anthology, fantasy, fiction, long stories, old work, Uncategorized

Anna’s Hour

This is the first story I ever sold. It was published in 2018 in Gods & Services, an anthology of stories about a mysterious junk shop selling artifacts touched by the gods. I recently realized that the story was well past its exclusivity period, and the anthology itself had actually gone out of print. So I thought I’d upload it here. It’s a bit longer, and a bit less streamlined, than it would be if I were writing it today, but I still think it’s kind of cute. Hope you enjoy.

Simple colorblock illustration of a colorful rooster

 The rain had come up suddenly, putting a cap on Annaโ€™s miserable day. If this shop didnโ€™t have any umbrellas, sheโ€™d have to beg for a trash bag to cover her head until she got home. This was what she got for trying to do the right thing and use the buses. If sheโ€™d driven, sheโ€™d be home by now.

She looked around the musty shop, shivering as the air chilled her wet skin. The shelves were full of tumbled bric-a-brac, not particularly appealing from what she could see. There didnโ€™t seem to be a central concept here. There were obvious antiques, like the rack of porcelain dishes with curiously intricate patterns; but there were also jumbled bins of clothing and other things that could barely be called โ€œvintage.โ€ 

Anna didnโ€™t usually come into places like thisโ€”she never knew what to look for. Sheโ€™d noticed this shop before, but had always been too busy or too tired to come in. Of course, she might get fired tomorrow. Then sheโ€™d have lots of time. 

A man sat behind the counter. He was sixty or seventy, bearded, with owlish glasses that matched his expression as he looked at her. “Young lady,” he said, “you appear to have had a terrible day. Is there anything I can help you with?โ€

Anna opened her mouth to ask about umbrellas. What came out instead was, โ€Do you have any cures for total uselessness?โ€

He gave her a measuring look. โ€œOh, Iโ€™m sure youโ€™re useful to somebody. What seems to be troubling you?โ€ 

Anna sighed. โ€œBombed a presentation. I forgot everything I was supposed to sayโ€”all my facts, all my talking points. I sounded like a sixth grader giving a report on a book I didnโ€™t read. My boss was so embarrassedโ€”Iโ€™m surprised he didnโ€™t fire me on the spot.โ€ 

The man nodded. โ€œSounds like an unpleasant experience, but it doesnโ€™t have to be world-ending. It sounds like what you really need is a little more erudition.โ€

โ€œSounds great,โ€ Anna said dryly. โ€œGot any for sale?โ€ 

The shopkeeper looked thoughtful. โ€œYou know, a little confidence boost can go a long way toward improving your speaking skills. Even a nice, flashy accessory might give you the push you need to get over that stage fright.โ€ He took something from a drawer behind the counter. โ€œPerhaps something like this.โ€ He passed Anna a little gold brooch shaped like a rooster, inlaid with colored stones. 

Outside, the rain had stopped. In the silence, Anna studied the brooch. It was nothing specialโ€”her grandmother had plenty like itโ€”but something about the deeply-colored stones made it hard to look away. 

โ€œDid you know that the rooster was sacred to Hermes?โ€ the shopkeeper said. โ€œMessengers, you knowโ€”the rooster is the herald of the morning.โ€ He gestured to the brooch. โ€œWhy donโ€™t you try it on?โ€ 

Feeling oddly transgressive, Anna pinned the brooch to her blouse. It had a comfortable weight, but not enough to pull the fabric down. The shopkeeper picked up a round bronze hand mirror and turned it to face her. 

The brooch was definitely eye-catching, a pop of color on her plain white blouse. It wasnโ€™t the kind of thing she usually woreโ€”but it seemed like the kind of thing she could wear if she were a little more confident in herself.

โ€œHow much is it?โ€ she said. 

She could never remember the price afterwards, but always knew it had been a bargain.


She wore the brooch the next day, tucked against the collar of her favorite black blouse. It was much brighter than any of her usual jewelry. Stepping out into the bright sunlight, she felt self-conscious, but no one seemed to think the brooch looked strange. In fact, she caught a few admiring smiles on her way to work. 

She hadnโ€™t seen anyone since her disastrous presentation yesterday, and wasnโ€™t sure what the fallout was going to be. Would everyone just quietly ignore what had happened, and simply never assign her any presentations again? Or would she be asked to pack her things as soon as she got inside? Ordinarily Anna would be having a panic attack over this, but today she felt strangely calm. If she got fired, she got fired. At least it would give her a chance to try other things. And if she didnโ€™t get fired, then sheโ€™d have solid ground to improve from. Either way, it wouldnโ€™t be the end of the world. 

Mr. Bertram, the R&D Director sheโ€™d failed to impress yesterday, was on the elevator, was on the elevator when she got in. He smiled tightly when he saw her. Anna suddenly realized that it must have been awkward for him, too, to have to watch someone blow it so spectacularly. She greeted him as calmly as she could, and tried not to read too much into his vague mumble of acknowledgement. 

Words came to her mind as the elevator began to rise, and she said them without thinking. โ€Mr. Bertram, Iโ€™m actually really glad to see you. I was hoping I could talk to you for just a second.โ€

Mr. Bertram gestured curiously for her to continue. โ€œOf course, Ms. Young. What did you want to talk about?โ€

โ€œI just wanted to apologize for getting a little scrambled yesterday,โ€ Anna said, โ€œIt was my first time doing such a big presentationโ€”I think I got a little stage fright.โ€ 

Mr. Bertram laughed, appearing more relaxed. โ€œThatโ€™s all right. It happens to everyone. Would you like to try again?โ€ he added kindly. 

Anna couldnโ€™t have asked for a better opening. โ€I just wanted to give you some of the numbers I missed yesterday.โ€ She stepped aside for him as the elevator opened on his floor, and then followed him out. She worked two floors up, and this was going to make her late, but it seemed like it would be worth it. โ€œItโ€™s actually a really exciting project. It turns out that this newest product line has a much larger cross-market appeal than weโ€™d thought, and the projected growth is phenomenalโ€ฆโ€

Fifteen minutes later, they were drinking coffee outside Mr. Bertramโ€™s office, and Anna was still talking. Sheโ€™d gone through all her missed beats from yesterday, adding details no one had even thought of adding to the original presentation, and Mr. Bertram was still listening with avid attention. 

โ€œSo after the main line is rolled out, when everyoneโ€™s got their ducks in a row and is used to working together, what we were thinking of doing next isโ€”โ€

โ€œAnna?โ€ Her boss, Mr. Lewis, had approached without her noticing. โ€œSomeone told me they saw you down here. Hey, Bob.โ€ 

โ€œHey, Henry!โ€ Mr. Bertram said. โ€œI was just having a great conversation with your assistant here. Sheโ€™s really got her stuff together! I think sheโ€™s answered just about every question I had yesterday, and a lot I wouldnโ€™t have thought of asking. Everything sounds greatโ€”Iโ€™m really looking forward to this launch.โ€ He offered Anna his hand. She shook it, feeling dazed. โ€œSo glad we had a chance to talk, Ms. Young. Youโ€™ll have to present for us again sometimes! I think now youโ€™ve got this first one out of the way, you wonโ€™t have any more trouble.โ€ 

โ€œThank you very much, sir,โ€ said Anna. โ€œI hope so.โ€

โ€œWell, all right.โ€ Mr. Lewis looked between them with an odd mix of confusion and relief. โ€œIโ€™m glad to hear it. See, I told you, Bob, Anna was just having a rough day yesterdayโ€”really knows her stuff, actually. Did you, ah, have any more questions?โ€ 

โ€œNope.โ€ Mr. Bertram opened his office door. โ€œIf I do, you can just send Ms. Young down again with an explanation. We might have to have her do some training videos, tooโ€”sheโ€™s got a great way of explaining things.โ€ 

โ€œThank you, Mr. Bertram,โ€ said Anna again, avoiding her bossโ€™s bewildered stare. โ€œIt was really great talking to you again.โ€ To her surprise, she actually meant it.


The presentations got bigger. Other departments began asking Anna to present for them, too. She narrated training videos, gave quarterly reports, and emceed at company functions. Anna didnโ€™t get it. She was speaking more or less as she usually didโ€”just with a lot less hesitation. But even on subjects she barely knew, the message got across. For the first time in Annaโ€™s life, people were saying that she had a way with words.  

โ€œYou are really blossoming, Anna,โ€ said one of the department heads after a quarterly meeting. โ€œI remember you used to be so shyโ€”itโ€™s good to see you coming out of your shell. Youโ€™ve exceeded everyoneโ€™s expectations.โ€ 

โ€œThanks,โ€ said Anna numbly. She was standing by a window, and the winking gold reflection of her rooster brooch flashed in the corner of her vision. โ€œJust, you know, been practicing a lot.โ€

โ€œWell, whatever it is, keep it up.โ€ 

โ€œItโ€™s not that youโ€™re an amazing speaker, exactly,โ€ said her friend one night, as they celebrated Annaโ€™s latest bewildering success. โ€œI mean, itโ€™s not that youโ€™re a bad speaker, Annieโ€”youโ€™re fineโ€”but itโ€™s not like youโ€™re Winston Churchill or anything. Itโ€™s justโ€ฆ I donโ€™t know, for some reason people really seem to want to listen to you.โ€

Anna laughed nervously, fingering her brooch. โ€œWho knows?โ€ she said. 


Within a year, Anna had her own office. Sheโ€™d gotten a generous raise, everyone treated her nicely, and her projects were getting more and more interesting. The more she came out of her shell, the more she saw that speaking was an art formโ€”an interconnected dance of communication, to be practiced as often and as creatively as possible. It was bringing back memories of how she used to be before she became afraid of herselfโ€”how, as a child, sheโ€™d delivered speeches to audiences of stuffed animals, and given circus performances to her family in the living room. 

She took classes now, sometimes, trying to augment her skills in case whatever odd boost the brooch was giving her wore off. She was the star of every class she took, and was invited to join several improv teams, but still couldnโ€™t quite seem to trust it all. 

