fantasy, fiction, flash, short stories

Short Story: Picnic

*I wrote this piece last month, and started submitting it right away. It got rejected three times, very quickly, and I realized there was probably something fundamental that wasn’t working. I think, in retrospect, that 1) it’s too on-the-nose, and 2) it probably should have had a slightly longer ending, and a bit more introduction of the main conflict in the opening lines. Rather than rewrite it, I’m going to put it here as it is, and I hope someone enjoys it. : )

I’ve been eating for hours, but the table is still covered with bright porcelain teapots, serving plates, baskets of muffins and scones, and anything else a child could want. I’ve drunk four cups of tea (Lady Grey, hibiscus, chamomile, and mint) and sampled all the snacks within reach. I’m getting full. I study the cream puff in my hand, wondering if it’s all right to put it back. I feel guilty thinking about it, as if I’ve betrayed someone’s expectation of me. In the end, I eat it.

There’s no one else here. I’ve been alone for a while. I keep eating and waiting as others get up (tall, stately, ladylike in their long tea dresses and broad-brimmed hats) and leave the picnic, walking from the party to the garden trails, going to places I can’t see. Nothing keeps me here. I could go, too. But I’m afraid to take those unknown trails, to leave this beautiful table for whoever may come next. The women who’ve left have not come back. I think it might be better to stay here in this soft garden chair, helping myself to tea and sweets while the wind plays with the brim of my yellow straw hat. It’s better to enjoy good things when you find them. If I leave, I might not find such good things again.

The sun has been bright all day. When I first sat down (ages and ages ago), I felt a little hot. I took a seat in the shade of a lush, leafy oak branch that reached its armful of acorns across the table. But now that time has passed, the light doesn’t hurt so much. The breeze that blows the branches of the trees has kept the tables beneath them cool and fresh. I feel a little foolish now to be hiding under an oak bough, when all the other girls who’ve sat at this table have faced the sun bravely with smiles on their faces. One by one, they’ve stood and walked away, tall and graceful and grown. I still wait in my oak-shaded seat for the moment when it will feel right to leave the party.

“Hello.”

A girl in red sits down across from me, right in the full sun. She smiles at me as she stacks a plate with scones, sandwiches, éclairs, petits fours, and everything else in reach. Her hat is as red as her sundress. I think she’s around my age. 

“You’re the only one here,” she says after a moment.

“The others left.” I am looking at her dark eyes under the scarlet sun hat. They seem a little older than I thought. “People come and go here. No one stays long.”

“Except you?” The girl eats a small bunch of grapes, looking at my plate. “You look as if you’ve been here a long time.”

“I don’t know where else to go.” The paths are easy to see, but I can’t guess which to take or where any of them will lead. 

She looks at me, and then at the nearest trail. “Go where you like. Just get up and pick a direction.” Her voice sounds lower than it did a second ago. Her face is sharper, too. The cut of her red dress seems to change by the minute. Looking at her face again, I can see that she’s older than me.

I look at the garden paths again. There are seven or eight of them, maybe more. Trees grow close around their entrances, and the light doesn’t reach far inside. “I don’t know which direction to go,” I say slowly. I know somehow that once I’ve chosen a path, the others will be gone, at least for me. There is only one chance to make this choice. “What if I choose the wrong one?”

She shrugs. She has cleared a few plates of cherries, watermelon, tarts, and little sandwiches. Now she’s looking at her half-empty cup of tea as if deciding whether to put it down. “Just go and look. All you can do is try to make a good choice. Just do your best, and keep doing your best after that.”

I am starting to resent this girl’s coolness, her rose-red confidence. How can she know what’s going to happen to either of us? What gives her the right to advise me? “Is that what you plan to do?” My voice is snider than I meant it to be. I take a defiant bite of cherry cream cake, though the taste is starting to cloy.

The girl nods. Pushing away her plate, she drains her teacup and springs to her feet. She is fully grown now, with power in her broad shoulders, the tilt of her lovely head, the length of her muscular legs. Her dress is short, her hat jaunty, her face exquisitely painted. She glances at each path and makes her decision. Before I can ask her to wait, she runs down the nearest path and is gone in seconds under the trees.

