his hand in seconds. He began to open it—then stopped, aware of the crowd, wanting to keep this piece of magic to himself. He glanced around to see if anyone had noticed him pick it up. Some people were watching him, but that didn’t mean anything: they’d been watching him him since the dragons left, probably long before.

Holding the book firmly closed, Jeremy began to run—out of the parking lot, across the street, past the bank where his paychecks were deposited, past the grocery store. There were people here, too, many more than usual at this time of day, all talking and pointing at the cloud (indistinguishable now from the others, maybe not the original cloud at all). There had been dragons here, too. Jeremy wondered if they’d taken anyone.

He ignored everyone in the lot. They ignored him, too. He was no one special here, just some kid late to work in one of the shops.

He ran around to the back of the strip and found a quiet space behind the pharmacy. He sat down and held the book a long time.

He had to open it—find whatever the girl had read, read it out loud, bring them back—but what if… what if it wasn’t there? Maybe this book would turn out to be nothing—some other thing, “Poems About My Mother” or a blank diary or something? What if it could no more call dragons than he could on his own?

“Just open it,” he muttered. He took a deep breath and opened the book.

Immediately, he was disappointed: the book was in English. He was sure the girl had spoken a different language, so this couldn’t be it. But as he kept turning the pages, he realized that the poems inside were very unusual.

“The Lay of the Mermaid.” “Under a Cursed Tree at Midnight.” “The King Approaches.” “May the Spirits of the Damned Soon Fall Upon Your Enemies.” All were different; some weren’t poems at all. Some—“History of a Lost City and All That Tragically Befell It”—were walls of text, pages and pages that his eyes skimmed over without absorbing anything. Others were extremely short. One, “Awakening,” had only two lines.

Here and there Jeremy paused, suffused with the urge to read aloud—but he wanted the first poem he spoke, if he spoke any, to be the right one.

And there it was: “To Summon Dragons from the Sky.”

It was two pages, lines laid out neatly like the couplets in Beowulf. It looked approachable—would take only minutes to read. He could choose the perfect place and time, say goodbye to everyone, find a home for the cat…

But as he stared down at the page, he found that his resolve had wavered.

With a twinge of guilt, he turned to the next poem. “Lullaby for an Elfin Child Found Sleeping in a Bower.” He was careful not to read too much of it, feeling that too much attention could unlock the magic early—but it looked like a beautiful poem, very tender, full of starlight and sentiment.

He turned to another poem. “A Song to Breathe Underwater.” Deep echoes bubbled through his mind, and he felt that someone was calling to him.

Carefully, Jeremy closed the book and smoothed his fingers over the cover. There was time to decide. He’d look at them all—beginning to end—before reading anything aloud. He wouldn’t waste this choice. He had time.

Tucking the book under his shirt, Jeremy started towards home.


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fantasy, fiction, old work, short stories, Uncategorized, writing

Over the River

Halloween story 2012

I try to write a Halloween story when I can. Someday I’d like to do regular holiday pieces and put out more of my own story collections. This story is ten years old, so it’s not representative of my current style, but I still like it. I wrote it while I was living with my mother and stepfather in their house in the woods in central North Carolina. It’s quiet there at night and gets a bit spooky if you’re the only one awake. I don’t think the story itself is that spooky, though it is a bit bittersweet. Let me know what you think.

Sabrina couldn’t sleep with the moonlight shining in her eyes.

Her friends were having no such trouble. Jenny and Mark were sound asleep, cuddled up in their zipped-together sleeping bags. Brian had been snoring for half an hour. But Sabrina, pressed against him, was as alert as ever.

She’d tried snuggling closer to Brian, and moving farther away. She’d unzipped the bag for a breath of air, and zipped it back up when she’d gotten too cold. She’d rolled over, covered her eyes, counted sheep, and tried to meditate. But wherever she turned, the halogen light of the full white moon shone through her eyelids, keeping her wide awake.   

At last she couldn’t take it any more. She eased herself out of the doubled sleeping bag she shared with Brian, patting his shoulder when he whimpered in his sleep. Shoving her feet into her old yellow Crocs, she walked to the edge of the woods. 

The air was cold tonight. Shivering, she rubbed her arms and stomped her feet. She’d put on sweats over her flannel pajamas, and the socks she wore were the fluffy SpongeBob ones her sister had given her for Christmas, but the wind cut through everything like scissors through gauze. Strange that it should be so cold: usually it didn’t get below fifty this time of year. 

She supposed she could go into the house. It would be warmer. But the door was probably locked,and she didn’t want to wake Jenny for the key. Anyway, what if she encountered Jenny’s parents? They seemed like nice people, but she hardly knew them, and she didn’t feel like making small talk. Better to stay out here.

She could stir up the coals and roast some marshmallows, but she’d already brushed her teeth. She hadn’t even brought a book.  

Frustrated, Sabrina stared into the forest. The moonlight fell in broad beams through the leafless trees, chasing the shadows from the underbrush. Far below, at the bottom of the hill, the Little River glittered like tinsel. They had walked along the shore this afternoon, before sunset, but the place looked very different at night–fairy-haunted; forbidden.

She paced restlessly around the edge of the campsite, peering through the trees for a better look at the water. Every few steps she saw a flash of moon-bleached sand, a twinkle of water. Then, suddenly, a path came into focus.

She didn’t know how she had missed it. It was a wide, straight track between the trees, leading right down to the water. It looked much more passable than the glorified deer-trail they’d followed that afternoon. She could probably make it in her Crocs without twisting an ankle. And it wasn’t that far: the murmur of the water carried clearly over the chilly night air.

She could go down now, have a little walk, and come back without waking anyone. It would only take a few minutes. She might even be tired enough to sleep when she got back. Still, it seemed wrong to go off and leave her friends without saying anything.

Sabrina turned to wake them–let Jenny or Brian, at least, know where she was going. But they were all sleeping so peacefully–and she knew they’d tell her not to go. It wasn’t safe to wander by herself at night. 

Making a quick decision, Sabrina shoved her hands in her pockets and started down the trail.

On the shore of the river stood the most beautiful man she’d ever seen. 

He was a little older than she was, tall and broad shouldered, with a swimmer’s body–clearly visible, as he wore nothing but a pair of soaking-wet jeans. The moonlight was generous, highlighting muscles that might not have been visible by day. Half mesmerized by his abs and deltoids, Sabrina stepped closer.

His face would have been at home on a Grecian urn. His nose was aquiline, his complexion umber, his mouth sensuous and a little cruel. He had a satyr’s beard, and his thick dark curls shadowed his face like little horns. As she approached, he pushed his hair back, and his sharp black eyes nearly stopped her in her tracks.

“Hey.” His voice was deep and lazy.“What’s up?”

She couldn’t speak. She felt as she were being studied, as if he were assessing her fitness for some unknown purpose. She groped around for words, and finally came out with, “Aren’t you cold?” 

His laugh rippled through her skin. “I’m used to it. Where’d you come from?”

“Up the hill.” She pointed toward Jenny’s house, though she couldn’t see the path anymore. “We’re having a campout. You know. For Halloween.”

“Very nice,” he drawled, sounding entirely uninterested. “What’s your name?”

“Uh… Sabrina.”

“Nice to meet you, Sabrina. I’m Cyrus.” He held out his hand. “Well met by moonlight, et cetera, et cetera.”

Sabrina took his hand, found it warm and dry and strong. “You live around here?”

He laughed. “Sure. Over the river. We’re having a party, too.” He pointed at a spot far upstream, where the opposite shore was mostly obscured by a clump of deep, dark forest.  

Sabrina couldn’t see anything over there that looked like a party. She moved closer to the water, and a wavelet swamped her shoes, soaking through her socks in seconds.

Cyrus laughed as she cursed and staggered backward. “Don’t get wet.”

“Thanks.” She kicked off her shoes and peeled off her socks, rubbing her feet on the sand to try and dry them. She felt like she’d been frostbitten, and knew she should probably go back to camp. “How’d you get here, anyway? I didn’t see a bridge.”

