(Thought I’d try writing here today. Maybe it would help to have a day to do it?)
It’s damp and chilly here in Prague. We breakfasted on English muffins with lemon curd, both bought from Marks & Spencer (I’m not sure, in retrospect, that lemon curd goes well with English muffins). We were at Václavské náměstí, where Marks & Spencer is, on an attempt to see Lucy and Selam at the National Museum. Tickets were unfortunately sold out, so we’ll have to go another day. We did pick up two shiny black pumpkin mugs, two Magic the Gathering packs, and a copy of Mona Awad’s Rouge, which I read about a year ago and have been thinking about.
Things are slipping back into their school-year usual. I was sick a couple of weeks ago and had to spend a few days at home, which seems like it will be the norm; I take public transit everywhere, and clients always bring something back with them from summer vacation. I’m trying to get a bit more writing done in the gaps between lessons, but the siren song of YouTube ghost stories is always very strong. (I’ve been enjoying Into the Fog with Peter Laws lately. I think I most enjoy the storytime videos, though, where people talk about being haunted by mimics or seeing phantom hands outside their windows.) I have no interest in inviting spooky things into my house, but I love hearing about the spooky things in other people’s houses.
News from home is, obviously, a horror show. It’s hard not to give up on the whole country in disgust. I never thought this could happen this easily in the USA. I thought there were at least a few more people in leadership positions who would be guided by their consciences to do the right thing, but it feels like the entire government is full of cowards. It would feel different if the whole country had been occupied by a foreign power: then, at least, you’d know that most people wanted them gone. It’s the ignorance and malice that get to me: so many people, it seems, have bellies full of hate. I’ve been trying not to post about it too much on social media, because I can see that hate growing in myself, too: I feel so much disgust and anger that it’s coming out my ears. I guess the only safe response to evil is compassionate resolution, because fear, disgust, and despair will twist you into someone you don’t want to be. Anyway, just take it as read, if I’m not posting about politics, that these feelings are all there, bubbling.
On a lighter subject, our antho collective, Wandering Grove Press, is starting work on our second anthology! My piece is a supervillain caper my sister described as a cross between Dr. Horrible and The Tick. I’ve been working on it all summer and am excited to see what others think (and I hope they’ll forgive me for going 40% over the word-count limit). (If you missed our first anthology, The Ceaseless Way,you can find it here. 😉 ) Now that that story’s done, I’m back to working on THE VOID AND THE RAVEN, my fantasy epic. This will be the penultimate chapter of book 2, and I’m really looking forward to it. I’m also working on expanding and editing a short story I wrote back in 2020, which is very… COVID… but in a fantasy way. Hopefully enough time has passed that people can stomach quarantine stories now.
It’s October now, and my mood has been a little quiet. I’ve been tooling with a personal reinterpretation of the seasons based loosely on the Wheel of the Year. It’s Hallows now. The weather is gray and sad, and the trees are folding up to sleep for the winter. There’s not a lot of “spooky, scary Halloween fun” here in the Czech Republic; things are just gloomy and cold. This is the time to stay close to your loved ones, cuddle up, and batten yourself against the coming winter.
Hello, all! Here’s one more interview with another contributor to our collaborative anthology, Allegra Gulino. Remember, The Ceaseless Way: An Anthology of Wanderers’ Tales is still on sale in paperback for a few more days, so if you’re looking for something to read while you’re home for the holidays, this is a great time to check it out! The paperback version is available here, and the ebook version can be found on a number of platforms here. (If you want to learn more about our collaboration group, Wandering Grove Press, you can join our Facebook group here or follow us on Bluesky here.)
If you missed my previous interviews with Fraser Sherman and Ada Milenkovic Brown, you can check them out here and here.
1. Do you think your two stories are a good representation of your usual style and subject matter? Is there anything about them that’s unusual for you?
My stories in Ceaseless Way are a good representation of my usual style and subject matter because they’re excerpts from my novel, Monsters Unbound, which I’ve been working on for about two years. This project has become my world, and its tone is a culmination of a lot of my previous work.
2. What’s one style or plot element you’d like to “steal” from another contributor?
If I were to ‘steal’ from any other contributor here – which I don’t condone doing – I’d probably take Ada Milenkovic Brown’s folkloric elements, Fraser Sherman’s brevity and quick action, Katherine Trayler’s dreamy atmosphere, Rich Matrunick’s sense of peril, Secily Sluker’s metaphysical vision and Arden Brook’s whimsey.
3. Are there any anthologies or collections you’ve really enjoyed reading lately?
I recently subscribed to the classic Fantasy and Science-Fiction magazine. While it’s not officially an anthology, its collection of short stories, one or two poems and a few pages of book reviews do feel like one. So far, I’ve enjoyed diving into a diverse variety of writing styles, genres and themes within its pages (yes, it’s a physical magazine). I always find tales to admire, be intrigued by and sometimes, to figure out – I’m not the best at parsing hard Science-Fiction.
4. What writers have had the greatest influence on you throughout your writing journey?
There are a plethora of author influences for me, starting with YA classics, The Lion, The Witch and The Wardrobe series by C.S. Lewis, and A Wrinkle In Time trilogy by Madeline L’Engle. I cannot remember which came first, those two, or when I picked up J.R.R. Tolkien’s The Hobbit, but I was instantly hooked by the wonderful journeys that all three authors illustrate. In High School, I fell in love with Frank Herbert’s Dune series, and Stephen R. Donaldson’s Chronicles of Thomas Covenant. In class I was awed by Flowers for Algernon by Daniel Keyes, A Separate Peace by John Knowles and Jayne Eyre by Charlotte Bronte. In college, my English Literature major steered me toward classical literature. I came to favor the works of Virginia Woolf, William Faulkner, Lawrence Sterne, William Blake, John Donne, Emily Dickinson, James Joyce and D.H. Lawrence. More recently, I’ve come to love Ursula Le Guin, Emile Zola, Salman Rushdie, Margaret Atwood, Thomas Pynchon, and Marcel Proust. Over the years I’ve learned about writing craft (and continue to do so) and also about the attributes that I admire in books, so my reading standards have risen. Though my writing is grouped under the umbrella of Speculative Fiction, I’ve always read widely.
5. What is your editing process like? How long does it take you to bring a story from start to finish?
I edit while I write, instead of throwing the words down quickly and then going back to edit. This is because when I write, my vision for the scene is keen – I feel a sense of urgency about getting it as close to how I picture it as possible before I move on to the next section. Therefore, I’m not a fast writer, so focusing on daily word counts would only frustrate me because they’re usually not very high. I spend lots of time refining and reworking, not just on typing more words, However, once I’m satisfied with a chapter or section of the piece – it’s very polished and I don’t need to revisit it often. Then I can tackle what comes next.