So I’m alone again.

I look again at the teapots and serving bowls, the undiminished cakes and pies, the vast assemblage of butter, cream, and jam. Everything is as lovely as it ever was: the food as fresh and well plated, the flowers as bright and welcoming in their vases as when I sat down many hours ago. Steam still rises from the teapots, and I know that if I pour another cup, the tea will be perfect. 

But I’ve lost my appetite. It’s time to go.

I stand up. Then I nearly fall down. I’ve grown much taller since I’ve been here. My dress fits awkwardly, as if it weren’t cut for me. I feel as if I’ve been given the wrong limbs.

I wobble and stagger before finding my new balance. The tables and chairs are far below me now, so obviously child-sized that I’m not sure how I ever felt comfortable here. This is clearly a children’s picnic. Shifting on my shaky fawn’s legs, I wonder where I should go.

I begin looking down the pathways, one after another. They all have a certain beauty, and something draws me towards each one: a branch twined with ivy, a wall of wisteria, a shiver of birds in a hedge. The trees that line the paths are tall and graceful, ancient in their grace. Slowly, I begin to move towards the nearest trail.

A burst of laughter, distant but clear, floats up the trail towards me. I remember that these paths aren’t empty. They’re peopled with people who know much more about the world than I do.

I turn towards another path, and again I hear women’s voices: talking, whispering, laughing. The girls who were my companions at these tables are now far ahead of me. The space I am about to enter is their space. In my awkward dress and awkward manners, I will only be a half-welcome newcomer at the end of any of these trails.

There is little I know about these paths, but I know all at once that I don’t want to take them.

So I begin to look not at the paths, but between them. There are places along the edges of this clearing where the trees grow so close, the vines twine so tightly, that no pathway could be formed. Examining these places, I see, in the darkest and richest intertwining of trees, that the green shades and rustling hollows are as lovely as any garden trail. Though the tangle is thick, there is sunlight to be found there. No human laughter echoes from the woods, but there is other laughter there, softer and more inviting than any I’ve heard before.

I take off my hat and put it on the table. Then I take off my shoes, which are so tight I don’t know how I ever got them on. I shiver gratefully as my toes uncurl, already feeling healthier and stronger. I peel off my lace-trimmed socks and drop them like dead petals beside the shoes. My bare toes burrow in the dirt like the roots of a plant starving for water.

The dress I’m wearing is too tight, so I unbutton it until I can breathe. Then I step back from the table into the shadow of the trees.

The picnic is still spread for company, its child-sized tables bright under the summer sun. I bid the place a nostalgic farewell, and then I walk into the forest. My bare feet find their way surely through the roots and undergrowth. My legs, long cramped, unfold into this new exercise. I wonder what I will be when I come to the end of this pathway, and what tables are waiting deep inside the wood.


Image credit Jill Wellington.

Public-domain image of a hand holding a pen, apparently writing, at a sunlit desk with papers and a white coffee mug on it. The sleeve of a cozy gray sweater is visible.
daily life, updates

Friday (Saturday) Update

Not a lot of news this week. Still enjoying a light work schedule because of clients’ vacations, so have had a lot of time to write. Was finally able to complete a new chapter for a piece of fanfic last updated ten months ago, and have been enjoying the influx of happy reader comments ever since. It’s really a nice psychological boost to get that much immediate feedback on a piece of writing, especially when my main project won’t see the light of day for years.

Inconveniently, the new “short story” I started last week is on track to become another monster. For some reason all my “short” pieces keep ending up snugly in the 10-12k range. I’ve got a whole list of them (“Wake Your Ghost,” “We Go Hiking,” “Coven”) waiting to be edited, and two more (“Summerweek,” “Spirits in the Dark“) that were published by JMS Books. But it’s a hard length to market. I don’t think it’s that readers don’t want them, but that most magazines can barely afford to pay for short stories that are actually short. I’ve thought of putting mine up for sale myself, but I’m not sure how to cut through the massive crowd of self-pubbed ebooks long enough to get anyone to look at them. If you’d like to read them, let me know.