How had she gotten here? Could no one see that she was an impostor? At Maia Corporation, only prodigies advanced this fast. Most people languished in the cubicles for a few years before moving on to other, better things. But no one seemed to find Annaโ€™s advancementโ€”or her new officeโ€”unusual. When she fished for comments, people just said she needed space for all the clients who were being shepherded in to talk to her. It was a nice office, anyway. 

When she was walking back from lunch one day, Anna met a stranger.

Sheโ€™d gone to her favorite cafeโ€”now that she was making more, she could afford to eat out more oftenโ€”and was cutting through the park on her way back to the office, with a bag of bagels for later, when she stopped short. 

A man was sitting on top of a picnic table, playing an odd, sweet melody on an ocarina shaped like a turtle. He looked around thirty, handsome and athletic, with dark skin, black curls, and a full black beard. He wore a tight orange polo shirt and a rather tacky gold chain.

Seeing her, he lowered his ocarina. โ€œHello!โ€ He had a slight accent Anna couldnโ€™t place. โ€œOut for a walk?โ€

Anna held up her bag. โ€œJust lunch. That was a lovely tune you were playing.โ€ 

โ€œWhy, thank you!โ€ The man looked her up and down like a bird examining its reflection. His smile brightened when he saw her rooster brooch. โ€œWhat a nice brooch youโ€™re wearing,โ€ he said. โ€œIโ€™m very fond of roosters.โ€ 

โ€œThank you,โ€ said Anna. โ€œIt seems to give me good luck.โ€

โ€œGlad to hear it. Luck with what, if you donโ€™t mind my asking?โ€ 

Anna found herself telling him everything: the presentation, the shop, what came after. It was as if she couldnโ€™t stop talking: the man seemed to be a conduit for communication. He listened avidly, occasionally nodding. The rooster brooch on Annaโ€™s blouse winked in the sunlight, as if nodding along. 

โ€œGood luck charms can have surprising power,โ€ the man said, when Anna finally stopped talking. โ€œIโ€™m glad that this one has helped you.โ€

“Thanks,” said Anna. “It really has. Itโ€™s just that I’m not really sure where to go from here, you know? I donโ€™t really know what I’m doing.” 

“Where would you want to go?โ€ the man said. โ€œI suspect that you know more than you thinkโ€” you probably have many options.” 

A ridiculous dream popped into Annaโ€™s mind. She tried to suppress it, but the conversation was so strange anyway that she found herself telling the truth. “This will sound a bit stupid,โ€ she said, โ€œbut Iโ€™ve always sort of dreamed about being on TV. Not as an actor, but as an announcer or a talk show host or something like that. It just seemed like a cool job. I never could have done it before, but… I kind of feel like Iโ€™d be able to do it now.”

“Why not?” the stranger said thoughtfully. “Though it’s certainly different from your current job. How did you end up in this business, when your dreams were so different?”

Anna snorted. “I didn’t plan it. Who dreams of being a corporate drone? I just sort of fell into it. I guess that’s how most careers work.” She sighed. “Isn’t that sad? I bet not one percent of all the children in the world grow up to be what they want to be. How would they feel if they knew that?” 

An odd light entered her listener’s eyes. “It is a terrible shame,” he said. โ€œWith all the possibilities of this world, it is tragic that mortals should restrict themselves to such a small collection of futures. We really should do something about that.” 

Anna laughed. “What, change the world?”

“Why not?” The man began pacing, tossing his ocarina between his hands. “All it takes to change the world is one strong voiceโ€”and you have that, now.” 

โ€œI guess I do,โ€ Anna said. โ€œWhat would I do with it?โ€

โ€œJust look for opportunities. When the time is right, you will know what you can do.โ€ 

She felt oddly inspired. โ€œThanks,โ€ she said. โ€œIf I see a chance to change the world, Iโ€™ll jump for it.โ€

โ€œThatโ€™s the spirit!โ€ the man said. โ€œLive your life while you can; thatโ€™s my motto.โ€ He glanced at her lunch bag and smiled. โ€œI suppose youโ€™d better get going. Something in that bag smells wonderful.โ€

โ€œOh!โ€ Anna had completely forgotten about the bag. โ€œTheyโ€™re just bagels. Would you like one?โ€ she added impulsively. 

His eyes crinkled, so that he looked quite a bit older for a moment. Then his expression smoothed and left him youthful again. โ€œIโ€™d love one,โ€ he said. โ€œWhat kind are they?โ€

โ€œIโ€™ve got blueberry and honey wheat.โ€ 

โ€œHoney wheat, please!โ€ 

The man sounded so genuinely eager that Anna was glad to have offered. She wrapped a bagel in a napkin and handed it to him with a flourish.

He took it with a bow. โ€œAnd now, I am afraid that I must go. It has been a true pleasure. Perhaps our paths will cross again.โ€ With a wink at Anna, the stranger pocketed his ocarina and strode away. She watched him until he disappeared, wondering exactly what had just happened.

The next day, a local talk show invited Anna on as an expert speaker for a segment on small businesses. The invitation was the first of many, and soon she was well-known on the local networks. She was soon offered a regular spot on one of the networks, and then a full-time job. 

Her program was called โ€˜Annaโ€™s Hour.โ€™ It was actually only fifteen minutes at first, but the segments got longer as her audience grew. Sometimes she went around to local businesses, interviewing their owners and doing brief features on their business models. She often thought of doing one on the curio shop where sheโ€™d bought the rooster broochโ€”she felt she owed the shopkeeper something, and at least wanted to thank himโ€”but sheโ€™d never been able to find it again, and couldnโ€™t for the life of her remember the name. 

The features grew. Her focus gradually shifted away from business (which had never interested her much anyway) to human interest topics. Her ratings rose steadily, and soon she began receiving invitations to move to larger networks. One offer was too good to refuse, and Annaโ€™s Hour went national. 


Being a national media figure was not at all like running a fifteen-minute featurette on Channel 3. This was a sleeker, glitzier, sexier worldโ€”and the money, and the pressure, were correspondingly high.

People recognized Anna in public now. She wore designer clothes and had Opinions about shoes. Sometimes she was asked for sound bites about major news stories. Most importantly, she lived in New York City. Its weather, culture, and population density were staggeringly different from the city where sheโ€™d grown up. Her parents, though proud of Annaโ€™s bewildering success, said they missed her. She definitely missed them. 

Annaโ€™s Hour was a full-fledged talk show now. Anna wasnโ€™t exactly Ellen DeGeneres, but her fans were weirdly loyal. They stood outside the studio waving signs, and chanted her name as she came onstage: โ€œAn-na! An-na! An-na! An-na!โ€ It was both exhilarating and terrifying: she didnโ€™t want to disappoint them, and definitely didnโ€™t want to steer them wrong.

She always wore the rooster brooch. She was terrified to take it off. Anna didnโ€™t believe in magic, but the timing and circumstances of her success could not be ignored. What if she went onstage without the brooch and everyone suddenly realized that she had no real business being there? Crashing and burning would be a thousand times worse on this national stage than it would have been if sheโ€™d stayed back home. 

Her colleagues were fine, but none were exactly friends. The jealous, catty watchfulness sheโ€™d noticed on the local circuits was much stronger here. As stunned as Anna was by her own success, these anchorsโ€”with their degrees in broadcast journalism and mass communications, their ten and twenty years of media experienceโ€”found it much more bizarre. There were many backhanded compliments about how well Anna was doing despite her total lack of qualifications. She knew that all of them were waiting to see it crash down.

On New Yearโ€™s Eve, the network hosted a black tie banquet for its broadcast staff. Anna attended, feeling a bit like Cinderella at the ball in her bronze silk evening gown. She still wore the rooster brooch, which luckily dressed up pretty well. A few of her colleagues had noticed and commented on it, but most had much better things to do than talk to Anna. At least the food was good.

She was lingering around the edges of the crowd, nervously munching canapรฉs, when she saw someone who looked familiar: a dark-haired man with a neat black beard, wearing a beautiful tux with a golden waistcoat. He seemed to find the crowd amusing. When he saw Anna, he smiled and waved, and she realized at once where she knew him from. 

โ€œHi,โ€ she said, moving towards him, glad to find a friendly face. โ€œYou were at the park, right? A long time ago, in Raleigh?โ€

โ€œI was,โ€ he said. โ€œSo glad you remembered me.โ€ 

โ€œI didnโ€™t catch your name.โ€ Anna held out her hand. โ€œIโ€™m Anna Young. Itโ€™s nice to see you again!โ€

โ€œHermes.โ€ He took her hand and lifted it to his lips. 

She laughed nervously. โ€œLike the Greek god?โ€ she said, retrieving her hand.

โ€œExactly like that.โ€ 

โ€œYour family must be really into mythology.โ€

The manโ€”Hermesโ€”seemed to find this funny. โ€œDeeply involved. My fatherโ€™s name is Zeus.โ€

She couldnโ€™t tell if he was joking or not. 

Hermes saw her brooch, and his smile broadened. โ€œAnd thereโ€™s your little friend. Iโ€™m so glad to see you still wearing him. People these days throw things away so quickly!โ€

โ€œYeah, heโ€™s done a lot for me.โ€ Anna patted the rooster. โ€œI donโ€™t go anywhere without him.โ€ She glanced around. โ€œAndโ€ฆ are you in the broadcast industry?โ€ Hermes wasnโ€™t wearing any kind of name badge. His lapel pin was shaped like a caduceus, so maybe he was some kind of doctor, but she wasnโ€™t sure what a doctor would be doing here.

โ€œOh, I move from job to job,โ€ he said. โ€œI have some contacts here, though, and I do love a good party. Howโ€™s the food?โ€ he added, glancing at Annaโ€™s plate.

โ€œPretty good.โ€ She offered the plate. โ€œCanapรฉ?โ€

With a pleased look, Hermes selected a cocktail sausage wrapped in bacon. โ€œWhat a polite young lady you are. Iโ€™m very glad to have met you.โ€ 

Young lady, Anna thought bemusedly. She wouldnโ€™t have thought Hermes was out of his thirties. He must be older than he looked. โ€œI donโ€™t know if you heard,โ€ she said, โ€œbutโ€ฆ I guess you can tellโ€”I did end up on TV!โ€ 

โ€œI did here,โ€ said Hermes. โ€œCongratulations. Is it all you dreamed it would be?โ€ 

โ€œI guess so.โ€ Following his lead, Anna moved away from the edge of the crowd, into an alcove with chairs and a small decorative fountain. 