6. Do you have any hobbies that aren’t related to reading or writing?
I love to sing – usually karaoke singing, though I was a community choir member for twelve years. I also love music and to dance – nothing professional. I frequently perform at No Shame Theatre events. Aside from that, I’m a consummate lap swimmer and gym goer. I also love to hike and to travel. When not out and about, I enjoy staying at our home in the woods, by a creek, where I give attention to our three darling rescue cats, a sixty gallon aquarium, house plants and garden. |
7. Are there any songs or pieces of artwork that capture the “vibe” of your stories (or of other stories in the anthology)?
I have a playlist that I’ve used for writing Monsters Unbound. It’s instrumental music from classics like Mozart, Franz Liszt, Beethovan, Chopin and Vivaldi, to more recent composers such as Satie, Leonard Bernstein and Leos Janacek, Igor Stravinsky. I also enjoy global pieces from South America, Africa, India, Romani culture and so on. I love composers like Andreas Vollenweider or the Silk Road Ensemble, that have multicultural instruments, rhythms and tunes. That playlist also includes soundtracks, from Bram Stoker’s Dracula, to Merchant and Ivory films, to Frida, to the Lord of the Rings and the Hannibal series. I love music that takes me on a journey, full of pathos, drama, or tenderness, but usually with at least a hint of darkness.
8. Are there any real-world places that inspired your two stories?
Absolutely, for Monsters Unbound. To inform and inspire my book, we went to Romania for two weeks last summer to collect information, imbibe atmospheres and explore historical sites. It was a fantastic trip and I want to go back! However, while my two stories in Ceaseless Way are set in real places – environments that I researched – they are not specific locations within that backdrop.
9. What would be the ideal place and time to enjoy each of your stories? What snacks and drinks would pair well with your stories?
A fascinating question. For Demon, He Called Me, it would add to the atmosphere if you could read it on a dock, by a river or on a boat, so you can hear the water lapping. As far as what to eat, I have two suggestions. The more luxurious would be a caramel/chocolate confection with sea salt, and a port wine. Or a nitty gritty option – sardines or anchovies and water to drink. For The Ortega Wolves Migrate North, some good Mexican fare, like pozole or chalupas, with sangria, consumed in a desert environment or at least near some cacti in a sunroom.
Thank you, Allegra! Happy holidays, everyone. I hope these interviews have inspired you to check out the book! : )
Cover image by GetCovers; original cover concept by Arden Brooks.
Hello, all! Here’s another long-belated publicity post for our new collaborative anthology (The Ceaseless Way: An Anthology of Wanderers’ Tales). This week, contributor Ada Milenkovic Brown talks about her two stories in the anthology and what led her to write them.
Again, if you’re interested in picking up a copy of this book, this is a great week to do so. The paperback version will remain on sale for $9.99 USD until January (at which point it will return to the normal price of $12.99). If you prefer ebook, it’s available on a number of platforms for $5.99 and will remain at that price. If you want to learn more about our collaboration group, Wandering Grove Press, you can join our Facebook group here or follow us on Bluesky here.
If you missed my previous interview with Fraser Sherman, you can check it out here. One more interview with contributor Allegra Gulino should be up in a couple of days.
(Ada also interviewed me, Fraser, and Allegra for this promotional mini-tour, so please check out those interviews as well!)
Do you think your two stories are a good representation of your usual style and subject matter? Is there anything about them that’s unusual for you?
I think In Valleys is absolutely spot on the sort of thing I usually write, including the love story elements.
I was actually intending to write something more fantasy based for my Bigfoot story, Nnn’s Children, but it just came out more realistically than I expected. Other than that, it is my style to write as plausibly as possible within the framework of the story world. So maybe it is in my usual style too.
What’s one style or plot element you’d like to “steal” from another contributor?
If I could bottle Rich Matrunick’s tone/mood/voice in Fading, I would bathe in it, metaphorically speaking. Other than that, I envy everyone else’s apparent ease with getting their stories to arc in a satisfying way. It is so so hard for me to find that in the initial stages of writing my fiction.
Are there any anthologies or collections you’ve really enjoyed reading lately?
I loved and learned a lot about what makes stories work from Charlie Jane Anders’ collection Ever Greater Mistakes.
What writers have had the greatest influence on you throughout your writing journey?
When it comes to writers I’ve read, it’s Zenna Henderson, Ray Bradbury, N. K. Jemisin, and Jeffrey Ford. I would say the writers who’ve had the greatest influence on me as teachers were Octavia Butler, Andy Duncan, Walter Jon Williams, and Nancy Kress.
What is your editing process like? How long does it take you to bring a story from start to finish?
Sometimes it takes me weeks, sometimes it takes me years. For the regular editing, I just pick away at it, like a painter adding a dab of paint here and there, until I can make it different, but I can’t make it better. My real pitfall is plot holes and endings. These are what take me a long time sometimes to find the inspiration to realize where the story needs to go. But I’ve gotten better at that over the years.
Do you have any hobbies that aren’t related to reading or writing?
Singing. I’m a lyric soprano and have sung solos in performances with choirs and at weddings and funerals. I tend to get asked to sing more funerals than weddings. I don’t know what that says.
I’m also an oboist.
Acting, although a case could be made that figuring out how to portray a character onstage is very akin to writing a character.
Hiking and cycling, but I sometimes get story ideas while I’m moving around out in nature, so maybe that’s related to writing too.
I do origami to relax.
Are there any songs or pieces of artwork that capture the “vibe” of your stories (or of other stories in the anthology)?
I vibe with surrealist paintings for the most part, such as: Paul Delvaux’s The Village of the Mermaids and just about any painting by Leonora Carrington. In fact, Leonora Carrington’s work could fit with our entire anthology.
Are there any real-world places that inspired your two stories?
Because five of my published stories take place in particular spots in North Carolina, I decided to continue writing a collection made up entirely of stories based in particular places in that state (where I live). Littleton, NC and Medoc Mountain State Park nearby have had Bigfoot sightings, and that is why I wrote a Bigfoot story set in that locale.
Although the medieval village in my In Valleys story is fictional, the original 1860 story it’s based on mentions a nearby village that does exist. It was my discovery that the nearby village was in East Germany near the (Communist period) wall that triggered the ideas for In Valleys Where Eternities Lie.
What would be the ideal place and time to enjoy each of your stories? What snacks and drinks would pair well with your stories?
There’s never a bad time to read. But otherwise, good lighting and a comfy chair, sofa, bed. Although I think readers might feel an extra resonance if they read Nnn’s Children outside, say under a shady tree.
Apples figure into both of my stories, so maybe readers should eat an apple when they read them. Otherwise, I usually like having a glass of wine when I read.
Thank you, Ada, for your interview (and for your amazing leadership in getting the contracts hammered out!). Tune in soon for one more interview and a bit more information about the anthology from my perspective.
Cover image by GetCovers; original cover concept by Arden Brooks. Headshot by/of Ada Milenkovic Brown. Apple tree image by kiyu_01.