Still reading A Suitable Boy. Also reading Cold Comfort Farm (because A Suitable Boy is too large for me to leave the house with). No one told me Cold Comfort Farm was a parody of a gothic novel! It’s kind of funny, though a little clunky at times. I always used to confuse the title with Cold Sassy Tree, which I suspect is a very different kind of book.

Here’s something that happened today: during my online Czech lesson I spilled water all over my laptop. It shut right down, and I’m not sure yet how it’s doing. My girlfriend Fran, though she had her second COVID jab yesterday and was feeling crummy, went out with me and bought a tool kit to open the case for more efficient drying, so fingers crossed. (Fran also let me borrow her laptop, and thus am I now writing to you. Fran’s the best. ♡)

Progress this week: About 3,000 more words on VOID. The new story, “Dreams Errant,” is also at about 3k, but who knows how long it will be.

Happy weekend!

Public-domain image of a hand holding a pen, apparently writing, at a sunlit desk with papers and a white coffee mug on it. The sleeve of a cozy gray sweater is visible.
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Friday Update

I’m having a quiet day today. Vacation season in Prague means I’m teaching a lot fewer lessons (I earn my bread and butter teaching English, mostly to children), so I’m enjoying a bit of a break.

I’ve been wanting to post here more regularly, but wasn’t sure what direction I wanted to take this. I had a writing blog a long time ago, but could never quite decide what I wanted to post there, and eventually abandoned it. (You can still see it here if you’re curious.) Author blogs are tricky if you’re not already a steady seller. You have to decide if your blog is for your readers or for other writers, and there’s not a lot of crossover between the two styles. Plus blogs aren’t quite as much a thing now as they were ten years ago. So I think this is just going to be whatever it wants to be, at least for now.

Today I’m doing a little of this and that. I resubmitted a short story that had been rejected, and decided to trunk another one that wasn’t doing well. Short stories are something I’ve been working on. Since I work in novel form (and not short novels, either), I have trouble fleshing out a character and delivering a strong plot within a few thousand words. I started a new piece last night with that thought in mind, and and it feels promising, but it also has the potential to become another monster. Oh, well. Monsters have their place.

I’m also working on my ongoing novel project, THE VOID AND THE RAVEN. This is going to be a real doorstopper of a book, and will probably be take years to complete. It’s high fantasy (if we can call it that with no elves) and I’m really enjoying writing it, but I do sometimes feel as if I’m painting a cathedral with a very small brush. It’s good to have a chunk of time to work on it.

Some inspiration:

-Competitive reality TV shows about art and design. I feel a little silly to be binging these, but it’s really satisfying to see professional artists being driven to create the best thing they can as efficiently as possible. So far I’ve seen one season each of Blown Away, Interior Design Masters, and Next in Fashion. (Many thanks to my girlfriend for letting me mooch off her Netflix account.)

A Suitable Boy by Vikram Seth. I’m maybe a tenth of the way through this behemoth, but I love it so far I love it. It’s such beautiful writing that it really makes me want to elevate my craft. I wish I could carry it outside without needing a suitcase to carry it in.

So that’s Friday in Prague for me. How have you been lately?

fiction, flash, Uncategorized

Flash Fiction: Glass Shop

Halloween 2020. 976 words.

Image credit SplitShire.

You have never seen beauty like the sunlight shining through shop windows into this proliferation of color. Red glass bowls cast crimson parabolas across a white tablecloth. A cluster of blue wine bottles share the light between them, commingling their cobalt splendor. So brightly do the points of sunlight blaze in a large family of crystal balls that you remember stories about house fires started by unwatched refractions. 

A row of prisms dance across the top edge of the front windows. You squint into their scattered rainbows. They seem to scatter memories, too: you can’t remember how you got here.

 The shop is uncomfortably warm, and has a stale smell, as if no one has visited in a long time. You wonder where the owner is. It feels wrong to leave the place unattended, but you don’t want to stay. Though the air is still, the glass ornaments and bells that hang from the ceiling shiver as if in a soft wind. You think of ghosts. In Victorian times they would cover the mirrors when someone died so they couldn’t trap the dead. What might be trapped in this chaos of reflections?