โ€œYou guess so?โ€ Hermes sounded amused. โ€œWhatโ€™s missing now?โ€ 

โ€œOh, no, everythingโ€™s wonderful.โ€ She indicated the crowd, the ballroom, her elegant gown. โ€œI mean, can you believe it? How did my life turn out like this?โ€ 

She hesitated. Hermes waited, sympathetic and attentive. Once again, Anna found herself saying more than sheโ€™d meant to say. โ€œJustโ€ฆ I still feel like an impostor. I donโ€™t know how I got here. It seems like the other shoeโ€™s about to drop, and everyoneโ€™s going to find out Iโ€™m a fraud.โ€

โ€œAre you a fraud?โ€ he said curiously. โ€œDid you lie about your qualifications?โ€

โ€œWellโ€ฆ noโ€ฆ everyone here knows I donโ€™t really have any.โ€

โ€œAnd yet they hired you anyway,โ€ said Hermes. โ€œClearly the network, at least, thinks that youโ€™re capable.โ€

โ€œYeahโ€ฆ I guess so. I justโ€ฆโ€ 

โ€œAnd youโ€™re doing good work,โ€ he went on. โ€œIโ€™ve read reviews of your program, testimonials from your fans. They all seem to find your honesty and down-to-earthness very refreshing. Some even say that youโ€™ve given them the courage to transition into new careers. If you arenโ€™t misrepresenting yourself, and what you do is helping people, then what could be the harm?โ€

โ€œNothing. Itโ€™s not the job,โ€ said Anna. โ€œThe job is great. I love it. Itโ€™s justโ€ฆ the peopleโ€ฆโ€ She looked out into the ballroom, where her colleagues and competitors roamed like glittering sharks. โ€œI just always feel like I should be watching my backโ€”like theyโ€™re all going to turn on me if I make a single mistake. Have you ever felt like that?โ€

โ€œA few times,โ€ said Hermes gravely. โ€œMy family can be rather cutthroat. One must always keep at least one one step ahead of them.โ€ 

He studied Anna, and seemed to be evaluating her. Though she didnโ€™t know what he was looking for, Anna found herself hoping not to disappoint him. At last, Hermes nodded with an air of finality. โ€œThen you believe that this network will not be an appropriate long-term home for you?โ€

โ€œItโ€™s not that,โ€ Anna said quickly. โ€œWorking here is a dream come true. Itโ€™s justโ€ฆ do you know the expression โ€˜sword of Damoclesโ€™?โ€ 

โ€Iโ€™m familiar with the story,โ€ Hermes said dryly. โ€œAnd I believe I see what you mean. But what would be the solution, Anna? Would it be easier for the sword to fall?โ€ 

Anna laughed. โ€œI hope it doesnโ€™t.โ€ She offered Hermes the last of her canapรฉs. โ€œIโ€™m just wondering what Iโ€™m going to do if it does.โ€


The sword didnโ€™t fall for a while after that. 

Anna left the party slightly drunk, with Hermesโ€™ number tucked into the pocket of her evening coat. She looked for it later, but couldnโ€™t find it, and sadly concluded she must have left it in the taxi. 

Shortly afterward, her interviews began to take on a different tone.

It began subtly, with Jolena McCall, a popular home decorator, confiding to Anna onstage that she did not like the way modern society was trending. 

โ€œEveryoneโ€™s just feeding into this machine,โ€ McCall mourned. โ€œLike our lives donโ€™t mean anything as long as someoneโ€™s making a profit off of us. Isnโ€™t that depressing?โ€

โ€œUh,โ€ Anna hedged, โ€œshall we talk about that after we finish this centerpiece?โ€ They were halfway through demonstrating how to make a paper flower arrangement from recycled wrapping paper, one of the projects in the new book McCall was supposed to be promoting. 

The decorator gestured with her scissors. Anna ducked. โ€œNo, itโ€™s just,โ€ McCall said, โ€œdo you know what I wanted to be when I was little?โ€

โ€œWhat?โ€ said Anna warily.

โ€œAn astronaut. An astronaut! I wanted to be the first woman on Mars, Annaโ€”it was the dream of my life. How do you go from that to paper flowers?โ€ 

Glancing off-camera, Anna saw Becky, the production manager, making furious cut motions with both hands. She nodded numbly and turned back to Jolena. โ€œThere are always unexpected twists in life,โ€ she said. โ€œYou know, I used to be a junior marketing assistant. Nowโ€”โ€

McCall gently shoved Annaโ€™s shoulder. โ€œYes, but yours was a good twist.โ€ She picked up a paper flower and began shredding it. โ€œEveryoneโ€™s read your interviews, Anna. Youโ€™re living the dream. And Iโ€ฆโ€ 

โ€œYouโ€™re an inspiration,โ€ Anna said firmly. She took McCallโ€™s ruined flower, handed the decorator a scrap of wrapping paper to tear instead, and got back to work on the centerpiece. โ€œYou started your first decorating business at age nineteen. Youโ€™ve been called โ€˜one of the most original and versatile young artists in the field of interior design.โ€™ Your fans adore you. And this bookโ€”โ€

McCall snorted. โ€œI didnโ€™t even write it. I mean, I came up with the projectsโ€”obviouslyโ€”but all the copy was ghost-written.โ€

โ€œAt least youโ€™re open about that!โ€ said Anna desperately. โ€œIโ€™m sure Iโ€™d use a ghost-writer, too, if I had to write a book. Now, about these flowersโ€”โ€ 

โ€œAre they even important?โ€ McCall picked up the flower Anna had just finished and began disassembling it. โ€œArenโ€™t we just comforting ourselves with trifles while the world crumbles around us?โ€

Offstage, Becky appeared to have fallen into despair. Mark, the producer, was signing furiously, but Anna couldnโ€™t understand the signals. The crew looked like they couldnโ€™t decide whether to be amused or horrified.

Anna pressed on. โ€œIโ€™m sure we all feel like that sometimes. Iโ€™ve certainly felt that way.โ€ She put another flower in the bowl. โ€œBut the only thing to do about it isโ€ฆ well, do something, Jolena. Youโ€™ve got a much bigger platform than most people. Why not use it? Use your designs to promote social consciousness or something. Hire underprivileged artistsโ€”use ethically sourced materialsโ€”youโ€™d know better than me how to do it. But do something. Itโ€™s the only way out of the doldrums, I think.โ€

McCall stared at her. Anna stared back, worried both about the dead air and the growing likelihood that her guest was about to walk offstage abandon her with a table full of paper flowers. Mark and Becky watched from the wings in silent, wide-eyed horror. 

Finally, McCall made a little sound like a creaking door. Then she threw her arms around Annaโ€™s shoulders, nearly knocking over the centerpiece. โ€œThank you!โ€ she sobbed. โ€œThat was exactly what I needed to hear. Of course, youโ€™re right, Annaโ€”you canโ€™t go back, you can only go forward. And I have so much forward to go to!โ€ 

Sniffling loudly, she turned back to the audience. โ€œAs Anna said,โ€ she said, โ€œweโ€™ve all got to do what we can, in our own lives, to make the world a better place. And I just wanted to tell you, folks, that I think recycling projects like this centerpiece are so, so importantโ€”getting a little more use out of our Christmas trash before we throw it away.โ€ She brushed her hair back, looking more like herself. โ€œBut there are a lot of other things we can do for the world. We buy so many worthless consumer goods today that we really donโ€™t need, and itโ€™s such a terrible source of waste and pollution…โ€

McCall went on for another five minutes, covering everything from alternate gift ideas to desertification. The audience seemed politely supportive, but was clearly confused. โ€œThank you so much, Jolena,โ€ said Anna finally, wincing as Mark pointed at the clock. โ€œWeโ€™re almost out of time, but I really appreciate you coming to talk to me today. What do you think, folks, are you going to buy the book?โ€ 

The audience cheered weakly. Anna couldnโ€™t blame them; theyโ€™d just been emphatically discouraged from buying anything new for the next year.

She turned to McCall. โ€œAny ideas for your next book?โ€ she said.

โ€œOh, yes.โ€ McCall was holding a paper flowers, staring into it with fire in her eyes. โ€œI have a lot of ideas.โ€

With a nervous laugh, Anna closed the segment. Mark smiled tightly as she passed him on her way offstage. Remembering how many of their sponsors were in the business of producing โ€œworthless consumer goods,โ€ Anna hoped she wouldnโ€™t get in too much trouble for this. 


As it turned out, Anna did not get in trouble for McCallโ€™s rant, but only because the ratings afterward had been so good. She did receive coolly-worded emails from both Mark and Becky, asking her to keep future interviews a little more on topicโ€”but she also received a great many glowing fan reviews. 

I feel so inspired, one comment said. Iโ€™m always so lazy about activism, but watching this really made me feel like I should get off my butt and do something. Annaโ€™s rightโ€”thereโ€™s always something you can do!

Annaโ€™s always right, said another commenter. Anna for president.

Anna for queen, said a third.

Every major interview now led to an even bigger one. Soap opera stars became prime-time stars, which became pop stars and movie stars. When a former president left the set smiling, thanking Anna for โ€œone of the best interviews Iโ€™ve ever had,โ€ she had to retreat to a dark room and lie down.

She tried to keep her interviews tame, but they always seemed to wander into the brambles. A cooking demonstration turned into a debate between two chefs about the situation in Palestine. A singer promoting her new album suddenly came out as bisexual. Teenage actors from a superhero flick began comparing the movieโ€™s premise to US international policy in frighteningly political terms. 