He shrugged. “Walked. Ain’t that deep. I’m about to go back…” He looked her up and down thoughtfully. “Want to come with?”

She should say no, of course, but found herself stammering. “Uh… I… I don’t know.” She dropped her shoes and socks on the sand. “What kind of party is it?”

“Oh, you know. Just a small gathering–food, beverages, entertainment. Kind of a yearly tradition.”

Sabrina glanced back towards the house again. Would her friends wake up, if she went with this stranger? Would they find her gone, panic, and call the cops to search the river? “I probably shouldn’t. Didn’t tell anyone I was c–”

Cyrus grinned, and she stopped speaking abruptly, realizing that she should have kept that information to herself. 

But he only turned away, and said, “You’re probably right. Best to go on home. Could be dangerous over there–you might meet strangers.” He patted her arm. Her whole body tingled. “So long…”

“Wait. I…”

He shook his head. “You probably wouldn’t like it. I mean, you’re already scared…”

“Scared?” She looked down at herself, as if that accusation might be visible on her shirt. “I’m not scared. I just…”

But was she? A chill was running through her veins–but she didn’t think she was frightened. Excited, maybe. Intrigued. “I’m not dressed for a party,” she hedged.

Cyrus laughed. “You look fine. No one over there’s going to care what you’re wearing.”

Sabrina stared across the water. The moonlight was so bright that in places the surface of the river looked almost opaque. It rippled so smoothly she knew it had to be deep. “Isn’t it dangerous?” 

“Not if you’re with me. I can carry you over.”

He probably could, she thought, looking him up and down. He was as tall as Brian, and looked stronger, though Brian had been a football player before his injury. Cyrus looked like he’d never been injured in his life. 

She turned away, wondering if he could see her blush by moonlight. “What are you, the ferryman?”

He laughed again. “If you like.”

Well, he was a cocksure bastard of the first degree, but she had to admit he was oddly alluring. Unconsciously, she moved a little closer. “How do I know you won’t drop me in the river?”

“You don’t.” He held up two fingers, a Scout’s-honor gesture. “But I swear I’ll do my best to keep you dry.” Then he lowered his hand and leaned quite close, so his breath ghosted over her face. “I’ll keep you dry,” he murmured, “as long as you pay the toll.”

She breathed in, then exhaled, distracted by the smell of his hair: moss, dry leaves, and something animal. “Wh-what kind of toll?”

“Well, what have you got?” His lips curled into a teasing smile. His face was nearly touching hers. “I can’t work for free.”

Sabrina shivered, but stepped back, trying to conceal her disappointment. “I guess that settles it, then.” She tried, and failed, to smile. “Don’t have any money.”

“Oh, it doesn’t have to be money. Could be anything. A silver coin. A loaf of bread.” He pushed a strand of hair behind her ear. “Even a kiss.”

Even as her whole body came alive with interest, she thought guiltily of Brian, sleeping by himself at the campsite up the hill. She should walk away now–shouldn’t even consider the offer. But the moonlight made the river seem like a different world, and Brian had no part in it. “All right,” she said, surprising herself.  

Smiling, Cyrus opened his arms.

He was hot, and strong, and his warm lips tasted like river water. It was the best kiss she’d ever had. 

Without taking his lips from hers, Cyrus gathered her into his arms. Despite his heat, a chill ran through Sabrina’s body. She realized, very faintly, that he was walking–wading into the water, his feet sinking into the sandy riverbed. Her heels dipped into the river, and cold water soaked the hems of her sweatpants, but she didn’t open her eyes. 

Finally, when Sabrina was quite breathless, the kiss ended. They were on the opposite shore, and Cyrus was setting her down on the hard-packed sand. The cold ground was like an electric shock on her bare feet. She staggered, clutching his arms for balance, and opened her eyes. 

While they’d been crossing, the moon had passed behind a cloud. The shore was entirely dark, and very quiet. Thick bushes crowded them like thugs. A strange bird cried in a nearby tree. Even the river sounded odd–its voice a sullen murmur, as if heard through a layer of ice.

She hadn’t realized, from the other side, just how wide the river was. It had looked small, and passable–an inconvenience, but not really an obstacle. From this shore, though, it looked wide, and deep, and dangerous. 

She turned back to Cyrus, suddenly unnerved. He was wet from the ribs down, and the muscles of his abdomen gleamed like oil. Unconsciously, she reached out to touch them. 

He pushed her away, almost gently. “That’s enough now.”

Embarrassed, Sabrina pulled away, confused by the distance that had come into his face and voice. “What’s going on?” Her voice, in her ears, was childish. “Where are we?”

“The other side. Come on, now.” He turned away, and started upstream without waiting for her to follow. 

Sabrina was suddenly, overwhelmingly conscious of the dangerous situation she’d walked into. She opened her mouth, about to ask him to take her back, but he was far away by then. His strides were swift, unfaltering: he seemed to have forgotten she was there. When she called to him, he barely slowed.  

As they walked, she started hearing voice, laughter and conversation and even song echoing out of the darkness. Far ahead, faint golden light reflected off the river. “Is that the party?” 

Cyrus nodded.

Then they came around a bend, and there it was. 

The shore had broadened, and the air was warm, fragrant with woodsmoke. Tiki torches had been set out in a large square across the side. Inside were dozens–perhaps hundreds–of people, sitting around bonfires and under striped pavilions.  

She rubbed her eyes, but the picture just got clearer. How could they all have gotten here? This was parkland–she was pretty sure no roads led in or out. Had they come by boat? A few were tied up on the shore, but not nearly enough to have brought so many people. And the sound should have carried–why hadn’t she and her friends heard the party from their campsite? And who were these people, anyway?

They looked, at first, like a historical reenactment society with a very relaxed dress code. Their clothes spanned the last two or three centuries, and seemed to have come from a number of cultures and walks of life. Most of the guests were dressed as farmers–in shirts and homespun trousers, calico dresses, or T-shirts and overalls. A few, however, wore hoop skirts and frock coats. Some of the black people wore old cotton clothing, and had a beaten-down look that made Sabrina think of slaves. A number of the guests looked like full-blooded Native Americans, and wore beaded shirts and dresses with feather-topped hats for the men. There were soldiers, flappers, hippies, businessmen, and even a few people who might have come from Sabrina’s own street. 

Then there were… others. Firelight flickered off of faces and bodies that weren’t entirely human. There were small, nude people with bald heads and jagged teeth; there were enormous men with branches that looked like clubs. A woman in the corner had three or four arms, all pouring drinks for the crowd around her. There were even people who seemed to have animal heads: dogs, cats, birds, foxes. Sabrina thought they were masks, until she saw one blink.

She turned to Cyrus, meaning to ask she-knew-not-what, but he was already gone. A moment later she spotted him across the campsite, accepting a mug of something from the woman with too many arms. Even he looked wilder here–the curls that had shaded his face like horns now looked like horns indeed. She waved to him, but he didn’t even look at her.

Despondent, Sabrina crossed the line of torches. Friendly face surrounded her immediately. 

“Hello, dear,” said a little round woman, whose skin was wrinkled like tree bark. “Is this your first time?” 

“Of course it is,” said the person beside her, a Native American man in a beaded blue shirt. “Look, she doesn’t even know where she is yet. Bet the riverman brought her.”

He beckoned to a young Black woman who was pouring herself a drink. She approached, handed him the pitcher, and gave Sabrina a curious smile. Beneath her calico kerchief, her eyes were large and sad.

“What is this place?” said Sabrina, helpless.

The wrinkled brown woman had produced a mug from somewhere. She held it while the man in blue poured. “It’s a party, dear,” she said, quite kindly. Her voice creaked like ancient branches. “Haven’t you ever seen one?”

Not knowing what to say, Sabrina took the mug and stared at it. It was very simple, and looked handmade–plain red clay with a clear glaze that gleamed in the firelight. Its sides were cool, and wet with condensation.