This is one of the ones that never got much attention. It’s a quiet story, and most of the action is internal, but it meant a lot to me when I was writing it. I think the ending is a little ambiguous, so I’d be interested to know what you think will happen.
The shutters in the hearth room were already drawn. A bright fire had been laid, filling the round room with shadows and chinaberry smoke.
Bas stood by the hearth, chewing on a grass stalk. He looked up when Amir came in, then back at the fire. His face shone with sweat; he’d been out running, or pacing.
Amir crossed to the sofa and sank into the joint of its two halves. He leaned his face against the cool, cracked leather. “I’m nervous,” he said, surprising himself with the admission. A tight knot had grown in his stomach for days. He’d barely eaten anything at supper, though it had only been herbs and lentils—a simple meal meant for contemplation. Traditional on century nights.
His cousin laughed. “Don’t worry. You’re very clever; I’m sure great things are ahead of you.”
“Lots of people are clever,” said Amir glumly. “Mother’s brother was clever. A horse kicked him, and he lost half his wits. One-Eyed Ahmad was clever, and he was a muck-hauler. What if I’m a muck-hauler?” His breath was speeding up, but he couldn’t slow it. “We don’t know what any of us will see.”
Bas inhaled sharply. Before Amir could try to reorder his words into something more positive, his cousin stalked from the room.
He thought of following, but didn’t. Bas would be unapproachable until this was over. In the unlikely event that the fruit didn’t send him after Isra, he’d leave tomorrow anyway. He’d only stayed this long because he hoped that the century fruit would give him a direction to start in.
He stood and walked, running his hands over the old furniture, the hangings, the pottery. Here and there were crude objects made by generations of the family’s children. A clay figurine of an old traveler with a bird on his pack had been Amir’s gift to Grandmother three years before. Beside it was a lopsided coil-pot Aunt Gili had made when she was five or six, painted with wobbly olive branches under its cracked glaze. Other things were so old no one knew their stories. How many people had left this house over the centuries and never returned?
The adults still lingered over their tea in the kitchen. The mint was a cool thread under the tang of woodsmoke. He could hear Mother’s voice, quick and strident, rising over the rest. Again she said that this was all too sudden, too breathtaking. She’d wanted to put off cutting the fruit, at least till tomorrow, but Aunt Gili had gently reminded her that it would rot after just a day off the tree. Bas had found it this morning. If they didn’t eat it tonight, they might go another century without guidance.
He sat back down, inhaled again the familiar scent of old leather. It seemed harsh, almost crude, for all of them to eat the fruit where they could see each other’s faces. Kinder if they could take their visions in their rooms, their private spaces. He thought of the fig tree outside the kitchen, where he could sit in fragrant breezes as the sun set over the desert. He’d rather process his fate alone.
Was it fate that they would see? Mother insisted they could ignore the visions if they didn’t like them. Father said she wanted them all to stay within calling distance, but Amir was sure Adi, at least, would go farther.
He slouched down in his seat. He wasn’t sure he wanted to try the fruit at all. His family probably wouldn’t push if he refused, though they’d be disappointed. Twelve was young. But though a full century didn’t always pass between one fruit and the next—once it had supposedly only taken 20 years—he probably wouldn’t see another in his lifetime.
His muscles were tensing up. He eased them deliberately, though his heart still raced. Which would be worse: to see a vision, and have to leave the farm—or pass it up, and stay here forever?
Hani stomped in then from the kitchen, scowling. Amir straightened. “Hey, little. What’s wrong?”
His brother climbed up next to him, sliding down on his first attempt. “I’m angry,” he announced, glaring at the fire. His face looked sticky from the honey pear he’d had for dessert. At five, Hani had nothing to contemplate.
Amir smiled, but lacked the energy he usually had to entertain his brother. “Because you don’t get to try the fruit?”
Hani kicked his heels back against the sofa, nodding. His lip trembled.
“I’ll tell you what,” said Amir after a moment. “Tomorrow, when our chores are done, we can go for a long walk. All the way to the west field, if you like. Maybe we’ll find some flowers for Mother.” The adults generally preferred that the children not wander to the west end of the farm, as it bordered the desert and was mostly unguarded, but they would probably make an exception.
Hani looked marginally cheered by that idea, but his face soon clouded again. “Why do you get to eat it?” he said, kicking his heels again.
I don’t know. Amir drew his knees up to his chest. It was a lot of pressure for someone who’d never been farther than the city—to know that in a few years he would either leave forever, maybe for someplace he’d never heard of, or settle in for the rest of his life.
Then Shani and Shai came arm in arm through the curtain to the back wing, trailing a cool cloud of perfume. Shani was whispering, Shai giggling. Fais followed, smiling. Amir shifted to make space for him, but Fais followed his sisters to the bench by the hearth, and sat closer to them than he usually would.
They might be gone tomorrow, Amir realized suddenly. Both his girl cousins were seventeen. The visions were said to fade quickly, and it was best to start as soon as possible if your path lay elsewhere, especially if details were unclear. Amir might wait three or four years, until he was better prepared, but even that was risky.
And Adi… His sister appeared then, a silhouetted against the warm light of the kitchen doorway. It was still startling to see the abbreviated outline of her hair. All the other women in the family kept theirs long, but Adi had seen something in a magazine that made her chop hers off at chin level.
She was wearing the new outfit Father had brought her from the city. To Amir, she looked very sophisticated—shoulders bare under the cropped blouse Mother hated, full silk trousers swishing as she walked. He had expected Mother to scold her for wearing something so frivolous tonight, but Mother had only sighed, and looked at Adi with a sort of desperate fondness.
Adi, too, would probably waste no time in leaving.
What would that be like? They’d never been particularly close, but Amir supposed they loved each other as much as siblings usually did. He would miss her if she left. He thought she would miss him, too, at least when she remembered to.
The adults filed in from the kitchen: Father, Mother, Grandmother, Aunt Dar, Aunt Gili, Uncle Rabi. Lutfi and Siva came hand-in-hand, whispering. They sat in the shadows a little apart from Lutfi’s sisters.
Grandfather came last of all. In his hands was the covered silver dish he’d brought out and polished that afternoon.
As the adults all sat on the couches, Bas slouched back in. He leaned against the wall by the doorway, not looking at anyone, as far from everyone else as he could stand without leaving the room.
Everyone stared at the dish Grandfather had balanced on his knees. He was running his hands along its edges, uncharacteristically hesitant.
Father cleared his throat and clapped Grandfather on the shoulder. “Here we all are.” He’d dressed especially well tonight—formal silk, beard neatly trimmed. He seemed to expect good news.
“Here we are.” Grandfather glanced at Father. Father removed his hand.
Hani slid from the sofa and ran to Grandfather’s knee. “May I open it, please?”
Grandfather hesitated, and then held the dish out so Hani could reach it. “Go ahead,” he said.