And the ratings kept climbing. Annaโ€™s Hour was moved to evening, then to late-night. The production team didnโ€™t bother with scripts anymore; Mark just handed Anna some suggested talking points and asked that she please try not to start any wars. Everyone knew it wasnโ€™t Annaโ€™s fault that her interviews went off the railsโ€”her behavior as host was always impeccable. It was the guests who seemed determined to doom themselves, and kept finding fresh and exciting ways to do it.

And then, one day, one of them found a way to help Anna doom herself.


It started as an ordinary interview. Her guest was Homer Bulsara, a renowned psychologist, who was plugging a new book heโ€™d written on the psychology of religious belief. Anna had read and enjoyed most of the book as part of her preparation, and theyโ€™d had a rousing conversation about cults, deathbed rituals, religious art, and everything in between. 

She was just beginning to wrap up when Bulsara suddenly said, โ€œAnna, if it isnโ€™t too forward to ask, I was wondering if you subscribed to any particular spirituality?โ€ 

โ€œMe?โ€ said Anna, surprised. โ€œUm, Iโ€™m not really religious, butโ€ฆโ€ 

She found herself touching her rooster brooch, remembering certain things that had happened to her over the past few yearsโ€”coincidences sheโ€™d ignored at the time, moments of serendipity that had stayed with her although sheโ€™d consciously forgotten them. Her research for this interview had been very thorough, and at last she said, โ€œLately Iโ€™ve been looking into Greek mythology.โ€ 

โ€œThe Greek gods?โ€ Bulsara looked delighted. โ€œDo you mean Hellenistic paganism?โ€ 

โ€œNot exactly,โ€ she said, a little embarrassed. โ€œJust the gods as archetypes. The stories are really fascinating. Theyโ€™re all people like we areโ€”they fight, fall in love, play pranks on each other, have childrenโ€”everything humans do. I guess any polytheistic system is going to be like that, but the Greek pantheon was what caught my attention.โ€

โ€œAny god in particular?โ€ asked her guest.

Anna felt an odd sense of reversal, as if she were suddenly the one being interviewed. โ€œHermes,โ€ she said slowly. โ€œI met a man once who had that name, which got me interested. Iโ€™ve read all his myths. Heโ€™s a remarkable figure. Weโ€™re taught in school that heโ€™s just the messenger god, so people think heโ€™s just very fast. But Hermes was also a tricksterโ€”he invented the lyre, for example, and gave it to Apollo so his brother wouldnโ€™t beat him up for stealing his cattle.โ€ A few audience members laughed. 

With an odd wave of fondness, Anna thought of Hermes the man at the party in his golden waistcoatโ€”and before that, sitting on the picnic table in the park, playing his tortoise-shaped ocarina in the summer sun. โ€œSo heโ€™s not just a messenger,โ€ she went on. โ€œHeโ€™s also associated with thieves, music, trade, travel, athletesโ€”even sex. Any kind of movement and exchange.โ€ She paused for another laugh as the audience associated those words with sex. โ€œHeโ€™s known for helping mortals sometimes, apparently just because he liked them. He helped find lost things. He invented fire. He was even a psychopomp. Heโ€™s a tremendously important godโ€”itโ€™s a shame people only remember him for the winged sandals.โ€

โ€œAs a journalist,โ€ Bulsara pressed, โ€œthe aspect of communication must be especially important for you.โ€

โ€œOh, yes!โ€ Anna said. โ€œCommunication is really the root of all human progress. Itโ€™s the only reason weโ€™re not constantly at war. I mean, it may seem like we are, but for a long time war was just sort of the natural state of human societies. Itโ€™s gotten much better since weโ€™ve connected to each other more. Itโ€™s learning new languages, traveling, and generally understanding each other better that lets us see other people as human. In fact, I think itโ€™s through communicationโ€”through cooperationโ€”that weโ€™re going to be able pull ourselves out of the mire of history and up into the stars.โ€

The audience was rapt. Offstage, Mark was staring at her. Anna came back to herself with a sudden start. โ€œSo, you know,โ€ she said sheepishly, โ€œthe idea of a messenger god just really appeals to me.โ€

โ€œYou seem to be very into this,โ€ said Bulsara, smiling. โ€œPerhaps you could start your own Hermetic cult. Thereโ€™s been a lot of interest in the old religions lately.โ€ 

Offstage, Mark pointed sharply at the clock. Anna realized she was on the verge of straying over her time. โ€œIโ€™m not sure thatโ€™s a great idea,โ€ she said. โ€œI probably shouldnโ€™t be put in charge of any religions.โ€ She grinned as her audience laughed again. โ€œIf someone did want to start a cult though, I think people used to sacrifice pigs and goats to Hermesโ€”so you could probably buy him a plate of barbecue and heโ€™d be happy.โ€

She ended the program with a few more light quips, and left the stage thinking sheโ€™d done fairly well. Mark, however, stopped her with a frown. โ€œTry to leave out the weird religion stuff next time,โ€ he said coldly. โ€œWeโ€™ve got a lot of sponsors in the Bible Belt.โ€

Anna apologized, but didnโ€™t think much more of it. As it turned out, she probably should have.


โ€œI didnโ€™t know it was going to turn out like this,โ€ she said three weeks later, standing meekly in front of three of her bosses. โ€œI really didnโ€™t mean anything by it. I was just rambling.โ€

โ€œWell, your rambling has lost us three sponsors just in the last week,โ€ said the CEO, staring at a printout. โ€œAnna, you should have known better.โ€ 

Anna looked out the window of the CEOโ€™s dim office at the crowd waiting far below. Though the weather was cold, and it was drizzling slightly, it was the largest crowd her tapings had ever drawn. In addition to the usual signsโ€”Anna for President, We โค Anna, and the recently introduced Go Your Own Wayโ€”there were many new posters bearing images of palm trees, tortoises, goatsโ€ฆ and roosters. These signs bore slogans like Honk for Hermes, First Church of Hermes, Hermetic Barbecue Club, and simply Go Greek. Many of their owners wore togas. All were chanting loudly. 

โ€œTheyโ€™re very well organized,โ€ said the head of HR, who looked almost admiring. โ€œAre you sure you werenโ€™t involved in this before, Anna? I donโ€™t really see how a movement like this could grow so fast on its own.โ€ 

Anna shook her head helplessly. โ€œI wasnโ€™t involved in it at all. I mean, I saw a couple of comments online, especially after that show was uploaded, but Iโ€™ve been busy. I havenโ€™t participated in any discussions or anything. Itโ€™s justโ€ฆ one of those strange things.โ€ 

The Head of Creative Affairs looked out the window, sighing. โ€œItโ€™s just too weird, Anna. You know we respect you tremendously as a host, but this is not the image weโ€™re trying to project. Weโ€™ve got to stay family-friendlyโ€”there are statues with penises out there!โ€

โ€œHerms,โ€ Anna said, nodding glumly. โ€œTurns out Hermes was a fertility god, too.โ€

The HCA shook her head. โ€œThis is not something we can put back in the bag, Anna. Iโ€™m sorry.โ€

Annaโ€™s stomach dropped. Sheโ€™d always known this would eventually happen, but as the weeks and months and years had passed, sheโ€™d begun to wonder if she might actually get to keep the success sheโ€™d lucked into. โ€œAre you sayingโ€ฆโ€

The CEO looked sympathetic, but firm. โ€œWeโ€™d work it out if we could, but even before all this weโ€™d had a lot of complaints about you from some of our more conservative sponsors. And now youโ€™ve started a pagan religious movement? I mean, if youโ€™d just gotten into Scientology or something, we could have played it off, but this is beyond the pale. I know youโ€™re not fully responsible for how this has taken off, but we just canโ€™t have you associated with the network anymore. You can finish out the season, Anna, and thatโ€™s going to have to be it.โ€ 

Anna nodded slowly, touching her rooster brooch. โ€œThank you for letting me know,โ€ she said. โ€œItโ€™s been an honor working here. Iโ€™ll try and end things on a high note.โ€ With a nod to all her bosses, she left the room.

She was walking down the stairs, cutting home a little early, when her phone began to ring. Answering, Anna was startled to see the name Hermes on the incoming call display. Had she put his number into her phone after all? 

โ€œHello?โ€ she said glumly. 

โ€œAnna!โ€ Hermesโ€™ voice was just as she remembered, rich and jovial, with that slight accent she couldnโ€™t identify. โ€œHow are things going?โ€ 

Anna laughed. โ€œI guess they could be worse.โ€ 

โ€œThings can always get worse,โ€ he agreed cheerfully. โ€I just wanted to check in. Iโ€™ve seen your program. You seem to be doing very well!โ€

โ€œUhโ€ฆ Thanks. I guess so,โ€ Anna said. 

โ€œIโ€™m in the area, as it happens,โ€ said Hermes, clearly unfazed by Annaโ€™s gloominess. โ€œWhy donโ€™t you have dinner with me? Thereโ€™s a lovely-looking new barbecue place over in Midtown Iโ€™d like to try.โ€

Though she was in no mood to be social right now, Anna agreed anyway, and wrote down the name. Maybe a little company would cheer her up.


The restaurant was called the Palm and Myrtle. It was a fusion joint, โ€œinspired by global grill cuisines,โ€ with lots of fried kimchi and grilled fruits and honey glazes on the menu. It was within Annaโ€™s current price range, though she realized sheโ€™d have to start economizing soon if she couldnโ€™t find a new job. Judging by the aromas in the air as she walked in, it would be worth the price anyway. 

She passed through the shady interiorโ€”blue and white tiles on white plaster, false friezes and artificial palmsโ€”and found Hermes waiting at a booth in the center of the restaurant. The moment she saw him, she knew

โ€Youโ€™re him, arenโ€™t you,โ€ she said wearily, sitting down. โ€œHermes. The actual god. Youโ€™reโ€ฆ somehowโ€ฆ actually him.โ€ 

โ€œVery good.โ€ The god looked pleased. โ€œI was afraid Iโ€™d have to convince you. Most mortals these days arenโ€™t so easily persuaded. You must have a healthy imagination.โ€ 

โ€œIโ€ฆ thanks.โ€ Annaโ€™s mind was spinning in circles, rejecting what sheโ€™d just learned. Was she dreaming? But then she must have been dreaming for the last few years.