“Take a sip,” the old woman urged her. Sabrina obeyed. 

It wasn’t beer–she wasn’t sure what it was. It had a strange, spicy flavor she couldn’t quite place. Was it mead? Some kind of cider? She took another sip. “I’m Sabrina.” It seemed suddenly important that they should know that.

The three strangers nodded. “We don’t use names much here,” said the girl, “but I’m pleased to meet you, Sabrina. I was Hannah.”

“I was Tom.” The man smiled. 

The old woman smiled, too, but didn’t give her name.

A few feet away, a girl with red curls paused to give Sabrina a filthy look. She was very pretty, and wore a tight sweater that showed off an excellent figure. 

“Who was that?” Sabrina said, when the girl had moved on.

The other sighed. “That was Kelly,” said Hannah. “The riverman brought her last year.”

“Sour grapes,” said Tom, smiling again.

The old brown woman just shook her head, and filled Sabrina’s cup. 

Sabrina took another drink.

Time passed in a pleasant haze. Whatever was in the mug proved mildly intoxicating, and she didn’t get sleepy no matter how much she drank. From time to time she thought to look for Cyrus, but he was never nearby. He moved from fire to fire, greeting friends and smiling mysteriously at everyone. Once she saw him pat Kelly on the shoulder and kiss her cheek. Another time he seemed to be exchanging secrets with a beautiful dark woman in an old-fashioned dress. Not once did he look at Sabrina.

She soon forgot her disappointment, because it turned out her new friends were excellent company. They constantly asked questions about her life, and seemed fascinated by every answer, even things as simple as “I go to State,” or “I have three sisters.” Soon others joined them, and greeted Sabrina like one of their own. They all plied her with drink, and with food in little clay bowls: deviled eggs, cornbread, muffins, brownies. Everything was perfect, and she never felt full.

Before long she was in the middle of a large crowd of people, roasting homemade marshmallows over the largest bonfire. Its heat scorched her face, and the air was rich with smoke and sugar. Someone had remembered an old drinking song, and was teaching it to the others amid waves of laughter. “‘Twas on the good ship Venus–by Christ, you should’ve seen us…’”

Halfway through the song, Sabrina noticed that the crowd was getting a bit thin. Several of the more flamboyant partygoers were nowhere to be found, and most of the fires and pavilions had been abandoned.

As she watched, two Native women who looked like sisters embraced, sighed, and disappeared altogether. Before she could move, a little blond boy ran into the shadows and didn’t come back. Then a person in a long white cloak, whose face she’d never seen, bowed once to the crowd and vanished.

One by one, the guests disappeared. Some of them just left, walking from the torchlight into the darkness. Others faded slowly from sight, waving sadly to their friends. Others still were there one minute, then gone the next time she looked for them. 

She knew, in whatever part of her brain was still active, that this was not right, but she couldn’t make herself move. The disappearing guests seemed like someone else’s problem–an unfortunate fact of nature that no one could really change. Framing a comment along those lines, she turned to Hannah–and gasped. 

In the last few minutes, Hannah’s lovely oval face had shriveled like a month-old apple. Her dress hung from her body like a tablecloth, and she smelled of sweat and illness. She seemed to be dying of some wasting disease.

“What happened?” Sabrina said.

Hannah smiled faintly. “You know, I almost made it,” she whispered. “I got as far as the river–then I broke my leg. So…” With a sigh, Hannah disappeared.

Tom, next in line, was covered in blood. It poured from a fist-sized wound in the center of his chest, which must have taken out at least one vital organ. “Bastards were waiting at the river.” Blood flowed through his teeth as he spoke. “We–” Then his eyes widened, and he too faded away.

Desperate, Sabrina turned to the old round woman, who was watching her sympathetically. “What’s going on? Why–”

“Don’t worry, dear.” The woman patted her hand with broad, soft fingers. “They’ll all come back next year, you know. You will, too.”

“I…” Her brain was spinning. She shook her head, but couldn’t clear it. “What do you mean?”

“Well, it’s just the one night, you know–before the winter starts. When the veils are thin.” She yawned, smiled apologetically, and stood. “But I’d probably better go, too–I’m getting sleepy. Lovely to meet you…”

“Wait,” Sabrina said, reaching for her hand. “Please–”

But the old woman was already strolling towards the torches, nodding goodbye to the few remaining guests. Her wide back swayed, and her brown skirts rustled across the ground like leaves. Before Sabrina could stand, the woman had left the campground, and vanished into the darkness of the woods.

In a few minutes, all the other guests had left–fading like mirages, or simply walking away. Sabrina could only watch, pinned in place by shock or confusion or whatever she’d been drinking. Finally, as the sky began to lighten, she was alone, still sitting on her log beside the abandoned fire. 

Or almost alone. There was Cyrus, standing at the edge of the campground, surveying the site with satisfaction. 

As if a spell had broken, Sabrina finally stood. “Cyrus! What happened?” She ran over to him, tripping on feet gone suddenly numb.

He smiled distantly. “Hello, Sabrina. How’d you like the party?”

“It–where is everybody?”

“Oh, they all went home. Back to where they died, you know. It’s almost sunrise.”

“To where…” Her voice guttered like a candle. 

Cyrus laughed. “Oh, come on. Don’t tell me you didn’t guess?”

“You mean they were…” 

“Sure.” He gave her a pitying look. “You already knew there was no one over here–no one human, anyway. Where’d you think they all came from?”

Sabrina shook her head, sure there must have been something in the drink. “But… How do I get home?”

“Oh, you don’t.”

“What?”

“You are home, now.” Cyrus gestured around him at the abandoned campground. “You paid the toll, remember? Drank the brew, ate the food? It’s a one-way trip–you’re one of them now. If I were you, I’d just get used to being dead.”

“I… but…” Dead. The word echoed in her mind like a church bell. “But… you didn’t… I didn’t… why did you bring me here?”

“Because you wanted to come,” he said, smiling. He leaned close, and pressed a chaste kiss against her cheek. “I’m an equal-opportunity ferryman–I’ll take anyone over, as long as the toll gets paid.” He patted her cheek, then stepped away. “And it was a good party. But it’s over, now.”

Her mouth opened. The words fell out of her head, and she just stuttered. “I–but–we–”

“It’s not so bad, being dead–from what I hear, anyway. And you picked a good place. The river’s lovely, and you might even find some company if you look. If all else fails, you’ll see them all at the next party.” Then he yawned, stretching his exquisite muscles like a sleepy cat. “Afraid I’ve got to go. Got a drowning to take care of tomorrow–today, that is–and then a suicide after that. No rest for the ferryman.” He grinned. “Later, Sabrina.” 

She reached for his hand, but he was already gone.

It was getting lighter, and fog was rising from the dawn-touched river. Sabrina watched the moon set behind the trees, and listened to the calls of awakening birds. The torches went out one by one, and the embers of the bonfires slowly turned to ashes.


Image source

reading, Uncategorized

Brother and Sister

Last night I read the most beautiful story about giant robots. It’s “Metal Like Blood in the Dark,” by T. Kingfisher, aka Ursula Vernon, currently published by Uncanny Magazine. (Spoilers below.)

I’m not sure if I’d ever read anything of hers before now, but this story was so, so good. It’s clearly fairy-tale inspired, with elements of Hansel and Gretel and other stories, but is set on a burned-out mining planet and its asteroid belt somewhere in space. It features a kind old professor who makes two robot children but must leave them for the sake of his health. They go out on their own to wait for him to come back, but fall prey to another machine much more predatory and deceptive than they are. Sister (who becomes the viewpoint character) must learn to think differently and change parts of herself in order to save her brother and escape their captor.