Hani’s fingers smudged the silver as he groped for the handle. At last he got hold and opened it.
The fruit might never have fallen at all, especially from a tree as high as a century tree. Its burnt-golden skin was flawless. It had a flattened spherical base with a little dome on top where the stem was. Strange. As it ripened, it had been a fig-sized green lump, high in the branches. Now his hands wouldn’t have circled it.
Hani reached for the fruit, but Grandfather shook his head. “You’ve helped enough, dear. Go sit with your brother.” Hani obviously wanted to protest, but even he wouldn’t argue with Grandfather.
Grandfather’s wrinkled hand sagged under the fruit’s weight as he lifted it from the dish. He offered it to Grandmother. “Well, my dove.” He cleared his throat. “Why don’t you cut it?”
Grandmother had laid out a plate, a fruit knife, and a pewter saucer on a tray. She took the fruit and looked around, moving her lips as she did when she counted. “Fifteen, then,” she muttered. Setting the fruit on the plate, she picked up the knife and began to cut.
Mother shifted. Always calm and reasonable, she’d been unusually agitated about all this. Father watched her, but didn’t move or speak. They hadn’t spoken much lately, and today they’d hardly looked at each other. Father, uncharacteristically quiet, had mostly sat alone in his courtyard, writing materials untouched beside him.
Bas fidgeted, shuffling and tugging at his clothes. He was sweating again.
Everyone else was rapt and quiet. Adi watched the fruit as if it were the only thing in the world. Aunt Gili and Uncle Rabi held hands.
Grandmother cut precisely, methodically. The sound was shht, shht, shht, shht, like eastern pears when you cut them. Drops of juice flew out from the blade as it sawed. Some landed on her spotted knuckles, but she ignored them.
A strong perfume floated out: apple, honey, something floral. Pears, too? He couldn’t tell.
The knife reached the bottom. Grandmother began another cut. Shht, shht, shht, shht.
The first segment finally fell away. The flesh was brilliantly white: whiter than apples with their green overlays, or pears with their brown shadows. Would it be tart like apples? Sweet like pears? Grandmother sliced away the core, coaxed out the black seeds with the point of her knife, dropped them into the saucer. Plink, plink. She offered the section to Grandfather.
He shook his head. “Cut the rest, dear, and we’ll all eat together,” he said. “I think it’s best, don’t you?”
Grandmother set the section on the plate and began cutting again. She worked so slowly, pausing each time to cut away the core, to drop the seeds into the saucer. Plink, plink…
Amir’s mind wandered. What would he see? The city? He’d been there once. It was interesting, but smelly— manure and smoke and bodies, all familiar but too concentrated. Too much dirt, too much traffic, even at night—no quiet time when the ground could rest. He didn’t think he could stay there for long.
Maybe a distant village. Even another country—Masra? The fruit was supposed to keep the family from entrenching too deeply in any one place. They had to send out their own seeds, find new soil in other places. It was said that they had kin in every village, every city—even across the border in Ardunh, and in other countries, too. Wherever he was sent, some of those scattered kinsfolk might be there.
But after so long, it was unlikely they’d recognize him. He certainly wouldn’t recognize them. Long ago it was said that the family had carried tokens to identify each other, but those were long gone; only the trees, and tradition, remained.
Maybe he would be told to stay on the farm. It was a good place. He’d always been happy heree, and his family loved him. Of course, many of them might be gone tomorrow, but… some would surely stay.
In the stories, someone always stayed. Grandfather, of course, was from a branch that had. The century grove by the western fields was said to be 800 years old. Someone had to tend it. It wouldn’t be so bad, to be that person. It was an important duty.
Grandmother stopped. After a moment, Amir realized she’d finished. She offered the plate to Grandfather, and this time he took a slice.
The plate went around the room. No one spoke. Amir turned to make sure that Hani wouldn’t take a slice after all. Incredibly, his brother was asleep.
He studied the little boy’s round face, long eyelashes, grubby hands. Hani didn’t realize, yet, that Amir might be leaving home soon. To a five-year-old, “three or four years” is the same as “forever.” But even if he stayed awhile, Amir thought knowing he was to leave must somehow alter their relationship. Who would take care of Hani, if he left? If Adi and Bas left? If all the other cousins left, and only Hani remained?
He brushed a few curls from Hani’s face, and reached to gather him up, carry him to their room as he’d done so many times—but now the plate was beside him.
It was Father who held it. He smiled nervously at Amir, as if seeking reassurance. Amir smiled weakly back, took one of the two remaining sections of fruit, and gave the plate back to Grandmother. She took the last piece, set the plate down, and nodded to Grandfather.
Grandfather closed his eyes. “May we all be blessed, whatever our futures hold. Let us partake.”
Amir lifted the fruit to his mouth. He still couldn’t trace the fragrance. Had he imagined that it was like an apple’s? It was more delicate, like a cucumber or a winter melon, like nothing in particular. Then it came back, strong as honey. Like honey—and then a tang of citrus, and then an amber scent. Then those went away, and he smelled apples again.
Everyone was waiting, eyes darting to each other’s faces. No one wanted to do this all together—everyone wanted to see their fortunes alone. The juice was sticky on his fingers. He wanted to throw the fruit away, bury it, give his share to someone else.
But he was a son of this house. As he had been privileged to grow up here, now he was bound to face his future bravely. He put the fruit into his mouth.
Juice pooled in his mouth as he bit down. The fruit was crisp, grainy, sweet and tart. He closed his eyes.
He didn’t know at first that the vision had started. He began to feel hot, firelight scorching his face, though he was far from the hearth. There was an odd mix of smells—tar, salt, rotting fish, something frying nearby.
He opened his eyes. A broad stretch of white sand… leading… to the sea.
It had to be. He’d never a lake so vast, so alive. Blue-green, rolling in white foam onto the shore.
A few ships rocked in the shallows, lazy in the sunlight. Men were loading them with crates and bags.
His shoulder ached under the weight of a heavy sack. His clothes were light and crisp. He felt full, happy. Spiced milk lingered on his tongue.
Men called to him from the nearest ship.
Blinking, Amir saw the fire, smelled chinaberry smoke, heard his family’s hushed breaths. Shutters creaked as the wind swept the desert. He could still taste the fruit, but he must have swallowed it; his mouth was empty, drawn by the tartness of the juice.
Could that have been it? Everyone else was blinking, shifting. Had they waited a century for so little?
Details were already fading. He tried to fix them in his head. White sand, blue-green sea—the shape of the shore, the brief line of ships. Smells… spiced milk… a blue sky, a punishing sun. Men shouting. He’d been a little taller, though not a man. There had been the sense that everything he owned had been in the bag he held on this shoulder.
How could he base his life on… that? Search without stopping, until he saw that scene exactly? It was said that some looked for years, even decades.