Hermes waited patiently for her to recover. There was a sense of intense solidityโ€”of realnessโ€”that Anna hadnโ€™t noticed before. Or maybe she had, and that was what had drawn her to him. Somehow he seemed more clearly defined than his surroundings, as if he were a temporary visitor in a landscape that would soon turn to dust. For a god, that must be how it felt to visit the mortal world. Why was he wasting time with Anna, when nothing she did could have any real meaning for him? 

โ€œI guess you heard,โ€ she said. โ€œIโ€™m losing my job.โ€

Hermes nodded. โ€œFor your sake, I am sorry. But it was time, Anna.โ€

She laughed shakily. โ€œTime for what?โ€ 

โ€œI think you know.โ€ 

โ€œTime for me to lead the First Church of Hermes?โ€ Anna shook her head. โ€œI donโ€™t think Iโ€™m quite ready for that.โ€

He smiled indulgently, like an adult listening to a small child. โ€Youโ€™ve done admirably well so far. Why shouldnโ€™t you continue to do so?โ€

โ€œIโ€™ve managed so far because I have this.โ€ Anna tapped the rooster brooch, which felt slightly warm to her touch. โ€œThanks, by the wayโ€”I guess itโ€™s yours.โ€

Hermes beamed. โ€œYouโ€™re welcome.โ€ 

โ€œBut what happens if I take it off? Wonโ€™t I lose this wholeโ€ฆ thing?โ€

He cocked his head. โ€œWhy donโ€™t you try it? Take it off. Iโ€™ll hold it for you.โ€ 

Hesitantly, Anna removed the brooch. She felt a momentโ€™s panic before she gave it to Hermes. What if he didnโ€™t give it back? What if this was how he reclaimed it? But of course, if heโ€™d wanted to take the brooch away, he wouldnโ€™t have needed her help. 

Finally, Anna dropped the brooch into his palm. 

Instantly, she felt a deep sense of loss. She was about to ask for her treasure back, but just then the waiter came to their orders. 

โ€œI believe Iโ€™ll have the pulled pork,โ€ said Hermes, โ€œand, ah, the honey ale, I think. And you, Anna?โ€

โ€œAh, Iโ€™ll have the same,โ€ Anna said weakly. 

With a gracious nod, the waiter took the menus and left, obviously recognizing Anna but not saying a word about it. She made a mental note to come back here if she could. 

โ€œNow,โ€ said Hermes, โ€œwithout the brooch, why donโ€™t you try to articulate exactly how youโ€™re feeling right now?โ€ 

Anna considered. โ€œWell, Iโ€™m a little disappointed that the show will be ending. Honestly, though, I think itโ€™s as much because Iโ€™m afraid of being judged for failure as it is for the sake of the show itself, though of course Iโ€™ll miss it. Andโ€ฆ at the same time, I feel liberated, in a way, because Iโ€™m going to have some free time again, and wonโ€™t have to schedule my whole life around producing the show. And I can say whatever I want after I leave. The network put a lot of restrictions on how I could express myself. Now Iโ€™ll truly be a private citizen, so I can speak much more freely.โ€ She sighed. โ€œOf course Iโ€™m a bit worried, too, because Iโ€™m going to have to start job-hunting soon. Itโ€™s really frightening to be without a job, so on one level I feel like I should be begging the network for a second chance. But I donโ€™t think I will, because that would be an enormous blow to my pride. I have this strange feeling that Iโ€™m doing the right thing here, that Iโ€™m on the right track.โ€ She looked at Hermes. โ€œDoes that all make sense?โ€ 

โ€œI thought it was very well conveyed,โ€ said the god. โ€œYou seem to have no trouble expressing yourself. Now, hereโ€™s your little friend back.โ€ He handed her the rooster brooch, startling Anna somewhatโ€”sheโ€™d forgotten she wasnโ€™t wearing it. 

โ€œSo the brooch was just a placebo?โ€ she said, pinning it back onto her blouse. The thought was strangely disappointing.

โ€œOh, no,โ€ said Hermes, โ€œthe effects were completely real. You can consider the brooch a set of training wheels, if youโ€™d like. It kept you from failing while you were learning new oratory skills, as well as helping you to learn the skills themselves. Wearing it, and exercising your new talents, has made some new connections in your brainโ€”improved your processing speed, so to speak, so that youโ€™re never at a loss for wordsโ€”and changed your brainโ€™s chemical balance to reduce fear and encourage risk-taking. But youโ€™re not going to revert if you donโ€™t wear it. The changes are permanent. My gift to you.โ€ He smiled. โ€œYouโ€™re different now, Anna. Youโ€™re not who you were before.โ€

Anna felt a chill. Her family, too, had often said lately that Anna had changed so much they barely recognized her. โ€What if I want to be who I was before?โ€ she said.

โ€œDo you?โ€ said Hermes. 

She paused. โ€œNo,โ€ she said after a moment. โ€œI love who I am now. I never want to go back to being scared all the timeโ€”it was so miserable and boring! I just wanted to know if it was possibleโ€”if I could go back if I wanted to.โ€

Hermes shrugged. โ€œI suppose so, if thatโ€™s really what you want.โ€ He leaned back as the waiter arrived with their food. โ€œIf you stop using your gifts,โ€ he said, when the waiter was gone, โ€œif you stay away from people, close yourself off entirelyโ€”I suppose that youโ€™d revert more or less to the way you were before. But I donโ€™t believe thatโ€™s what you want.โ€

โ€œNo,โ€ said Anna quickly, picking up her sandwich. โ€œI was never happy before. I was really glad to be able to change. Justโ€ฆ itโ€™s scary, you know? Looking in the mirror and seeing a different person. Hearing a new voice when I talk. I know itโ€™s meโ€”the thoughts Iโ€™m expressing are mineโ€”but at the same time I feel sometimes like thereโ€™s someone else in my head, telling me what to say.โ€ She glanced at Hermes, who was devouring his sandwich with obvious satisfaction. โ€œWhy do you do it?โ€ she said. โ€œWhy did you take the time to help me?โ€ 

โ€Oh, I like to help people out,โ€ said Hermes. โ€œI always have. You mortals are much more interesting than the people I hang around with. Your little dramas burn fast, but hotโ€”I could eat them up like popcorn. And, well, youโ€™re at a disadvantage, arenโ€™t you, against the gods? So I like to help sometimesโ€”especially when the mortal is deserving.โ€ He gave her one of his bright golden smiles. โ€œAs you are, Anna.โ€

โ€œThank you,โ€ Anna said, but her heart wasnโ€™t in it. Sheโ€™d read enough to know that altruism really wasnโ€™t in Hermesโ€™ character. He was a trickster: he never did anything without a reason, or at least without knowing it would benefit him in some way. So how would this benefit him?

And then she had it. โ€œThe movement,โ€ she said, shaking her head. โ€œThe fans. Thatโ€™s what you get out of it, isnโ€™t it? Worshipers. A cult.โ€ 

Hermes winced. โ€œPlease donโ€™t call them that. It has such negative connotations these days.โ€

โ€œAnd what am I, your priestess or something?โ€

โ€œNot if you donโ€™t wish to be,โ€ said Hermes. โ€œOf course I would never press a mortal into involuntary servitude. But as far as Iโ€™m concernedโ€ฆ yes, if youโ€™re happy with the job, Iโ€™m certainly happy to have you in it. Itโ€™s really been a real pleasure to see you come into your own. And thereโ€™s a good deal more work you could be doing, if you wanted to.โ€ 

Anna laughed a little hysterically. โ€œWork? What kind of work? Did you see those people outside today? What am I supposed to do with them? I feel like theyโ€™re my responsibility.โ€ 

He shrugged. โ€œDo as any cult leader doesโ€”use their money and labor to accomplish something interesting.โ€

โ€œWhat? I canโ€™t do that!โ€ Anna said, shocked.

Hermes looked blank. โ€œWhyever not?โ€

โ€œBecause itโ€™s unethical, thatโ€™s why! I donโ€™t want to take peopleโ€™s money!โ€ 

For a moment, the god looked surprised. Then he sighed. โ€œOh,โ€ he said glumly. โ€œYouโ€™re one of those.โ€

โ€œOne of what?โ€ said Anna, a little affronted. 

โ€œMoralists. Restrictivists. Trying to live your lives according to arbitrary rules. Iโ€™ll tell you, my dear, the rules do not apply in many situations. I promise youโ€™ll have much more fun if you can manage to forget them.โ€ 

โ€œBut I donโ€™t want to forget them,โ€ said Anna. โ€œI want to do the right thing. And I want to encourage other people to do the right thing, too. Otherwise, whatโ€™s the point?โ€ 

Hermes shrugged. โ€œSo do it. You have the pulpit. Use it. Your followers are eating out of your hand now. Encourage them to invest in, oh, I donโ€™t know, green energy. Tell them to vote for less offensive political candidates. Have them begin to accumulate land and capital for when the revolution inevitably comesโ€ฆโ€ 

Anna snorted. โ€œIโ€™m not sure thatโ€™s a great idea,โ€ she said. โ€There are already people calling for my head, you know.โ€ 

The god nodded. โ€œTheyโ€™ll do that. But itโ€™s not necessarily a bad thing. Everything I have, you know, I got by making people angry and finding creative ways to mollify them. I suspect youโ€™ll have to do the same.โ€ 

Anna nodded thoughtfully, taking another bite of her sandwich. It was actually very goodโ€”the meat spicy and tender, the sauce a combination of flavors she didnโ€™t recognize. Swallowing, she said, โ€œYou know, itโ€™s funny. Usually when you read about gods helping mortals, itโ€™s stories like Prometheus…โ€ 

โ€œPrometheus was a Titan,โ€ said Hermes dismissively. โ€œAnd irrationally fond of humans. You donโ€™t need another gift like fireโ€”youโ€™ve all done more than enough damage with that. What Iโ€™ve given you is more in keeping with your speciesโ€™ natural capacitiesโ€”skills you might have developed yourself, had you grown up differently.โ€ 