This story is masterful. I am trying to learn the art of short fiction (as you may have noticed), but since I’ve always worked and thought mostly in novel form, it’s something I’m having to pick up in bits and pieces. One thing I really realized lately was that if you want your story to sell, you really need a sympathetic and well-drawn protagonist and a clear, winnable (or losable) conflict. A story without these elements can be impressive, but it won’t be loved. (And don’t we all want to be loved?)

Kingfisher’s Brother and Sister are massive machines who bore through the earth and fly through the sky like insects, looking for metals to eat, and they love their father very, very much. They care for each other, make sacrifices to protect each other, and learn life lessons through the course of the story. If automata can be imbued with that much humanity in the hands of a master, then any character can pull at the reader’s heartstrings if written with enough care.

The other thing is that the writing is just exquisite. Every phrase is cut like a gem, and every image sings. I had to stop and stare at the screen and marvel when I read the line “…while Brother drank starlight from Sister’s fingers.” Reading, I wondered glumly if I could ever get to that level, and how Vernon herself learned to write like that. Then I visited the author’s website and saw that she’s incredibly prolific, having written nineteen books for children, nineteen books for adults, and two different webcomics (one winning multiple awards), which she also illustrates. That’s not counting the short stories. So that’s how, I guess.

As one of the vast majority of fantasy writers who are 1) not prolific and 2) completely unknown beyond friends and family, it’s hard to avoid glum comparisons with writers like Kingfisher/Vernon, or Gaiman, or N.K. Jemisin, or any of the Hugo/Nebula regulars. I don’t know, it’s like an ambitious amateur baseball player looking wistfully at someone who got a major-league contract at nineteen: even if I could go back in time and do everything differently, I’d never be where they are. But there’s really nothing to do about this, and you can give up or keep writing whatever the result, so I guess I’ll (slowly) do the latter.

Anyway, this wasn’t actually meant to be a glumpost. I actually did want to recommend the story I just read, and to say I’m looking forward to reading more by this author. And if you like fairy tales and sweet stories set in space, then I recommend you check this story out, too.

Public-domain image of a hand holding a pen, apparently writing, at a sunlit desk with papers and a white coffee mug on it. The sleeve of a cozy gray sweater is visible.
books, daily life, fiction, movies, short stories, updates

Friday Update

Another quiet week. More people are coming back from vacation, but I only had to teach a few lessons this week, and really enjoyed the free time. I finished my submission for writers’ group early, which was a nice treat; usually I’m up late Friday night to get it done.

Re: computer: We looked at parts to build one, and it made my brain ache, so for peace of mind I went with a laptop. Hello, new Acer. May you prosper.

Fran’s mom is visiting. Met her for the first time yesterday and it was lovely. We don’t really have a common language (even if I spoke more Italian, I wouldn’t understand Sicilian), but I’m picking up bits as fast as I can and making Fran translate the rest. Got to taste proper Italian sausage yesterday (of course her mom brought a lot of food in her luggage ^_^). Did you know they sometimes put vegetables into the sausage casing? I did not, but I support it.

Went to a giant craft store the other day. Bought way too many craft supplies and had a great time.

Cold Comfort Farm was funny but had a lot of flaws: the parody was clunky, and I don’t think the author quite managed what she was going for. But I started watching the movie just now, and it seems to do the job much better. Quite funny; will see if it holds up.

Besides the new section of VOID, I started two new projects: a short story for submission, and another one for Halloween. “But Katherine,” you say, sounding rather exasperated, “every week you tell us about a new project you’ve started. Very rarely do you mention a project that’s finished.” Well, I’ll tell you that that’s an entirely valid point. Wish me luck.

Love all. Miss most of you.

Kate

fantasy, fiction, flash, short stories

Short Story: Picnic

*I wrote this piece last month, and started submitting it right away. It got rejected three times, very quickly, and I realized there was probably something fundamental that wasn’t working. I think, in retrospect, that 1) it’s too on-the-nose, and 2) it probably should have had a slightly longer ending, and a bit more introduction of the main conflict in the opening lines. Rather than rewrite it, I’m going to put it here as it is, and I hope someone enjoys it. : )

I’ve been eating for hours, but the table is still covered with bright porcelain teapots, serving plates, baskets of muffins and scones, and anything else a child could want. I’ve drunk four cups of tea (Lady Grey, hibiscus, chamomile, and mint) and sampled all the snacks within reach. I’m getting full. I study the cream puff in my hand, wondering if it’s all right to put it back. I feel guilty thinking about it, as if I’ve betrayed someone’s expectation of me. In the end, I eat it.

There’s no one else here. I’ve been alone for a while. I keep eating and waiting as others get up (tall, stately, ladylike in their long tea dresses and broad-brimmed hats) and leave the picnic, walking from the party to the garden trails, going to places I can’t see. Nothing keeps me here. I could go, too. But I’m afraid to take those unknown trails, to leave this beautiful table for whoever may come next. The women who’ve left have not come back. I think it might be better to stay here in this soft garden chair, helping myself to tea and sweets while the wind plays with the brim of my yellow straw hat. It’s better to enjoy good things when you find them. If I leave, I might not find such good things again.

The sun has been bright all day. When I first sat down (ages and ages ago), I felt a little hot. I took a seat in the shade of a lush, leafy oak branch that reached its armful of acorns across the table. But now that time has passed, the light doesn’t hurt so much. The breeze that blows the branches of the trees has kept the tables beneath them cool and fresh. I feel a little foolish now to be hiding under an oak bough, when all the other girls who’ve sat at this table have faced the sun bravely with smiles on their faces. One by one, they’ve stood and walked away, tall and graceful and grown. I still wait in my oak-shaded seat for the moment when it will feel right to leave the party.

“Hello.”

A girl in red sits down across from me, right in the full sun. She smiles at me as she stacks a plate with scones, sandwiches, éclairs, petits fours, and everything else in reach. Her hat is as red as her sundress. I think she’s around my age. 

“You’re the only one here,” she says after a moment.

“The others left.” I am looking at her dark eyes under the scarlet sun hat. They seem a little older than I thought. “People come and go here. No one stays long.”

“Except you?” The girl eats a small bunch of grapes, looking at my plate. “You look as if you’ve been here a long time.”

“I don’t know where else to go.” The paths are easy to see, but I can’t guess which to take or where any of them will lead. 

She looks at me, and then at the nearest trail. “Go where you like. Just get up and pick a direction.” Her voice sounds lower than it did a second ago. Her face is sharper, too. The cut of her red dress seems to change by the minute. Looking at her face again, I can see that she’s older than me.

I look at the garden paths again. There are seven or eight of them, maybe more. Trees grow close around their entrances, and the light doesn’t reach far inside. “I don’t know which direction to go,” I say slowly. I know somehow that once I’ve chosen a path, the others will be gone, at least for me. There is only one chance to make this choice. “What if I choose the wrong one?”

She shrugs. She has cleared a few plates of cherries, watermelon, tarts, and little sandwiches. Now she’s looking at her half-empty cup of tea as if deciding whether to put it down. “Just go and look. All you can do is try to make a good choice. Just do your best, and keep doing your best after that.”

I am starting to resent this girl’s coolness, her rose-red confidence. How can she know what’s going to happen to either of us? What gives her the right to advise me? “Is that what you plan to do?” My voice is snider than I meant it to be. I take a defiant bite of cherry cream cake, though the taste is starting to cloy.

The girl nods. Pushing away her plate, she drains her teacup and springs to her feet. She is fully grown now, with power in her broad shoulders, the tilt of her lovely head, the length of her muscular legs. Her dress is short, her hat jaunty, her face exquisitely painted. She glances at each path and makes her decision. Before I can ask her to wait, she runs down the nearest path and is gone in seconds under the trees.

So I’m alone again.

I look again at the teapots and serving bowls, the undiminished cakes and pies, the vast assemblage of butter, cream, and jam. Everything is as lovely as it ever was: the food as fresh and well plated, the flowers as bright and welcoming in their vases as when I sat down many hours ago. Steam still rises from the teapots, and I know that if I pour another cup, the tea will be perfect. 