He’d never heard of anyone failing entirely. But he only knew of his ancestors, who had succeeded—who had, at least, planted their seeds, started a farm. The remains of the old farmhouse were still by the grove. The skeleton was almost full of sand, but you could see it. Eight hundred years ago, they’d come. And it was a good place.
Probably others had died before finding anything. Or—
“I’m going abroad!” Adi crowed.
Everyone looked annoyed. He knew he did, too. Couldn’t she have kept still a few seconds longer?
But the spell was fading, so he listened.
“I think so, at least,” she said. “I’m almost sure. It was night. We were in someone’s house. There was a big fire, and we were eating some sort of sweet on little plates. There were glasses of… I don’t know, it was gold, and full of bubbles. Everyone was wearing these beautiful clothes, like in a magazine. I didn’t know the language we were speaking, but it did sound familiar. My flute was in my lap, like I was going to play, or had played already. And I had this gorgeous dress…” She rubbed at her trousers.
Amir turned to see how his parents were taking this. Mother was looking at her hands, mouth tightly closed. Father smiled, but it looked forced. “Well… ah, that’s wonderful. I…” His smile faded. He looked at his own hands, then raised his eyes to Amir. “And what about you, Amir?”
Amir’s mind went blank. “Ah… what about you?” He was sure Grandfather would scold him for impudence, but Grandfather didn’t seem to have heard.
Father’s forced smile returned. “I’ll be here, of course. Playing the fool as usual. Here, forever.”
Amir wondered what Father had expected to see. Though it wasn’t respectful, he’d always thought of his father as… unfinished, somehow. Childlike. It was sad to think of him sitting in his courtyard forever, writing his rare poems, entertaining his friends with pipes and backgammon. He’d never been as close to Father as he was to Mother, but he loved him. If he left, he might not see Father again for… ever.
Now Shani said, “Shai and I are going to the city! Right, Shai?”
“Right.” Shai’s smile, strangely, was a bit sad. “It looked like a shop. I don’t know if we worked there, or…“
“Oh, you saw the shop, too?” Shani squeezed her sister’s hand. “Maybe we’ll own it. And we’ll be close enough to visit…“
“And I’ll be there, too!” Fais broke in, grabbing his sisters by the shoulders. “Isn’t it great? Probably I’ll come later—I was grown up. I think I was a student.” He turned to Mother. “Maybe I’ll be at the University, Aunt Mor. You’ll tell me about it, right?”
Mother nodded, but didn’t look up.
Abruptly, Bas straightened, crossed the room, and knelt by Grandmother. He whispered something in her ear. She murmured, and touched his forehead.
Bas bowed his head, took Grandmother’s hands, and kissed them. Then he took a seed from the pewter saucer and left the room.
The first seed. Bas would plant it, someday, if he reached his destination. He’d probably leave tomorrow.
And he hadn’t looked at Aunt Dar, or at Grandfather.
“Well.” Aunt Dar’s voice was bitter. She stared after Bas with a look of angry satisfaction, as if she’d seen exactly what she’d expected. “There goes my son. I’ll be lucky to see him again.”
Mother looked up suddenly. Amir thought she would snap at Dar—but her face was stricken, almost gray. Her eyes darted around the room—landed first on Adi, then on Hani, then on him. They looked so tortured he lost his breath. She lowered her face again before he caught it.
“Elder sister,” said Aunt Gili, formally. “You knew from the beginning that this could happen—“
“And who are you to speak?” snapped Aunt Dar. “You’ll barely be separated from your children—the city is only two days’ ride from here. I may never see my son again.”
And whose fault would that be? Amir couldn’t help thinking. Aunt Dar had disapproved violently of Isra, had been just as active as Grandfather in blocking the marriage. She and Bas had rarely spoken since.
But maybe having Bas not there to not-speak-to would be different. It already hurt Amir to think about losing his cousin. If he thought about it much more, he’d probably cry.
“Let’s try to think more positively,” said Aunt Gili, more gently. “What did you see, elder sister?”
Aunt Dar hesitated. “Lahm. I’ve been considering…” She looked around as if she felt the need to explain herself. Her voice took on an appealing tone. “My friend’s husband died. She has a farm, and… I can be useful there.” She turned to Grandmother and Grandfather. “Mother, Father,” she said earnestly, “I would never disrespect the memory of my dear husband— I will miss him until I die— but—“
Grandfather roused from his trance to smile vaguely at Aunt Dar. “You honor his memory. I am sure our son smiles on you from Heaven. And now, since you have had a vision, you must go. We will bless your path as you travel.”
Aunt Dar bowed, but then looked away, as if unnerved. There was an odd blankness in Grandfather’s expression that had not been there before he’d eaten the fruit. Grandmother looked at him, and they shared a long glance, in the way they did that seemed more intimate than holding hands.
Amir remembered suddenly that the century fruit also gave visions of death.
Aunt Gili cleared her throat. “Ah… Lutfi…” She turned to her eldest son. “I don’t want to pry, but…”
Lutfi and Siva had been smiling blissfully at each other all this time. Now they turned their smiles on Aunt Gili.
“We’re staying.” Lutfi said. “Just a few miles out, not even to the edge of the farm. The mountains were the same. And…” He looked at his wife.
“We’ll be parents.” Siva laid a hand over her stomach, as if the vision had somehow placed a child there already. “A girl. And others, too—two or three, at least.”
Lutfi’s parents were beside them in seconds, pressing their hands and patting their cheeks. Aunt Gili seemed already to be giving them advice. Uncle Rabi just smiled, though his eyes were strangely melancholy.
In the wake of all this, Amir stood, and went to look down at the saucer on Grandmother’s tray. Grandmother watched him.
Eight seeds remained: black-brown, glistening. He could take one and go, or kneel and ask for a blessing as Bas had done—or he could sit down again, and pretend he’d never stood.
Father watched him, eyes wide. Amir’s hand hovered above the saucer.
Grandmother waited.
Amir looked at Mother.
She sat hunched over, arms wrapped around herself, head bowed. A hank of her long hair covered one cheek. Her eyes were tightly closed, but there were tears in her eyelashes.
Amir bit his lip. Still his hand hovered over the seeds. When everyone who was leaving had taken one, however many remained would be planted in the century grove. No matter how many trees grew, there was never more than one fruit at a time. One tree, more or less, wouldn’t make any difference.
Mother would be all right. She had to have known, marrying Father, that this might happen. She must have known her children might leave.
He reached for a seed.
Hani shifted in his sleep.
Amir’s heart stuttered. Could he leave, never to see his little brother grow—maybe never to see him again?
With Bas gone, Lutfi would probably inherit the farm; Hani was too young. But Grandfather had considered Amir, too, especially after falling out with Bas. To live here, run things, marry and have children like Lutfi—that wouldn’t be so bad.
He thought of the sea, the rocking ships, the sailors’ voices.
Mother’s shoulders were shaking.
Amir let his hand drop. Swallowing, he smiled at Grandmother. “I’m staying here.”