He looked out across the restaurant, his gaze flicking across the waiters in their clean white shirts, the rainstorm brewing outside. โ€œThis world keeps trying to stitch itself together into one big Gordian knot of sickness and corruption and misery. If you can find a way to topple the monolith, Annaโ€”to make people seek their own way, instead of living their lives by roteโ€”you might bring a lot more happiness into the world.โ€ 

โ€œSo Iโ€™m supposed to be a force of disunity?โ€ Anna said dryly. โ€œI wasnโ€™t expecting that.โ€

Hermes laughed. โ€œYes, itโ€™s a bit of a swindle, Iโ€™ll admit. But swindles are my strong suitโ€”I can guide a good swindle better than any crusade.โ€ 

โ€œWhat if I die?โ€ Anna said. โ€œThe networkโ€™s already gotten a couple of bomb threats over all this. Thereโ€™s a very good chance that Iโ€™m going to end up dead if I keep working with this movement.โ€

โ€œYou may be overestimating the danger,โ€ said Hermes. โ€œIโ€™ll still keep an eye on you now that the catโ€™s out of the bagโ€”especially since you are my priestess.โ€ He smiled almost fondly. โ€œBut if you do die, I can offer you a position in the afterlife. I certainly wouldnโ€™t drop such a promising agent just for being postmortal.โ€ He shrugged. โ€œBut of course itโ€™s entirely your choice. If you find this too frightening, Iโ€™ll be on my way, and you may continue your life without any more of my interferenceโ€”and, of course, you may keep the brooch.โ€ 

Anna stared into the amber bubbles rising through her beer. Part of her said that she should walk away nowโ€”go back to Raleigh, see her family, use what money sheโ€™d saved to start a small business or something. 

But the thought of leaving this life behind was incredibly painful. Sheโ€™d already begun to settle into the fabric of the city and the city was seeping into her bones as well. She would always miss it if she went home again. And being in front of a crowdโ€”feeling them all hang on her every word, knowing what sheโ€™d said would stay with them long after sheโ€™d forgotten about themโ€”she couldnโ€™t give that up. This was the most interesting life she could have asked for. She couldnโ€™t go back to anything else. 

โ€œAll right,โ€ she said, beginning to smile. โ€œIโ€™ll be your priestess. What did you have in mind?โ€

โ€œThatโ€™s the spirit!โ€ The god leaned forward, eyes bright as comets. โ€œWell, then. Letโ€™s get started.”



The final taping of Annaโ€™s Hour drew the largest and most enthusiastic crowd ever. When Anna stood at the front of the stage and informed her audience that she would not be returning the next season, their cries and groans shook the ceiling. โ€œI know,โ€ she said, when their outrage had subsided to rebellious mutters. โ€œIโ€™m sad about it, too. But it doesnโ€™t have to be the end for us. Iโ€™d like to take these last few minutes to talk to you about a new project Iโ€™ve been working on.โ€ 

She signaled to the production manager to press play.

A screen lowered from the ceiling, displaying a YouTube video with Annaโ€™s face in the center. โ€œHello,โ€ said the Anna on the screen. โ€œWelcome to the first episode of Annaโ€™s World. Iโ€™m Anna Young, and I think itโ€™s time we talked about the futureโ€ฆโ€ 


Image by TylilJura

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Interview with Ceaseless Way contributor Allegra Gulino

Hello, all! Here’s one more interview with another contributor to our collaborative anthology, Allegra Gulino. Remember, The Ceaseless Way: An Anthology of Wanderers’ Tales is still on sale in paperback for a few more days, so if you’re looking for something to read while you’re home for the holidays, this is a great time to check it out! The paperback version is available here, and the ebook version can be found on a number of platforms here. (If you want to learn more about our collaboration group, Wandering Grove Press, you can join our Facebook group here or follow us on Bluesky here.)

If you missed my previous interviews with Fraser Sherman and Ada Milenkovic Brown, you can check them out here and here.


1.ย ย  Do you think your two stories are a good representation of your usual style and subject matter? Is there anything about them thatโ€™s unusual for you?

My stories in Ceaseless Way are a good representation of my usual style and subject matter because theyโ€™re excerpts from my novel,ย  Monsters Unbound, which Iโ€™ve been working on for about two years. This project has become my world, and its tone is a culmination of a lot of my previous work.

2.ย ย  Whatโ€™s one style or plot element youโ€™d like to โ€œstealโ€ from another contributor?

If I were to โ€˜stealโ€™ from any other contributor here โ€“ which I donโ€™t condone doing โ€“ Iโ€™d probably take Ada Milenkovic Brownโ€™s folkloric elements, Fraser Shermanโ€™s brevity and quick action, Katherine Traylerโ€™s dreamy atmosphere, Rich Matrunickโ€™s sense of peril, Secily Slukerโ€™s metaphysical vision and Arden Brookโ€™s whimsey.

3.ย ย  Are there any anthologies or collections youโ€™ve really enjoyed reading lately?

I recently subscribed to the classic Fantasy and Science-Fiction magazine. While itโ€™s not officially an anthology, its collection of short stories, one or two poems and a few pages of book reviews do feel like one. So far, Iโ€™ve enjoyed diving into a diverse variety of writing styles, genres and themes within its pages (yes, itโ€™s a physical magazine). I always find tales to admire, be intrigued by and sometimes, to figure out โ€“ Iโ€™m not the best at parsing hard Science-Fiction.

4.ย ย  What writers have had the greatest influence on you throughout your writing journey?

There are a plethora of author influences for me, starting with YA classics, The Lion, The Witch and The Wardrobe series by C.S. Lewis, and A Wrinkle In Time trilogy by Madeline Lโ€™Engle. I cannot remember which came first, those two, or when I picked up J.R.R. Tolkienโ€™s The Hobbit, but I was instantly hooked by the wonderful journeys that all three authors illustrate. In High School, I fell in love with Frank Herbertโ€™s Dune series, and Stephen R. Donaldsonโ€™s Chronicles of Thomas Covenant. In class I was awed by Flowers for Algernon by Daniel Keyes, A Separate Peace by John Knowles and Jayne Eyre by Charlotte Bronte. In college, my English Literature major steered me toward classical literature. I came to favor the works of Virginia Woolf, William Faulkner, Lawrence Sterne, William Blake, John Donne, Emily Dickinson, James Joyce and D.H. Lawrence. More recently, Iโ€™ve come to love Ursula Le Guin, Emile Zola, Salman Rushdie, Margaret Atwood, Thomas Pynchon, and Marcel Proust. Over the years Iโ€™ve learned about writing craft (and continue to do so) and also about the attributes that I admire in books, so my reading standards have risen. Though my writing is grouped under the umbrella of Speculative Fiction, Iโ€™ve always read widely.

5.ย ย  What is your editing process like? How long does it take you to bring a story from start to finish?

I edit while I write, instead of throwing the words down quickly and then going back to edit. This is because when I write, my vision for the scene is keen โ€“ I feel a sense of urgency about getting it as close to how I picture it as possible before I move on to the next section. Therefore, Iโ€™m not a fast writer, so focusing on daily word counts would only frustrate me because theyโ€™re usually not very high.ย  I spend lots of time refining and reworking, not just on typing more words, However, once Iโ€™m satisfied with a chapter or section of the piece โ€“ itโ€™s very polished and I donโ€™t need to revisit it often. Then I can tackle what comes next.

6.ย ย  Do you have any hobbies that arenโ€™t related to reading or writing?

I love to sing โ€“ usually karaoke singing, though I was a community choir member for twelve years. I also love music and to dance โ€“ nothing professional. I frequently perform at No Shame Theatre events. Aside from that, Iโ€™m a consummate lap swimmer and gym goer. I also love to hike and to travel. When not out and about, I enjoy staying at our home in the woods, by a creek, where I give attention to our three darling rescue cats, a sixty gallon aquarium, house plants and garden.
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7.ย ย  Are there any songs or pieces of artwork that capture the โ€œvibeโ€ of your stories (or of other stories in the anthology)?

I have a playlist that Iโ€™ve used for writing Monsters Unbound. Itโ€™s instrumental music from classics like Mozart, Franz Liszt, Beethovan, Chopin and Vivaldi, to more recent composers such as Satie, Leonard Bernstein and Leos Janacek, Igor Stravinsky. I also enjoy global pieces from South America, Africa, India, Romani culture and so on. I love composers like Andreas Vollenweider or the Silk Road Ensemble, that have multicultural instruments, rhythms and tunes. That playlist also includes soundtracks, from Bram Stokerโ€™s Dracula, to Merchant and Ivory films, to Frida, to the Lord of the Rings and the Hannibal series. I love music that takes me on a journey, full of pathos, drama, or tenderness, but usually with at least a hint of darkness.

8.ย ย  Are there any real-world places that inspired your two stories?

Absolutely, for Monsters Unbound. To inform and inspire my book, we went to Romania for two weeks last summer to collect information, imbibe atmospheres and explore historical sites. It was a fantastic trip and I want to go back! However, while my two stories in Ceaseless Way are set in real places โ€“ environments that I researched โ€“ they are not specific locations within that backdrop.

9.ย ย  What would be the ideal place and time to enjoy each of your stories? What snacks and drinks would pair well with your stories?

A fascinating question. For Demon, He Called Me, it would add to the atmosphere if you could read it on a dock, by a river or on a boat, so you can hear the water lapping.ย  As far as what to eat, I have two suggestions. The more luxurious would be a caramel/chocolate confection with sea salt, and a port wine. Or a nitty gritty option โ€“ย  sardines or anchovies and water to drink. For The Ortega Wolves Migrate North, some good Mexican fare, like pozole or chalupas, with sangria, consumed in a desert environment or at least near some cacti in a sunroom.