But I’ve lost my appetite. It’s time to go.

I stand up. Then I nearly fall down. I’ve grown much taller since I’ve been here. My dress fits awkwardly, as if it weren’t cut for me. I feel as if I’ve been given the wrong limbs.

I wobble and stagger before finding my new balance. The tables and chairs are far below me now, so obviously child-sized that I’m not sure how I ever felt comfortable here. This is clearly a children’s picnic. Shifting on my shaky fawn’s legs, I wonder where I should go.

I begin looking down the pathways, one after another. They all have a certain beauty, and something draws me towards each one: a branch twined with ivy, a wall of wisteria, a shiver of birds in a hedge. The trees that line the paths are tall and graceful, ancient in their grace. Slowly, I begin to move towards the nearest trail.

A burst of laughter, distant but clear, floats up the trail towards me. I remember that these paths aren’t empty. They’re peopled with people who know much more about the world than I do.

I turn towards another path, and again I hear women’s voices: talking, whispering, laughing. The girls who were my companions at these tables are now far ahead of me. The space I am about to enter is their space. In my awkward dress and awkward manners, I will only be a half-welcome newcomer at the end of any of these trails.

There is little I know about these paths, but I know all at once that I don’t want to take them.

So I begin to look not at the paths, but between them. There are places along the edges of this clearing where the trees grow so close, the vines twine so tightly, that no pathway could be formed. Examining these places, I see, in the darkest and richest intertwining of trees, that the green shades and rustling hollows are as lovely as any garden trail. Though the tangle is thick, there is sunlight to be found there. No human laughter echoes from the woods, but there is other laughter there, softer and more inviting than any I’ve heard before.

I take off my hat and put it on the table. Then I take off my shoes, which are so tight I don’t know how I ever got them on. I shiver gratefully as my toes uncurl, already feeling healthier and stronger. I peel off my lace-trimmed socks and drop them like dead petals beside the shoes. My bare toes burrow in the dirt like the roots of a plant starving for water.

The dress I’m wearing is too tight, so I unbutton it until I can breathe. Then I step back from the table into the shadow of the trees.

The picnic is still spread for company, its child-sized tables bright under the summer sun. I bid the place a nostalgic farewell, and then I walk into the forest. My bare feet find their way surely through the roots and undergrowth. My legs, long cramped, unfold into this new exercise. I wonder what I will be when I come to the end of this pathway, and what tables are waiting deep inside the wood.


Image credit Jill Wellington.

fiction, short stories, Uncategorized

Short Story: The Church of the Star

Scroll to bottom of post for content warnings.

She wakes on an altar, with words in a language she doesn’t know ringing in the air above her. She opens her eyes and looks up, sees a figure in white and black standing over her. He holds something in his hands: book, murmurs an awareness she didn’t have a moment ago. Book. Priest. Man. Church. For the echoing vault that stretches into shadows above them is surely a church, whatever that is, though she can feel that the building is cold and empty, closed for the night.

She identifies muscle groups one by one, takes control of them, gathers herself, and sits up. She is naked. Beneath her skin, the altar (marble, whispers that strange awareness) is unyielding and cold. Frowning, she pushes herself up off the slab and stumbles to the floor. The shock of the ice-cold stones beneath her feet wakes her for a moment, and she remembers that she is human.

Or something like a human. The echoes she hears are more resonant than they would be for human ears. She remembers the distinction from before.

But what was before?

She has lived other lives. This body is familiar: the height of her head above the ground, the length of her arms, the size and strength of her hands. She vaguely remembers using these hands to do… something. What was it? What did she do, here in this world, where the night is dark and cold? And why (she is sure of it now), why did it end so soon?

It’s too cold here. She doesn’t know why she has come back, when she was somewhere so much better. She can’t remember details, but drifting veils of memory she cannot grasp show light, warmth, happiness. Surely she does not want to be here.

Still, there is something poignantly charming about this realm of beating hearts and tumbled emotions. There’s joy here, mingled with the sadness, and other things you cannot see in brighter places, things that only shadows illuminate. She didn’t want to come here, but, if she is here, she may as well live awhile. There’s time enough to die, in the fullness of a mortal life. She need not yearn too much for heaven, when she’ll be back again so soon.

She hears a sound behind her: belated footsteps, as the man who called her back into this world moves to guide her through it. She knows him by his step before he comes into view.

“John.” Her voice emerges as if from a crypt. “Where are we?”

“Safe.” His voice is breathless. “You’re safe here. Are you feeling well? Are you…” He trails off.

She studies the man as her vision sharpens. She always knows John when she sees him, no matter how far he has wandered from the place where she saw him last or how much his face has changed. He’s decently handsome in this lifetime, in an everyday way, black-cassocked though there is no one here to see his priestly dress. Not too old, but not young. Experienced. He is the kind of man you feel you can trust.

Learned instinct, deep in her golden bones, makes her wary of the feeling.

“Alethea.” His voice shivers as he says her name. “Do you remember anything?”

She shakes her head slowly. “What happened? How did it end this time?”

He avoids her eyes. “Not well. But I think we’ll do better this time. Now that you’re here, we can talk about what went wrong.”

She is unsettled by a flash of resentment as she listens to his speech. Why should he look at her so expectantly? She has just awoken. How can he pin hopes on her so soon?

Memories brighten like constellations on the blackness of her mind. Where she was before, she didn’t need memories; she had more elegant ways to think. But these are the memories she had before, returning with all the other tired features of mortality: breath, heartbeat, and fragile brainwaves.

These flashes of life appear one by one and in clusters. Some are bright (morning sun glinting over high treetops) and others harder to perceive. There are snatches of conversations murmured in various languages, swift flashes of violence and wonder and grief. A man speaks above muttering crowds: something terrible is about to happen, something too big to stop. And John (brown-robed, gray-haired, humble and uncertain) stands in a corner, watching, as it all begins to happen.

He is always there, in every memory. He has been a part of every life she’s lived, every brief ill-fated facsimile of mortality she’s experienced. She can see him at all ages–in all ages–face after face, all different but all indefinably, undeniably him. Though he’s usually younger when he calls her back into existence. She wonders what’s kept him this time.

She blinks, disoriented, as her vision shifts back to the present moment. Beside her stands a different gray-haired man, in different robes, wearing the same furtive expression as before. He isn’t looking at her just now. Something in his own memories has made him ashamed, something he hopes Alethea won’t remember.

She tries to get her bearings by looking around at the empty church. It’s the kind of vaulted, high-spired building that was slipping out of fashion the last time she was alive. History has worn it down: the floor tiles are scuffed and pitted, and the varnish on the great sleeping pews is dark with age. But the walls are clean, unmarred by candle-soot, and the metalwork gleams.

Alethea walks down the aisle, putting distance between her and John. Light from strange, steady lamps half-illuminates the stained-glass windows, showing scenes from the lives of saints and martyrs. Why do churches hide the outside world with colored windows? Do they fear their congregations, once distracted, will leave their shepherd?

The air is cool, fragrant with incense. She has missed the scent. Wherever she has been, there was no incense.

She feels herself beginning to solidify, to settle into this restrictive new physical form. Against the surface of her mind she sees a sort of picture: a delicate insect unfurling wide, wet wings, newly emerged from its protective shell and nearly ready to sail on the world’s wind. She knows that she is like the butterfly’s wings: great in potential but not quite ready, not quite firm enough yet to face the world alone. She must wait just a little longer.

(…Quoth the Star, “And if they shall come to me, in the fulness of their trust like lambs to the shepherd, then I shall lead them beyond the gates of heaven into the country of gods…”)

She hears him come up behind her–that tread she’s known for dozens of lifetimes–and shivers at the sound. A rustle of fabric makes her turn: he offers her a robe. She takes it uneasily, slipping it over her shoulders.