Grandmother blinked, but nodded. Impossible to know what she was thinking. Amir hoped she hadn’t guessed what he’d just done.
Grandfather didn’t seem to have heard. He was looking around the room, as if seeing it for the first time, with something like fear or wonder in his face.
Shivering, Amir looked at Mother, who hadn’t responded. He thought she hadn’t heard, but finally she lifted her head, and gave him a strange, cloudy smile. “That’s good, Amir. It’ll be a good home for you, all your life.”
All your life. It wasn’t the response he’d expected. He looked around. He would be as old as Grandfather one day, might never travel as far as the sea—might never go beyond the city. He would live in this house all his life. Become an old man, and die here.
All his life.
Father was watching them with a mix of alarm and disappointment. Though Mother was smiling, it was obvious from the quality of her smile that she wasn’t the least bit happy.
Amir knew that he had miscalculated somehow. “I’m going to bed,” he said, at a loss for what to do. “Good night, everyone.”
He heard Mother stand, but didn’t turn as he left. He didn’t want to hear what she might have to say.
Bas stood outside the door, watching Amir with obvious disgust.
“What?” Amir muttered, though he suspected Bas knew exactly what he’d done.
Before Bas could speak, there was a gasp in the room behind them. Whirling, Amir saw his mother standing in the center of the room, fists clenched. Father was behind her, one arm outstretched, as if he’d tried and failed to catch her.
Mother saw Amir watching, and gave him that strange smile again. She turned one hand over, and opened her slender scholar’s fingers. In her palm lay a century seed.
I wrote this during a mini writers’ retreat with my friend Brittany Harrison back in 2010. We’d decided to do a Frankenstein-style writing challenge, since it was spooky season and our isolated rental cabin in the Smoky Mountains of North Carolina was very conducive to imagining horrors. When I decided to put out a few short stories as an ebook a couple of years later, this was one of the ones I included. I think I’ve grown quite a lot as a writer, and I wouldn’t call this representative of my writing now, but people have enjoyed it and I think it has some good moments. Let me know what you think!
“But you said I could go!”
“I said you could go if you kept your grades up, young lady, and I told you what would happen if you didn’t.”
“But Aunt Laurie–”
Adie’s mother folded the report card and set it down on the pristine kitchen counter. She clearly would rather have thrown it on the floor. “I will call Aunt Laurie myself and tell her why you’re not coming,” she said. “Or you can explain to her why shopping with your friends was so much more important to you than your visit next month.”
“That’s not–”
“Don’tyou raise your voice to me, young lady, or you’ll regret it.” Her mother pointed out the door. “Now go upstairs and do your homework. Dinner’s in an hour.”
Adie glared. “I’m not hungry.” Her stomach rumbled as she spoke. The air was heavy with the aromas of baking bread and homemade tomato sauce, and she hadn’t eaten anything since lunch. But some things were more important than her mother’s spaghetti, and New York was one of them.
Adie’s mother looked heavenward, took a deep breath, and let it out slowly. “All right. Then go upstairs and go to bed. I don’t want to see you until morning.” With that she turned back to the cutting board and began dicing celery with harsh, uneven strokes. Adie knew that the conversation was over. She grabbed her backpack and stormed from the kitchen, down the hallway and up the towering stairs. She made sure to stomp hard on each beige-carpeted step. When her mother didn’t come out and yell at her, she stomped even harder. All right, she would go to bed– and then she’d get up early tomorrow, eat breakfast and leave the house before either of her parents woke up. Right now she wasn’t sure if she wanted to see them ever again.
The trip to New York was a long-delayed birthday present from her Aunt Laurie, who had been one of Adie’s dearest companions until she’d moved away last fall. The thought of calling to tell her aunt that the trip was off was enough to make her gut clench. Tears blurred her vision as she opened her bedroom door. She threw her backpack on the floor, then went down the potpourri-scented hallway to the bathroom to brush her teeth. She would go to bed. Right now she’d rather be dead than face the knowledge that her own stupidity had lost her New York.
In the bathroom, Adie squeezed a healthy glob of toothpaste onto her toothbrush and shoved it into her mouth. She winced as it rammed the backs of her gums and bruised the inside of her cheek. As she brushed (tops… bottoms… insides… outsides… twice all over…) she watched the reflection of her face in the mirror.
The girl in the mirror was an unfashionable sixteen. She had frizzy hair and an awkward nose, and her shirt was stained from a spill at lunch.. Her cheeks were wet with tears; her eyes were red and swollen. This was the kind of face you had when you were hopeless. When you weren’t going anywhere. When you would spend Christmas break alone with your own stupid parents… and when, worst of all, you weren’t going to New York because you were stupid.
She spat her toothpaste into the sink, then spat again to clear the remnants from her mouth. Now the girl in the mirror had little dribbles of toothpaste foam all over her lips and chin. Her nose had begun to run. She looked ridiculous.
Adie wrapped her arms around herself and stood staring at the girl in abject misery. So stupid. Why had she ever even thought she would make it to New York? She was probably doomed to stay here and rot, like an unharvested pumpkin in the world’s worst field.
A little more toothpaste ran down the chin of the girl in the mirror. Despite her foolish appearance, there was a glint in her eyes that Adie didn’t much like. She looked mocking. Mean. She could understand why people wouldn’t want to be around a girl like that. She wouldn’t want to be around herself, either. She just made everyone angry. It was probably for the best that she wasn’t going– Aunt Laurie would probably have regretted inviting her even if she’d gone.
Adie glared at the girl, and the girl glared back. “Fuck you,” Adie whispered. She wiped the toothpaste from her mouth with an angry fist.
The girl in the mirror watched her dumbly, as if she hadn’t understood what she’d said.
On a whim, Adie licked a fingertip and wrote– in big, neat block letters– on the surface of the mirror: FUCK YOU.
Then, to make it even clearer, she wrote it backwards.
When she looked back at her reflection, her stomach dropped. The girl was not looking at her. She was looking at the message Adie had written, and her lips moved as she read the words. When she’d finished, her eyes widened. Slowly, she lowered her eyes to stare at Adie.
It was not a nice look.
More than an hour later, as Adie lay shivering in bed with the blankets over her head, her mother came into her room. She knew that it was probably her mother because she could smell her mother’s neat floral perfume over the faint tang of her own unwashed laundry. Well-pressed chinos swished efficiently to the center of the floor and stopped.
The woman who was probably her mother stood quietly for a long time. Adie lay in the warm darkness under her blankets and wished that she could be sure. “Still mad?” her mother said finally. The sound of her voice was blessedly familiar.
Adie shrugged. She hadn’t actually thought much about the argument since seeing what must have been a hallucination in the bathroom mirror. She still shuddered just to think of the malice in her reflection’s eyes.
“Do you want to talk about it?” her mother continued in her calm, reasonable way.
Adie snorted. Tell her mother she was hallucinating? Sure, that would smooth things over.