Thank you, Allegra! Happy holidays, everyone. I hope these interviews have inspired you to check out the book! : )


Cover image by GetCovers; original cover concept by Arden Brooks.

anthology, books, collaboration, fantasy, fiction, horror, long stories, professional life, reading, science fiction, short stories, wandering grove press, writing

Interview with Ceaseless Way contributor Ada Milenkovic Brown

Hello, all! Here’s another long-belated publicity post for our new collaborative anthology (The Ceaseless Way: An Anthology of Wanderers’ Tales). This week, contributor Ada Milenkovic Brown talks about her two stories in the anthology and what led her to write them.

Again, if you’re interested in picking up a copy of this book, this is a great week to do so. The paperback version will remain on sale for $9.99 USD until January (at which point it will return to the normal price of $12.99). If you prefer ebook, it’s available on a number of platforms for $5.99 and will remain at that price. If you want to learn more about our collaboration group, Wandering Grove Press, you can join our Facebook group here or follow us on Bluesky here.

If you missed my previous interview with Fraser Sherman, you can check it out here. One more interview with contributor Allegra Gulino should be up in a couple of days.

(Ada also interviewed me, Fraser, and Allegra for this promotional mini-tour, so please check out those interviews as well!)


Headshot of Ada Milenkovic Brown
  1. Do you think your two stories are a good representation of your usual style and subject matter? Is there anything about them thatโ€™s unusual for you?ย 

    I think In Valleys is absolutely spot on the sort of thing I usually write, including the love story elements.ย ย 

    I was actually intending to write something more fantasy based for my Bigfoot story, Nnnโ€™s Children, but it just came out more realistically than I expected. Other than that, it is my style to write as plausibly as possible within the framework of the story world. So maybe it is in my usual style too.

  2. Whatโ€™s one style or plot element youโ€™d like to โ€œstealโ€ from another contributor?

    If I could bottle Rich Matrunickโ€™s tone/mood/voice in Fading, I would bathe in it, metaphorically speaking. Other than that, I envy everyone elseโ€™s apparent ease with getting their stories to arc in a satisfying way. It is so so hard for me to find that in the initial stages of writing my fiction.

  3. Are there any anthologies or collections youโ€™ve really enjoyed reading lately?

    I loved and learned a lot about what makes stories work from Charlie Jane Andersโ€™ collection Ever Greater Mistakes.


  4. What writers have had the greatest influence on you throughout your writing journey?

    When it comes to writers Iโ€™ve read, itโ€™s Zenna Henderson, Ray Bradbury, N. K. Jemisin, and Jeffrey Ford. I would say the writers whoโ€™ve had the greatest influence on me as teachers were Octavia Butler, Andy Duncan, Walter Jon Williams, and Nancy Kress.


  5. What is your editing process like? How long does it take you to bring a story from start to finish?

    Sometimes it takes me weeks, sometimes it takes me years. For the regular editing, I just pick away at it, like a painter adding a dab of paint here and there, until I can make it different, but I canโ€™t make it better.ย  My real pitfall is plot holes and endings.ย  These are what take me a long time sometimes to find the inspiration to realize where the story needs to go. But Iโ€™ve gotten better at that over the years.


  6. Do you have any hobbies that arenโ€™t related to reading or writing?

    Singing. Iโ€™m a lyric soprano and have sung solos in performances with choirs and at weddings and funerals. I tend to get asked to sing more funerals than weddings. I donโ€™t know what that says.

    Iโ€™m also an oboist.

    Acting, although a case could be made that figuring out how to portray a character onstage is very akin to writing a character.

    Hiking and cycling, but I sometimes get story ideas while Iโ€™m moving around out in nature, so maybe thatโ€™s related to writing too.

    I do origami to relax.


  7. Are there any songs or pieces of artwork that capture the โ€œvibeโ€ of your stories (or of other stories in the anthology)?

    I vibe with surrealist paintings for the most part, such as: Paul Delvauxโ€™s The Village of the Mermaids and just about any painting by Leonora Carrington. In fact, Leonora Carringtonโ€™s work could fit with our entire anthology.


  8. Are there any real-world places that inspired your two stories?

    Because five of my published stories take place in particular spots in North Carolina, I decided to continue writing a collection made up entirely of stories based in particular places in that state (where I live).ย  Littleton, NC and Medoc Mountain State Park nearby have had Bigfoot sightings, and that is why I wrote a Bigfoot story set in that locale.

    Although the medieval village in my In Valleys story is fictional, the original 1860 story itโ€™s based on mentions a nearby village that does exist. It was my discovery that the nearby village was in East Germany near the (Communist period) wall that triggered the ideas for In Valleys Where Eternities Lie.


  9. What would be the ideal place and time to enjoy each of your stories? What snacks and drinks would pair well with your stories?

    Thereโ€™s never a bad time to read. But otherwise, good lighting and a comfy chair, sofa, bed.ย  Although I think readers might feel an extra resonance if they read Nnnโ€™s Children outside, say under a shady tree.

    Apples figure into both of my stories, so maybe readers should eat an apple when they read them. Otherwise, I usually like having a glass of wine when I read.
Photograph of apples on a sunlit, leafy tree branch.

Thank you, Ada, for your interview (and for your amazing leadership in getting the contracts hammered out!). Tune in soon for one more interview and a bit more information about the anthology from my perspective.


Cover image by GetCovers; original cover concept by Arden Brooks. Headshot by/of Ada Milenkovic Brown. Apple tree image by kiyu_01.

anthology, books, collaboration, fantasy, fiction, horror, long stories, professional life, reading, science fiction, short stories, slipstream, Uncategorized, wandering grove press, writing

An interview with Fraser Sherman of ‘The Ceaseless Way’

Hello, all! As I mentioned in my last post, our anthology group, Wandering Grove Press, has put out our first anthology: The Ceaseless Way: An Anthology of Wanderers’ Tales. The paperback version is on sale for $9.99 USD until the new year, so this is a great time to pick up a hard copy if you’re interested in one. If you prefer ebook, it’s available on a number of platforms for $5.99 and will remain at that price.

This is a collaborative effort, and so I’d like to introduce you to some of my collaborators. In that spirit, here’s an interview I conducted with Fraser Sherman, a North Carolina-based writer of nonfiction and speculative fiction, whom I’ve known since I was part of the Durham Writers’ Group more than ten years ago. For more details about Fraser’s two stories in our anthology, you can read his blog posts here and here (and check out his blog in general–he updates daily and has a lot of interesting things to say!)

(Fraser also interviewed me and two other collaborators, Ada Milenkovic Brown and Allegra Gulino, so please check out those interviews as well!)


Photograph of Fraser Sherman, smiling
  1. Do you think your two stories are a good representation of your usual style and subject matter? Is there anything about them thatโ€™s unusual for you?

    Impossible Things Before Breakfast is very much my cup of tea. Historical fantasy, 1970s (the decade of my teen years. I have a lot of affection for it). Fiddlerโ€™s Black is darker and messier than usual for me.

  2. Are there any anthologies or collections youโ€™ve really enjoyed reading lately?

    Janet and Roger Carden of Crimson Streets, an online pulp magazine, gave me copies of several anthologies of stories theyโ€™ve published (I was in the first one). Theyโ€™ve been fun to read.

  3. What writers have had the greatest influence on you throughout your writing journey?

    HP Lovecraft has influenced a number of my stories, including Fiddlerโ€™s Black, though none of them turned out classically โ€œLovecraftian.โ€ Arthur Conan Doyle and Raymond Chandler have influenced the style of some of my writing. And the Kaye Gibbons quote I mention below is a big influence on my editing.

  4. What is your editing process like? How long does it take you to bring a story from start to finish?

    No telling. It takes me several drafts to figure out where the storyโ€™s going, then a couple more (usually with beta-reader feedback) to work out the plot so it flows smoothly. Then I edit for errors, spelling and word choice. The novelist Kaye Gibbons says you should write until the next word is inevitable โ€” I donโ€™t think I usually succeed at that, but itโ€™s what I aim for.

  5. Do you have any hobbies that arenโ€™t related to reading or writing?

    Bicycling. Baking bread. Watching movies. Occasionally I do sudoku.

  6. Are there any songs or pieces of artwork that capture the โ€œvibeโ€ of your stories (or of other stories in the anthology)?

    Fiddlerโ€™s Black was inspired by Abbaโ€™s โ€œDum Dum Diddleโ€ but it ended up poles apart.

  7. Are there any real-world places that inspired your two stories?

    I used Durham NCโ€™s Bean Trader coffee shop for a scene in Impossible Things Before Breakfast.

  8. What would be the ideal place and time to enjoy each of your stories? What snacks and drinks would pair well with your stories?

    Your call, readers! If you read them eating something I hate, I wonโ€™t complain.

Thank you, Fraser, for your interview (and for being our rock and general tech wizard throughout the creation of this anthology). Tune in soon for more interviews and a bit more information about the anthology from my perspective!


Cover image by GetCovers; original cover concept by Arden Brooks.

anthology, books, collaboration, fairy tales, fantasy, fiction, flash, horror, long stories, professional life, reading, science fiction, short stories, slipstream, updates, wandering grove press, writing

Anthology Release: The Ceaseless Way

Cover image for The Ceaseless Way: An Anthology of Wanderers' Tales. Cover shows an androgynous figure with a backpack starting to walk onto a winding road that leads through a rocky desert.

Hello, all! I’m happy to report that after three years, our collaborative anthology, The Ceaseless Way, is now on sale in ebook and paperback formats. A lot of work has gone into this project, and though there have been bumps in the road, we’re really proud of the project we came out with.

This is a speculative fiction anthology (mostly science fiction and fantasy, with a little bit of horror), and each of the participating writers contributed two stories. Besides myself, the writers involved are Fraser Sherman, Ada Milenkovic Brown, Secily Luker, Allegra Gulino, Arden Brooks, and Rich Matrunick. “Wandering Grove Press” is the name we’ve given to what’s essentially an online writing co-op. The book is self-published, but a lot of time and work went into it.

The paperback version will be on sale for $9.99 until the new year, at which point it will go up to $12.99, so if you’re interested in purchasing a hard copy this is the best time to do it. The ebook version will remain at $5.99. If you’d like to follow our group for updates, you can find us on Facebook here or on Bluesky here.