“We’ve waited a long time for you.” He studies her with quiet satisfaction. “I tried to call you back more than once, but you never answered. I had to call again and again–it was almost like you didn’t want to come. I was almost ready to despair. But…” He smiles, and touches her cheek, pulling back sorrowfully when she flinches. “You’re here now. You’re safe. We can start again.”

Again she feels a flash of irritation. Why can he not let her breathe–let her simply live in this new world a moment, before he starts asking for things? Every heartbeat is so precious in these short lives. Can he not leave a few heartbeats for her alone?

“So you have a congregation?” says Alethea, concealing her annoyance. “How long did it take you to build one this time?”

John laughs. “Oh, decades. I took my time–I’ve learned my lesson. Of course, cult-building is safer these days. They don’t kill heretics anymore, at least in most places. But lives are longer now, and I thought I might invest my time in building something grander.” He gestures at the church, which must seat several hundred people when full. “We’re thousands strong now, and the core group is in its hundreds, all of them zealous. We await only you to guide us, O Star.”

They are speaking a language that is no longer spoken anywhere in the world. They always default to this tongue when they are alone together. It’s a comfort for them, a single remnant of the first world they knew.

As they speak, something of the present moment falls away. Alethea can imagine them as they first were several millennia back, when John (mispronouncing one of the names of God) suddenly found himself with a young Star seated on the clay altar of his humble shrine. He was father and brother and guardian to her then, in those first days when she could barely speak. She knew so little about the world then that any ill-intentioned person could have led her astray, and she trusted him absolutely.

It’s hard to remember that innocence now, with the weight of all their lives between them. A thousand years is nothing to a Star, but all her brief sojourns in the human world have made her sadder and more cynical.

She wonders, as she often wondered before, if John’s congregants can sense the tissue of his former lives hanging about him when they look at him. Do they ever guess what an uncanny thing he is: the everborn priest with his apocalyptic visions and his guiding star pulled ever-more-reluctantly back into life? And if they do know, are they frightened? Or only convinced that they have found the right mystic to follow?

She looks again at the church. It’s certain that John didn’t build it. He’s a visionary, in his way, but not a builder. His influence was always insidious, slipping into established movements and corrupting them from within. A story here, a small doctrinal edit there: he’d make these little changes until the faith was quite transformed, and then place himself as a minor leader and use the wedges he’d set in place to create a schism.

She wonders what faith he has corrupted this time: whether it’s the same one they knew before, changed for the era, or whether some wheel has turned and the faithful pray to different gods now. It doesn’t matter: John can make their doctrine fit in any setting.

However he got it, the church is well taken care of. Row upon row of candles burning above the altar illuminate a tile mosaic of a single blazing star. The altar is well-tended, its cloths expensive, and the candles are white and smooth: this world has moved beyond beeswax.

Alethea feels a strange sense of home. If she hasn’t been in this church before, then she’s been in many very similar ones. She trails her hand along the edges of the ancient pews, trying to remember the faces of the people who must have sat here, but her mind is blank. This is only a building, with a high ceiling and echoing walls. If she wants to see people–to know for sure what her place could be in this world–then she must start by getting out of here.

Looking for an exit, she notices for the first time that all the bright windows are similarly themed. There is a young woman, different in each scene, but always with a star floating above her head. In some pictures, she is speaking to seated crowds; in others, she performs miracles. A cliff shears from a mountainside. A forest catches fire. A child rises from a swollen river, lifted by unseen hands. Alethea remembers these small crises in soft, swift flickers like moments from a dream. How long it must have taken John to remember all the details of her many lives, to have these windows made. He seems to have made a saint of her: slipping her story into the lore of some great religion, duping the faithful into adding her to their canon.

She looks again for an exit, but all the doors are out of sight.

(…And the Star spake again, and her voice rang like the trembling of a mountain shaken by avalanche. And she called aloud to the people who had abandoned her, and in sorrowful tones did say, “The world is wicked, and the children of the Star are few in number. Long days may pass away before the gates of heaven should again open. I will pass away, for a time, into the country of gods where the people of the Earth cannot follow. But if my people are strong in faith, and wait with patient hearts and open minds, then I shall come again…”)

John has followed her gaze. “Aren’t they beautiful? They were made by one of my first converts, an artist I knew as a young man.” He smiles. “I was born into a good family this time. They encouraged me to study whatever I liked: art, religion, folklore… When I was still just a boy, I found one of our old hymns in a book of folk songs, and it all came rushing back.” He peers into Alethea’s face with undisguised eagerness. “Do you remember everything yet? Sometimes it doesn’t come back for you all at once. Tell me if you have any questions–I can help you to bring it back.”

Alethea has not remembered everything, but the most important memories are coming back. Still, something restrains her. “No. I don’t remember much at all.”

Disappointment slides behind his eyes, but he hides it quickly. “You’re the Star,” he says, “the chosen child of Heaven, come to Earth to lead humankind into the country of gods. You’ve lived a hundred lives before, and each time we get a little closer. This time… this time, Alethea, I think we may succeed.”

It’s all she can do to hide the visceral stab of revulsion his words inspire in her. No, says a voice as deep as her whole being. Not this time. Not after last time. No. Unsettled, she pulls away, and when he reaches for her arm she does not let him touch her.

He seems to sense that he has misstepped. “Things are better now,” he says. “It won’t be like last time.”

Ignoring him, Alethea walks to the nearest window, bare feet sure on the cool stone floor. She reaches out an unscarred hand to trace her fingers down leaded panes chilled by the autumn night wind outside. There is a picture in the glass: a woman, a man, a small flock of sheep. The tree above them holds secrets in its branches, and a flat blue sky presses down on them overheard. In the center of the sky is a large white star.

Alethea wants to see the sky–the real one, not this facsimile. If she can look into the vault with her own not-so-human eyes–look long enough, hard enough–then perhaps her gaze will pierce it, and someone beyond will condescend to give her a few answers. She wants out of here. Out of this. Out of all of it.

She feels the feather of John’s touch just brush the space beside her face. He’s always wanted to touch her more than she allowed. Did he dare, in those moments when she lay cold and breathless on the slab–did he dare then to touch what was not his? If she doesn’t repel him, will he try it again?

She will repel him. She has learned the technique, over time.

“What are you thinking of?” he says.

She doesn’t answer. Everything is echoing. Her breath comes back magnified by all those colored windows, all those breathless saints and martyrs reflecting her own dead selves. Time is catching up to her. The past, in all its ugliness, unfolds inside her head.

And then, at last, she remembers the last time she died.

They almost succeeded. John is right about that. Their sudden schism, their powerful second sect, rising without warning in a society sleepy with tradition, nearly upset the social order and set the Star at the head of its faithful. If they’d had a few more weeks, a few more months, to stir their followers to the necessary point of fervor (to the point of violence), then the Star might have led the world to its salvation. (Or to its damnation. John was always certain of Alethea’s holiness, but she herself is beginning to have doubts.)

In the end, their followers lacked the necessary physical courage, and Alethea and her miracles were ultimately insufficient. And in the end…

“They burned me,” she says quietly. “Did you know that? They tied me to a stake and piled the kindling up… The whole town was there. All our people were in the crowd. I kept thinking, surely someone will stop it. These people, who said they loved me–surely they’ll come forward and stop this, surely someone will let me go. But they lit the pyre…”

Flames roar against the wall of her memory. She remembers the crackle of the kindling, a forest of broken wood in flames around her. At first it was only warm, then hot. Smoke rose, infiltrating her eyes, her nose, her mouth, until there was nothing but smoke, no air to breathe. Then the fire caught the hem of her shift. For the first shocked moment, the smell of her own flesh charring was worse than the pain. Then the pain was much, much worse.

“It was the worst death I ever had,” she says, turning away. “I never dreamed anything could hurt so much.”

A hand falls on her shoulder. “You’re here again,” John says, frowning as she flinches, “alive and well. We weren’t quite as strong as we hoped, last time, but this time will be better. This time–“

“How many of them died?” she interrupts. “After I was gone, how many of the others did they kill?”