Her mother sighed. It was a soft, gusty sigh, quite restrained: the sigh of someone who has too many troubles to welcome another one. There was also that extra trill of exasperation at the end that had always been reserved for Adie. That, more than anything, convinced her that it was safe to come out.
Adie pulled the covers from her face and sat up. The air was a cool shock against her face after more than an hour between the blankets. Her mother, who had already started to leave, stopped in midstride, looking surprised. Adie didn’t usually get out of a sulk until at least a day after she’d started it.
“Still mad,” she said quickly, lest her mother wrongly assume that all was forgiven. “But I’ll… I’ll come downstairs.”
“All right,” her mother said, looking bemused. “Go wash your hands and then come set the table.”
Adie approached the door to the bathroom as if it were a dragon’s cave. Her heart was pounding. The light was out, and since the room had no windows it was as dark as a real dragon’s cave would have been. Adie snaked her arm around the doorframe and felt for the switch. For a harrowing second she was sure that something would bite her hand off, but then she found the switch and light flooded the bathroom.
Her hair stood on end as she crept inside. There was something wrong with the mirror. At first Adie couldn’t make sense of what she saw. There was a strange crosshatching over the surface of the glass, so thick in places that it almost looked frosted. It covered the entire surface of the mirror, top to bottom and edge to edge. It took her a moment to realize that the marks were scratches, gouged into the surface of the glass as if with a screw or a nail. They grew larger and wilder the farther down they went, until at the bottom they were a nest of angry gouges that took up half the mirror.
Adie reached out automatically to touch the glass. The scratches were quite deep, rough to the touch. It would have taken a lot of work– and a lot of anger– to produce them. Gradually her mind found patterns in the chaos– and then it all clicked into place. From top to bottom, side to side, the scratches spelled out the same two words, written over and over again until they culminated in a ragged scrawl across the bottom:
FUCK YOU FUCK YOU FUCK YOU FUCK YOU FUCK YOU
Something moved behind the glass, and drew Adie’s eyes to her reflection. The girl behind the mirror was almost hidden behind the destruction she had wrought, but it was clear that she was pleased with herself. She smirked at Adie, and mouthed two words. Though Adie could not hear them, she understood them clearly.
“I just don’t see how you did it,” Adie’s mother said the next Saturday. “You were only up there for an hour– some of those scratches were a quarter of an inch deep!” She was leaning against the kitchen counter, overseeing Adie’s punishment breakfast of cold cereal and milk. For Adie’s parents there were pancakes and coffee and fresh-squeezed orange juice. The smells in the kitchen were a glorious torture to Adie, who usually looked forward to Saturday breakfasts all week.
She watched wistfully as her mother sliced fresh cantaloupe and poured real maple syrup into a jug for the table. “I didn’t do it,” she muttered for the thousandth time.
“Then who did, Adie?” her mother snapped, clearly losing patience with Adie’s protestations of innocence. “Only you and I were in the house, and I promise you I didn’t carve ‘Fuck you’ all over your mirror. Are you suggesting that some criminal broke in and did it?” She looked as if she wanted to throw something.
Adie rather wanted to throw something, too. She shrugged, looking down at her plate. What could she say?
The new mirror for her bathroom was delivered within a week of the old one’s demise. Under her mother’s direction, Adie had cleaned and polished the bathroom to a sparkling sheen, and the air was heavy with the remnants of chemical vapors. The mirror itself was larger and more elaborate than the other one had been. It had a beveled edge where the other had been plain, and a border of frosted-glass roses that Adie wanted to run her fingertips over. She stole glances at the glass as her father installed it, and as her mother polished it to a brilliant clarity. There was nothing unusual in their reflections. Adie began to hope.
After dinner that night, she crept toward the bathroom with butterflies in her stomach. Once again she reached through the doorway first to turn on the light. New mirror or not, there was no way she would ever set foot in that bathroom without the light on. Across the flawless counter, she laid out her things: toothbrush, toothpaste, dental floss, mouthwash. Then she looked up.
For a long, still moment, Adie stared at her reflection, and the reflection stared back at her. Neither of them moved. Around them, the house was quiet. Downstairs she could hear the news, and over it her parents’ quiet voices. Nothing was out of the ordinary. She slowly let out the breath she must have been holding for ages. In the mirror, the girl let out a breath, too. The two of them smiled at each other, then reached for their toothbrushes.
But as Adie squeezed toothpaste on her brush, her reflection continued to smile. The smile grew until it was a savage grin, full of sharp white teeth much larger than Adie’s own.
Adie shrieked and leaped backwards. She hit the wall hard, and a towel rack jabbed into her back. The thing in the mirror shrieked, too, and then began to laugh. As Adie doubted her senses, the thunder of footsteps began coming up the stairs: her parents, coming to see what the matter was. Adie wanted to tell them to hurry, please, help her– but the thing in the mirror had wrapped its fist around the toothbrush in its hand, and was advancing towards the mirror. Adie covered her face just as the mirror shattered.
When her parents reached the bathroom doorway, they found Adie crouched amid a sea of broken glass, still covering her eyes and weeping hysterically. Of the thing in the mirror there was no sign– only a little flicker of motion in one of the shards of glass that littered the floor.
This time the mirror was not replaced. Instead, her parents began to talk about “special care” and “seeing a therapist” when Adie was around the corner. She barely heard them. She was too busy finding, to her horror, that reflections were everywhere. She caught glimpses of herselfin windows, in pot lids, in the blades of table knives. Though she kept her eyes lowered, and tried to avoid anything reflective, it always came to her, anyway: a flicker of motion where nothing was moving; a flash of teeth in the corner of her eye.
One night, as she was going up to bed, she paused in her bedroom doorway. Across from the door, next to the closet, was a full-length mirror that her mother had bought for her at a flea market years before. It was very pretty, with a carved wooden frame the color of oxidized copper. She had always loved it, but since the night the first mirror was defaced she had kept it well-covered. Now the sheet she’d hung over it lay on a pool on the floor, and the mirror stared back at her unguarded.
She was stopped by her reflection. It had grown pale and drawn from many nights without much sleep, and the skin under her eyes was so dark that it looked blue. Her hair was an unkempt mass, and her clothes were out of place: she never checked her appearance anymore. It was no wonder her parents had taken to talking about her in hushed voices from around the corner. The changes in her appearance startled even her.
Just as she remembered that she should probably look away, the girl behind the mirror stepped forward.
Adie was out the door and halfway down the hallway before she’d registered what had happened. She had just enough presence of mind to sneak back and yank the door closed. Something seemed to tug against it when it was almost shut, and she gasped and held back a scream as she wrestled it into place. When it was closed, she grabbed a handful of blankets from the linen closet, minced back across her doorstep, and pounded down the stairs as fast as her legs could carry her.