I’m a little behind on my publicity posts, but check this space for the next couple of weeks for interviews with some fellow authors and a couple of insights into my own stories in the antho, “We Go Hiking” and “Jenny and the Fairy Queen.”


Cover image by GetCovers; original cover concept by Arden Brooks.

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Upcoming Projects: Haunted Houses Collection, Baubles from Bones, and Journeys Anthology

Hello! Sorry to have left you hanging for months and months. I’m not great at blogging regularly, but I guess you know that by now.

Here’s what I’ve been up to lately:

My largest ongoing project (besides my ever-in-progress fantasy series THE VOID AND THE RAVEN) is a collection of ghost stories, tentatively titled HAUNTED HOUSES. This is a long-term project I’m hoping to finish and self-publish in the next five years, or possibly sooner if I’m able. It will include new editions of older stories like “Wake Your Ghost” (which you can read here) and “Spirits in the Dark” (a novelette first published by JMS Books, which unfortunately didn’t get much attention although I was really fond of it). I also hope to include stories like “The Angel,” which you can currently see in Literally Dead: Tales of Holiday Hauntings by Alienhead press, and about fifteen other stories now in various stages of development. I’m currently editing another novelette called “The Woman at the Top of the Stairs,” which is a gothic romance story set in Prague, and hope to start sending it out soon.

On the subject of publications, I have an announcement to make! A very cool new magazine called Baubles from Bones has chosen my story “The Feast of the Changes” for publication in its inaugural issue. “Feast,” inspired by Where the Wild Things Are, is a soft, dreamy fantasy story about a boy traveling the world with his best friend: a large, furry monster. I had a great time writing it, and I’m really happy that it found a home with this venue. You can read the magazine (or purchase a copy) here.

Cover image for Baubles from Bones, issue 1

There’s one more project I wanted to let you know about: some friends and I are putting an anthology together. It’s a collaborative project on the theme of “Journeys,” and it’s been in the works for a few years now. Everyone involved is a writer friend and occasional critique partner (including several from the Durham Writers’ Group), and all of us write speculative fiction of one stripe or another. Since late 2020, we’ve been batting things back and forth on Discord, deciding the anthology’s theme and parameters and editing each other’s contributions. Given that coordinating with other writers is like herding cats under the best of circumstances, and adding the specific complications of having to play chat-tag across disparate time zones, we had some trouble keeping things going, and there’s been a lot of trial and error involved in this process. But we’ve kept going, and we’re almost finished, and we’re pretty excited about it.

We’re hoping to publish the anthology in September. It will probably be released as an ebook first and then in hard copy. I’ll let you know about preorders as soon as they’re available. If you’d like to receive updates, you can join our Facebook group here.

Contributor Allegra Gulino has also created a Facebook page where you can see promotional artwork she’s created for this project.

We’re really looking forward to telling you more about this project as we get closer to publication time. In the meantime, thank you for tuning in, and have a great month!

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I’m back

Hello, all! Sorry I went so long without an update. I was a bit busy GETTING MARRIED!

Photograph by Denise Cerniglia. The picture shows two women in lacy floor-length gowns standing by the shore of a lake near dusk. The woman on the left is slim and has light skin, short brown hair, and glasses. She is wearing a short-sleeved, high-necked black gown with a small train. The woman on the right is heavier, with light skin and long reddish-purple hair. She is wearing a lacy blue dress with a low neckline. On her head is a small silver headpiece or tiara. Her arms are around the other woman's waist. The women are looking at each other and look happy. In the background is a wooded hillside. The leaves on the trees are beginning to turn yellow and red.
Photo by Denise Cerniglia

In late October, Fran and I went to the US with her mom and two cousins for our wedding, which was held at the home of my mom and stepfather with a lot of our friends and family attending. We had a wonderful time and are really happy. I wish more of Fran’s family could have been with us, but we’re hoping to go to Sicily as soon as possible and have a reception with her friends and family there.

So… what haven’t I talked about while I was shopping and making moodboards?

The main thing is that I have another anthology publication to announce! Very belatedly, too. My story “The Angel” appeared in Literally Dead: Tales of Holiday Hauntings, edited by Gaby Triana and published by Alienhead Press. The book came out in late September (sorry, I was busy! see above) and can be purchased in paperback or Kindle edition here.

Book cover for 'Literally Dead: Tales of Holiday Hauntings.'

This is a horror anthology, but I did not have my horror boots on while I was writing this piece. My story features a lingering ghost who doesn’t approve of a family member’s life choices and starts to make problems around the holidays. A reader close to me described the tone as “warm.” But I loved writing it, and I hope you’ll love it, too.

Promotional image featuring a short author bio for Katherine Traylor, a headshot of the author backlit and smiling at the camera, and two copies of the anthology's cover (one in paperback and one displayed ona  tablet).
Look, it’s me! I feel very professional.

By the way, I mentioned this before but didn’t give you a link: another of my stories, “Sea People,” was recently published in the anthology Fish Gather to Listen by Horns & Rattles Press.

Cover image for 'Fish Gather to Listen.'

This is a horror anthology based around the sea, and my story is a slightly futuristic flash piece set in a seaside town. I’d love it if you’d check it out. I haven’t quite gotten through all the other stories, but the ones I’ve read have been terrific.

Have a lovely weekend, and dream of ghosts and spooky things–

Kate

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Upcoming publication: ‘Fish Gather to Listen’

Hello! I’m happy to announce that my new flash piece “Sea People” has been accepted for publication in Fish Gather to Listen, an upcoming horror anthology by Horns & Rattles Press.

The book will be out quite soon (maybe as soon as August), but there’s a Kickstarter in progress with stretch goals to make it extra fancy. Check it out, and I hope you’ll check out the anthology when it’s published. : )

Best,
Kate

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Slightly Sweetly, Slightly Creepy

I’ve been listening much more to Spotify lately. What’s most fun for me is making playlists, which reminds me of burning mix CDs when I was in college. Here’s one I made of songs that felt longing or wistful, including a lot of old favorites and others that just came up on shuffle.

I’ve been submitting a lot of stories lately, which slowed down progress on my novel but was a lot of fun. For some reason there’s a big market currently for short stories about evil mermaids, so I’ve written three in the last few months. One of them, “In the Nevergo,” was recently published in Dangerous Waters: Deadly Women of the Sea, an entire anthology of evil mermaid tales I was delighted to take part in. The others were a bit different in subject matter, and I hope to tell you more about them later.

I’ve also been dipping my toe back into poetry in the last year or so, with mixed results. I used to write poems quite a lot in high school, but they were very strange and I never shared them with anyone. Lately I wrote sets of poems for two different calls for submissions. None of them were accepted, but I’ll keep practicing.

Here are some very strange ones I’d forgotten I wrote last year. The project was called “The Unquiet Nursery,” with the idea being that each poem would be structurally based on a famous nursery rhyme but have much darker subject matter. About half of them were terrible, but I kind of liked these. I wonder if you can guess which nursery rhymes they’re based on.

1 I am not going to sleep.
The lines have gone too deep.
There’s whispering sin
Upon my skin
And something is starting to weep.

2 My little love
Is up above,
Pretending she is an angel.
But in her wings,
Unholy things
Are burning like a candle.

3 My little dumpling
Really is something,
Sunning herself to sleep.
She cannot be killed
She cannot be held
She only can rattle and weep.

4 Go to school,
Little fool.
See what they do
Before they come for you.
They’ll take your home and they’ll take your lands,
They’ll crush your heart and they’ll cut off your hands.
The strongest house is the one that stands,
So go to school.

5 Something in the atmosphere
Has made me very cold.
The sun is full of cinders
And the stars have all been sold.
I cannot look away from it.
I cannot break the spell
That echoes in the twilight
Like the tolling of a bell.

6 Into the dark!
Into the night!
Sing with the nightingales!
Drink delight!

Out of the dark.
Back from the night.
Gone are the nightingales.
All is quiet.

7 Mary Artless,
Vain and heartless,
How did you sink so low?
The sons you should have cared about
Are running like wolves in the snow.

8 First comes the matter of the monster,
Next comes the matter of the nun,
Then comes the matter of the long walk
Into the valley of the sun,
And last is the matter of the silver star
And how the world was won.

9 Pretty little Mabel,
Sitting at the table,
Softly tells me,
“Life is like a fable.
But I don’t know the lesson
I was meant to learn
When I left my homeland,
Never to return.”

I guess they’re basically doggerel. But so are the originals they’re based on. Anyway, it was fun writing them.

One more thing to tell you about: I have an upcoming publication in a friend’s anthology! My friend Sonya Lano has been working tirelessly on Slightly Sweetly, Slightly Creepy, an anthology of gothic romance, and the book will be out on April 29. My story, “The Wind Chimes,” is probably more “romantic gothic” than “gothic romance,” but I had a lot of fun writing it. The book is available for preorder here, and I’d love it if you checked it out.

Lots of love to all of you. I hope you’re doing well.

Best,
Kate

Public-domain image of a hand holding a pen, apparently writing, at a sunlit desk with papers and a white coffee mug on it. The sleeve of a cozy gray sweater is visible.
fantasy, fiction, professional life, Uncategorized, updates, writing

Writing updates

Stayed up late last night finishing edits on two stories, which I wanted to submit to two different anthologies both due the same day. Thanks to the feline ballet that started as soon as I got in bed, I got about four hours of sleep, but there was a very nice sense of accomplishment in getting those stories done and submitted. Of course, I received a very flippant rejection note only a few hours after sending one in, but at least it gave me the opportunity to slide the story under the wire for another submission call due today.

Back to work now on THE VOID AND THE RAVEN, my ongoing fantasy epic that was meant to be a single novel and is now looking at at least six parts. Two volumes are done. I could submit them for publication, but I’d rather get to the end and edit the whole series together for the sake of cohesion. I’ve been working on this story in different incarnations since about 2010, and I’m about three years into this particular try. I’m guessing at least another three to five years until the whole series is completed. (Of course, if someone wants to give me several hundred thousand dollars, I can stop doing other paid work and start writing full-time, which should speed up the process immensely.)