John lowers his head. “None. You know how it was in those days. They… were frightened. They wanted to protect themselves, protect their families. They all knew it was over when you died. So they…”

“They kept their heads down.” She watches him closely. “And you? Were you able to get away, or did they come for you after they’d killed me?”

John is too quiet. Alethea peers at him through the candle-dimness, and realizes: “You were there, in the crowd. You watched them do it.”

He raises pleading eyes to her. “Alethea. There was nothing left for us once you were gone. You are the key to Heaven, the heartstone of our faith. When our people saw you… lost… their faith went with you. It was all I could do to hide myself, to bear witness to your death and slip away to record it. With you gone… what else could I have done?”

“You could have fought for me,” she snaps, “as I always fought for you. Stood by me, as I’ve stood by you so many times… I gave my life for that cause you always said was so important. Could you not, just once, have given your life for me?”

For she remembers now that it always goes this way. Every time he brings her into the world, she stands and fights and dies for a new generation of his brave little movement. Other deaths, earlier but just as ugly, are floating into her mind: stoning, drowning, strangling, beating. Witch, they always said, as her powers frayed the world. Witch. Demon. Monster.

She draws harsh breaths of the incense-scented air, and feels that monstrous power begin to seep back into her chest.

John inhales sharply, as if something had raked its claws across his skin. Perhaps he, too, feels her power awakening–and covets it, as he always did. For who would try to call upon the name of God who did not covet a god’s power?

“Alethea.” His voice is faint. Perhaps he knows he’s already losing her. “Look around at how strong we are. Look–here’s your story!” He gives her a leather-bound book, fragile with age. “When I survived, I wrote your stories down. I saw them safely hidden and safely found. I taught your songs to likely children. I made parables of your truth and taught them to your enemies. With my life, I ensured that your story wouldn’t be forgotten. And now we can start from a position of such strength! Your people already know the tales. They’re only waiting for you.”

Alethea opens the book. Fine-printed scriptures blur past her eyes as she turns the pages, but her awakening power lets her read them at a glance.

…And the young Star, in her virtue, did call upon the people to be as gods, and to do as she did that they might learn her ways. And the faithful, heeding, did spend their days in searching after knowledge of the sky, and watching the workings of the sun and all her planets, until they knew the heavens as well as humankind may know them. And when they had thus watched for many days, the Star going down among them said…

…Now the Star, being weary, did make a place among the trees and lie down to sleep there. And she said unto her followers, “Come, and rest, and be not afraid.” But her followers did not trust, and did not stay; and they went instead to a nearby town, and found rooms there for the night. But on the morrow, when they returned to the grove of trees, they found the Star asleep, enclosed in a chamber of crystal that rang like a thousand bells…

…And the clergyman, going in among the trees, did happen upon a young woman who spoke to the earth as if it might listen. And when she had finished speaking, a spring of water did flow forth from the ground, and the woman did cup her hands and drink of it; and when she saw the clergyman among the trees, she did call unto him and say, “Come, and drink, and be refreshed.” But the clergyman, thinking that her power came from an evil source, did say unto her, “Witch, thou witch…”

…But being grieved by their faithlessness, the Star did bow her head and weep. And as she wept, she cried unto her followers, saying, “O, my beloved, o my treasured ones, why have ye no faith?” And the master of the town did take up his sword…

Reading the book, Alethea doesn’t recognize herself. The woman–the being–whose deeds are recorded here existed only in the head of the man recording them. The Star as she truly is could never be encompassed by ink and paper, certainly not in the hand of a man who sees her only as his instrument. If Alethea dies–and she will, sometime or other, and sooner if she follows John–then the world will never truly know the Star at all.

And who is she, really? Her mind holds a great emptiness at its center. She has many memories of her early lives, but they are all so full of John and his ideas that she herself is only a glittering shadow, devoid of character, notable only for her power. Of the place between death and life, where she was until a few minutes ago, she remembers almost nothing. She is a shell, not a woman at all, though she resembles one. If she lives another lifetime at the head of John’s “movement,” it will only be another story in his holy book, another incarnation of a saint. If she wants to know anything about herself, she’ll have to leave him.

She sets the book on the nearest pew. “John,” she says, “I can’t do it this time. I’ve been your sacrifice a hundred times. I’m not going to do it again.”

John looks pained. “You’re not a sacrifice. It’s not supposed to happen that way. It’s the world that does it. Not us. Not me.”

She shakes her head. “It doesn’t matter,” she says, though of course it does. “I’ve lived and died and lived and died so many times, and never seen more of the world than your fool’s campaign took me through. And I’ve stood by you in all my lifetimes, and never known another soul except as a potential convert. You’ve kept me so close, John, that I hardly know anything about this world, though you want me to lead it into some shining new era. I think I’m owed a lifetime or two to get a grasp on things.”

Anger flashes in his eyes–quickly hidden, but audible in his voice. “And who called you back,” he says tightly, “to live those lives again?”

She peers at him, surprised by his shallow pettiness, and realizes that he’s degrading. Time, and death, and disappointment have dulled the focus that once made him such a reckoning among priests. Once, his dream was to carry his flock into the heavens–to ensure their salvation through force of will, if that was what it took. Now he’s growing petulant. You can see in the twist of his lips that pride is as great a motivator for him as faith. He wants to be her priest. He wants to be her priest. He wants to usher in the new era where the world will be governed by the philosophical faithful. After all this time, all these lives, he feels that he has earned the right to guide the Star to victory.

(…Yet there were those among their number who in their pride had lost the spirit of their prayers; and though they wore the garb of the faithful, yet they had become her enemies…)

And because it is his pride that leads him now, he has lost the right to guide anyone at all.

It begins to be clear to her how terribly, terribly lonely he has been in the years–the lifetimes–when she was not in the world. His devotion to his faith has always been entire. No worldly things distracted him; he had few friends, few physical pleasures, and no social or political affairs to speak of. Art held no meaning for him where it did not further his cause. In her mind’s eye she can see him rising from his cold bed, dressing and eating alone, performing all his solitary rituals morning after morning and night after night. No one greeted him when he retired, alone and silent, to the darkness of his bed. If some rare spark of joy escaped a dream of heaven and lodged in his fading memory, he padded it carefully with doctrine and added it to his treasury of lore, its mystery rendered tame and soon forgotten.

In her mind’s eye, she can see the dark, quiet room where he sleeps alone, contemplating his life’s mission and all the names of God. His clothes smell of dust and incense. His skin is translucent. He has nothing to live for, or hope for, but her.

And now, though he hasn’t realized it yet, even that one hope is lost. There’s nothing holding her here, no bond of love or friendship. Death has washed clean that portion of her heart. If she were to meet this man on the street, she wouldn’t glance at him.

He is still speaking, unaware that her judgment has been passed. “Who brought you down to earth,” he says, “taught you to live among people, showed you the injustice you were born to right and the ignorance you were born to correct? What is the meaning of your life, without us to center and focus you? What purpose can your life have if you don’t know what you’re here for?”

“The same purpose as any life but yours,” says Alethea, “Mortals don’t know their life’s purpose when they come into this world. They’re born with nothing. If their lives have meaning, it’s meaning they’ve intuited or designed themselves. I’d like to see what I can make without you there to tell me what to think.”

With these few words, John’s shoulders slump. When he speaks again, his voice is defeated. “Please,” he says. “I beg you. Don’t leave all I’ve built here. I have given everything I am to bring you back. Every life I ever lived, I lived for you. We have a chance to do it right now, Alethea. You are so strong–you have so much potential. I know it will work this time–this will be the last.”

“It’s never going to be the last,” she says. “You’re not going to stop until you somehow die forever.” She regards him speculatively, wondering how she should deal with him. He is not strong. He’s allowed iterations of her to fight his battles for him for thousands of years. If she wanted to destroy him, there would be little he could do.

But there is still hope for him, perhaps, and so she only says, “I am not a saint, John, and you are not a prophet. Whatever you do with the rest of your lives, don’t call me back again.”