You wander through the shop, dusting your hands across forests of art-glass swizzle sticks and animal figurines. A heap of round glass fishing floats (witch balls, they call them) occupies one corner. Tiffany lamps sprout from a table like psychedelic mushrooms. Another table is green: bottles, vases, gazing-globes, liquor glasses, opera glasses, ashtrays. Antique Christmas ornaments cover most of one wall. Below them are big crystal bowls filled with smaller items: beads, marbles, stained-glass nuggets. 

You dig your hands into this clicking hoard and pick up a lump of yellow glass. In the sunlight, it reminds you of urine. You put it back and pick up a soda-blue marble. As you roll it in your hand, your mind supplies the taste of it: how it would clatter on your teeth, slide cool and slick across your tongue; how tempted you would be to swallow.

Dropping temptation back in the bowl, you return to the center of the shop. Something has changed, but you can’t pinpoint it. Then you look again, and see what was there from the beginning. 

Against the far wall stands a tall wooden case, rough-built like a wartime coffin, its front a plate-glass window. Inside, a man stands sleeping. He is of no particular age or obvious character, but you shudder to see him. Somehow he stands upright without support, and you wonder if he is a wax figure or some kind of mannequin. You don’t know why he could be here. He doesn’t belong.

From a hook beside the case hangs a long iron hammer. It is dull and crudely made. It looks like something used to stun animals for slaughter. Like the man in the box, there is no reason for it to be here. Like the man in the box, it makes you shudder.

You are standing in the center aisle. Tables to your left and right hold trays of little things one might pick up. Your eye falls on a silver tea tray loaded with glass paperweights. Your fingers close around one clear orb with a blood-red flower blooming in the center. It’s heavy as a stone, and fits perfectly into the curve of your hand. You want to throw it more than you’ve ever wanted to do anything in your life. 

When you look up at the man, his eyes are open. They fix on you, muddy and cruel. He grins. 

The paperweight flies from your hand. The crash of glass through glass is as loud as the death of the world.

When the echoes clear, the man steps out of the case. He inhales loudly, sucking at the meager air. He takes up more than physical space. He lifts the iron hammer from its hook. It seems to fit perfectly into the curve of his hand.

“No.” Your voice shivers. “Don’t do it. Please.”

For a second, he is still. Danger stands poised, not yet loosed on the world. You feel that there is something you could say to stop what’s going to happen. But no words come to mind.

The moment passes. Rolling his shoulders, he steps forward with brutish boots, swinging the hammer, loosening his muscles. A flick of his arm smashes a tableful of figurines. Animal heads and broken ballerinas glitter in the air for an instant before they fall. Another blow obliterates the glass table they stood on. 

He clears the next table with a careless backswing. Another wave of glass crashes to the floor. The base of a round bud vase rolls to your feet, glimmering like Eris’ apple.

You start to back away. You think of running, but know you won’t reach the door in time. He is grinning, still grinning, anticipating the moment when there is no glass and only you remain. 

“Stop,” you say. Your voice doesn’t make much noise now.

He swings high, smashing chandeliers, breaking bells and sweet glass chimes. Glittering shrapnel stings your brow and cheeks. You close your eyes, but the crashing of his hammer only magnifies when you don’t watch him. When you open your eyes, the shop is gone.

You stand in a waste of shards and powder. Glass dust hangs in the air. Fragments of it are trapped in the creases of your eyelids. Soon you’ll blink, and they will fall into your eyes. 

The man rolls his shoulders, breathing heavily. Beneath his shaggy, glass-flecked hair, his eyes are unreadable. You open your mouth for one last plea, but your throat will not contract. Your muscles lock up one by one, leaving you frozen, unable to run, unable to fall.

As he lifts his hammer for the final blow, you look down and see that you are made of glass.


Image credit SplitShire.

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About Me

I’ve wanted to be an author since I knew what authors were.

I write fantasy almost exclusively. I’m heavily influenced by witchcraft, fairy tales, and the books I read growing up in the 90s.

I live in Prague, Czech Republic. Before that, I spent most of my adult life (more than ten years in all) working as an English instructor in South Korea. I’m from the USA (where my family still lives) and grew up mostly in North Carolina.

I have two cats and a cute girlfriend. I want more tattoos.