Her parents were in the kitchen, talking in low voices again. They stopped when they heard her go into the living room. “What are you doing, Adie?” her mother called, in that careful, sweet voice she’d taken to using when addressing Adie personally..
Adie spread the lightest blanket across the old tweed couch. “I’m sleeping down here tonight.” She’d given up explaining her actions; they never believed her explanations, anyway.
She heard a flurry of whispers. “Uh… all right, honey,” her father said. She heard him close his paper. “Good night.”
She stacked most of the throw pillows at one end of the couch, then spread the other blankets on top of them. As she curled beneath the covers in her makeshift bed, chairs scraped in the kitchen. A moment later, the kitchen light went out. Now the living room was black and infinitely vast, but Adie didn’t care: it was a familiar darkness, and felt safer than the compromised space that had been her room.
With her vision thus lost, Adie’s ears grew sharper. She listened as her parents climbed the stairs and continued down the hallway to their room. They were still whispering, as if they thought she didn’t know what they were talking about. Someone stepped on the creaking board outside her bathroom. She heard the hallway light click off, and the darkness around her deepened. A moment later, her parents’r door squeaked open and shut.
Now the living room was an alien wasteland, alive with black shadows that moved when she tried to see them. She pulled a blanket all the way over her head. It had the same vague odor of mothballs as everything else in the linen closet, although Adie’s family never used mothballs.
She tried to reassure herself that everything was safe. Her parents were probably still awake. They always sat up for a while after they’d changed into their pajamas, talking and reading and settling down to sleep. She could see the clean white light of their reading lamps in her mind’s eye, and could nearly hear the placid murmur of their voices. It made her feel a little better to remember that they’d hear anything out of the ordinary.
Then she remembered the menacing stare of the thing behind the mirror. It had come from the bathroom to her room so easily– had haunted the kitchen and the car and the corners of her mind. What was to stop it from traveling to her parents’ room, as well? Reassurance twisted into regret, and she wished that she could go and warn them.
The house grew very quiet, and into the silence there came a dream. Adie was walking, holding in her arms a long wrapped parcel: the mirror from beside her bed, safely covered once again in a sheet with little hearts all over it.
Something was thumping and thudding against the glass inside the parcel, struggling to get out. There was a sour, unhealthy smell coming from the sheet. Adie knew that if she didn’t lock the mirror away it would get her, and then maybe it would assume her face and go and kill her parents, too. She tried to shoulder open the sliding door of her closet, and as she did so fingers rose from beneath the sheet and began to pinch at her arms and shoulders through the cloth. She screamed, and shuddered, but at last the door slid open.
“You are nothing,” hissed a voice inside her ear, just as she was wrestling the mirror inside. “You are food.” Sharp teeth bit into her neck just as Adie hurled the mirror into the corner. She heard it crack, and saw the sheet start to fall. Heart pounding, she leaped backwards and dragged the door shut just as something began to emerge from the shower of broken glass.
For a moment, there was silence. Then something began to scrabble against the door.
Adie screamed herself awake– and then was not sure she’d woken up at all. She lay paralyzed in the darkness, soaked in sweat, listening desperately for some sign that what had happened wasn’t real. All around her there was breathing: sharp, harsh, desperate, as if the lungs of an animal had been ripped from its body and left to die on their own. Her heart pounded against the inside of her chest.
Gradually the breathing slowed, and Adie finally realized that it had been hers all along. The last black shreds of the nightmare soon lost substance and fell away. Adie realized that she was still curled up beneath a nubbly, scratchy blanket that smelled vaguely of old mothballs, on a couch that under usual circumstances she’d get in trouble for sleeping on. She was in the living room, not in her bedroom at all, and nowhere near the mirror or the closet into which she really should have put it earlier.
Her mouth felt like it had been wiped out with cotton balls. She swallowed, but couldn’t get rid of the sour taste that lingered in the corners. Taking one last, deep breath, she pulled the blanket off her face. Cool air rushed over her skin, drying her sweat and giving her goosebumps. Adie peered into the darkness, trying to assure herself that nothing was amiss.
The house was dark and still, and around it the neighborhood was silent. Even the crickets weren’t chirping. It had to be late– maybe three or four in the morning, she thought. She turned over uneasily, meaning to go back to sleep, but quickly realized that she quite desperately needed to pee.
For a split second she thought of waiting tilll morning. The house was vast and black and chilly, and in her nest of blankets she felt relatively safe. The pressure on her bladder, however, was too powerful to ignore, and at last Adie relinquished her safety and staggered wearily to her feet.
Clumsy with sleep, she toddled towards the bathroom. The hardwood floor was chilly under her feet. She wished she’d thought to bring sleep-socks. From the kitchen she heard the hum and groan of the refrigerator, the rattle of ice falling into the machine. Outside the kitchen window, a bright streetlight showed that no strange shadows were lurking in the street. Everything appeared normal.
It wasn’t until Adie had almost reached the bathroom that she remembered: Her bathroom might have no mirror anymore, but this one most definitely did.
Frost crept up her spine as she stared through the pitch-dark doorway. She almost retreated right then and there, but she knew that she’d never be able to wait until morning. A brief thought of going back upstairs was quashed by the memory of what she’d seen in her room. Downstairs it was.
Anyway, if the thing was in her bedroom now, then maybe it hadn’t come downstairs yet.
Somewhat cheered by this thought, she reached through the doorway and turned on the bathroom light. Its cheerful yellow beams spilled into the hallway, shrinking and clarifying everything they touched. Now she could see that the bathroom was, after all, just a bathroom. There was the striped wallpaper that her parents had picked out together. There were the gleaming brass fixtures her mother had shined, and the white tile floor that her father had laid down one sweaty afternoon a few years before. There was an unlit purple candle among the bath towels on a shelf above the toilet, and it filled the room with the faint mixed scent of lavender and roses.
Just to be on the safe side, she kept her eyes lowered as she stepped quickly past the mirror. Nothing flickered in the corners of her eyes, and nothing hissed or muttered as she raised the toilet lid and sat down on the icy seat. She concluded her business without incident and got up to wash her hands.
A morbid curiosity compelled her to look up this time. She raised her eyes fearfully to her reflection– but there seemed to be nothing to fear. She saw only herself– the same old Adie, frizzy hair and awkward nose and all. She smiled, and her own shy smile came back. When she lifted her arms, the reflection’s arms went up, too. She did a little dance, and the mirror mirrored it without a trace of mockery.
The thing must have been somehow confined to the upstairs– or maybe she’d even defeated it when she’d trapped it in her dream. Tomorrow she would ask her dad to take the mirror out of her room. Maybe a priest could even come to bless the house– she’d ask her mother about it.
Adie grinned at her reflection, happy that the end was in sight.
Her reflection grinned back, and turned off the light.
Hey, all! Over the next few weeks I will be posting some older stories here for the “Free Fiction” section. You can check the “Older Stories” list at the bottom of that page to see what’s coming up.