She takes off the robe he gave her, wraps it around her hand, and smashes her fist through the window.

The first pane breaks easily. Beyond the broken glass, a waning moon blazes in the ice-black sky. Its brightness steadies her: beyond this chapel, at least this one thing is real. The moon is no legend–and neither is she.

She moves to the next pane. John tries to stop her, but she bats him aside, her strength much more than human. She straightens the cloth on her bleeding hand and breaks another pane, and then another.

More slices of sky are revealed with every painful strike. The wind-swept night comes clearly into view, and below it a line of rustling trees and a quiet, orange-lit street. As they appear, the woman and the man and their flock of sheep are vanishing.

“Alethea,” John says. “Please don’t do this. You don’t have to do this. Please, leave me something…”

But if she leaves him something, then this will all happen again.

Systematically, she destroys the window, knocking away each chip of glass, each fragment of color, leaving only the leading strips behind. Shatterglass drifts grow beneath her feet. They cut her soles and slick the floor with blood. She feels the pain only distantly. She has other things to think about.

The highest panes of glass are out of her reach. For the first time in this new life, Alethea summons a miracle. A shiver of suggestion wells from her chest, and with a wave of her bloodied hand the other windowpanes shatter, falling from the window like icicles from a roof. Alethea doesn’t duck or flinch, knowing that her power will protect her. It is the first miracle of many: in this life, she will use them liberally.

When all the glass is gone, Alethea grips the leading strips in bloodsoaked hands and rips them from the window. Thus are the vague forms of her destiny destroyed, dismantled, discarded. With each soft clank of fallen metal, her resurrector’s groans grow softer. In the end, he is quiet.

“Don’t follow me,” she says softly. “It’s best if we stay apart. I’d rather not hurt you, but I will if I have to. Don’t follow, and don’t call me back again.”

John shakes his head morosely, so diminished as to be pitiable. “Please stay. How can I do anything without you?”

Disbelieving, Alethea indicates the centuries-old church. Her voice is more pitying than angry. “You have all the resources you need,” she says. “With all the lifetimes you’ve had, think of how you could have helped the world, if you’d only wanted to. You could have been a beacon.”

He shakes his head sullenly. “The world is beyond help,” he murmurs. “It can only be remade.”

He is only a little kind of villain, one who thinks he’s doing right. The most common and most dangerous kind, perhaps. Even if she never sees him again, she’ll face his kind many times in the world outside.

Time to get to work, then.

She waves her bloodied hand again, and all the other windows shatter, raining diamond dust onto the pitted floor. A third wave blows the candles out.

“Don’t follow me,” she says again. “If we ever meet again, we’re going to be enemies.” Then, naked and unafraid, Alethea steps barefoot through the shards and climbs out the empty window into the living night.

As she begins to walk away, she hears a soft sound in the desecrated chapel behind her: the delicate chink of glass shards being picked up and set in order.


Image credits Pexels, Tama66, Tama66, congerdesign, bniique, sick-street-photography, minamunns90, Hans, Cparks, 412designs, Mitrey.

Content warnings: Description of death by burning, cuts/injuries/blood, allusion to possible assault, probable gaslighting.

fiction, flash, Uncategorized

Flash Fiction: Glass Shop

Halloween 2020. 976 words.

Image credit SplitShire.

You have never seen beauty like the sunlight shining through shop windows into this proliferation of color. Red glass bowls cast crimson parabolas across a white tablecloth. A cluster of blue wine bottles share the light between them, commingling their cobalt splendor. So brightly do the points of sunlight blaze in a large family of crystal balls that you remember stories about house fires started by unwatched refractions. 

A row of prisms dance across the top edge of the front windows. You squint into their scattered rainbows. They seem to scatter memories, too: you can’t remember how you got here.

 The shop is uncomfortably warm, and has a stale smell, as if no one has visited in a long time. You wonder where the owner is. It feels wrong to leave the place unattended, but you don’t want to stay. Though the air is still, the glass ornaments and bells that hang from the ceiling shiver as if in a soft wind. You think of ghosts. In Victorian times they would cover the mirrors when someone died so they couldn’t trap the dead. What might be trapped in this chaos of reflections?

You wander through the shop, dusting your hands across forests of art-glass swizzle sticks and animal figurines. A heap of round glass fishing floats (witch balls, they call them) occupies one corner. Tiffany lamps sprout from a table like psychedelic mushrooms. Another table is green: bottles, vases, gazing-globes, liquor glasses, opera glasses, ashtrays. Antique Christmas ornaments cover most of one wall. Below them are big crystal bowls filled with smaller items: beads, marbles, stained-glass nuggets. 

You dig your hands into this clicking hoard and pick up a lump of yellow glass. In the sunlight, it reminds you of urine. You put it back and pick up a soda-blue marble. As you roll it in your hand, your mind supplies the taste of it: how it would clatter on your teeth, slide cool and slick across your tongue; how tempted you would be to swallow.

Dropping temptation back in the bowl, you return to the center of the shop. Something has changed, but you can’t pinpoint it. Then you look again, and see what was there from the beginning. 

Against the far wall stands a tall wooden case, rough-built like a wartime coffin, its front a plate-glass window. Inside, a man stands sleeping. He is of no particular age or obvious character, but you shudder to see him. Somehow he stands upright without support, and you wonder if he is a wax figure or some kind of mannequin. You don’t know why he could be here. He doesn’t belong.

From a hook beside the case hangs a long iron hammer. It is dull and crudely made. It looks like something used to stun animals for slaughter. Like the man in the box, there is no reason for it to be here. Like the man in the box, it makes you shudder.

You are standing in the center aisle. Tables to your left and right hold trays of little things one might pick up. Your eye falls on a silver tea tray loaded with glass paperweights. Your fingers close around one clear orb with a blood-red flower blooming in the center. It’s heavy as a stone, and fits perfectly into the curve of your hand. You want to throw it more than you’ve ever wanted to do anything in your life. 

When you look up at the man, his eyes are open. They fix on you, muddy and cruel. He grins. 

The paperweight flies from your hand. The crash of glass through glass is as loud as the death of the world.

When the echoes clear, the man steps out of the case. He inhales loudly, sucking at the meager air. He takes up more than physical space. He lifts the iron hammer from its hook. It seems to fit perfectly into the curve of his hand.

“No.” Your voice shivers. “Don’t do it. Please.”

For a second, he is still. Danger stands poised, not yet loosed on the world. You feel that there is something you could say to stop what’s going to happen. But no words come to mind.

The moment passes. Rolling his shoulders, he steps forward with brutish boots, swinging the hammer, loosening his muscles. A flick of his arm smashes a tableful of figurines. Animal heads and broken ballerinas glitter in the air for an instant before they fall. Another blow obliterates the glass table they stood on. 

He clears the next table with a careless backswing. Another wave of glass crashes to the floor. The base of a round bud vase rolls to your feet, glimmering like Eris’ apple.

You start to back away. You think of running, but know you won’t reach the door in time. He is grinning, still grinning, anticipating the moment when there is no glass and only you remain. 

“Stop,” you say. Your voice doesn’t make much noise now.

He swings high, smashing chandeliers, breaking bells and sweet glass chimes. Glittering shrapnel stings your brow and cheeks. You close your eyes, but the crashing of his hammer only magnifies when you don’t watch him. When you open your eyes, the shop is gone.

You stand in a waste of shards and powder. Glass dust hangs in the air. Fragments of it are trapped in the creases of your eyelids. Soon you’ll blink, and they will fall into your eyes. 

The man rolls his shoulders, breathing heavily. Beneath his shaggy, glass-flecked hair, his eyes are unreadable. You open your mouth for one last plea, but your throat will not contract. Your muscles lock up one by one, leaving you frozen, unable to run, unable to fall.

As he lifts his hammer for the final blow, you look down and see that you are made of glass.


Image credit SplitShire.